Offers an analysis of the main trends and issues in Spanish film since the death of Franco in 1975. While taking account of cinema during the Franco dictatorship, the text focuses principally on developments in the since the 1970s. Acknowledging the breadth and diversity of Spanish film production since the ending of the regfime and the transition to democracy, this study includes chapters on Spanish film's concern with the past on popular film genres (including the comedy and the thriller), representations of gender and sexuality, and the work of women film professionals, both behind and in front of the camera, as well as film produced in Spain's autonomous communities, particularly in Catalonia and the Basque Country. The book examines the work of established directors, such as Carlos Saura, Victor Erice, Pedro Almodovar, Pilar Miro, Bigas Luna and Josefina Molina, as well as new talents, such as Julio Medem, Juanma Bajo Ulloa, Alex de la Igelsia, Iciar Bollain, Isabel Coixet and Marta Balletbo-Coll.
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Book Description
Editorial Reviews
About the Author
Barry Jordan is Professor of Hispanic Studies at De Montfort University, Leicester. Rikki Morgan-Tamosunas is Principal Lecturer in Hispanic Studies at Thames Valley University.
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First Sentence:
One of the most prominent features of Spanish cinema since the end of the dictatorship in 1975 has been its obsessive concern with the past. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
canna rica, hombres sois iguales, mitad del cielo, ardilla roja, ley del deseo, film subsidies, madre muerta, perro del hortelano, historical cinema, rural genre, toilet humour, santos inocentes, soy esa, ser divertido, film policy, women filmmakers, crazy comedy, genre cinema, film output, film concerns, million pesetas, younger directors, film professionals, screen violence Key Phrases - Capitalized Phrases (CAPs): (learn more)
Civil War, Bigas Luna, Carlos Saura, Bajo Ulloa, Belle Epoque, Imanol Uribe, Vicente Aranda, Oxford University Press, Spanish Cultural Studies, Marsha Kinder, New York, Pedro Olea, Josefina Molina, Alex de la Iglesia, Eva Lesmes, Francesc Bellmunt, Gonzalo Herralde, Julio Medem, Victor Erice, Costa Brava, Jorge Sanz, Luis Garcia, New Spanish Comedy, Second Republic, Victoria Abril New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
One of the most prominent features of Spanish cinema since the end of the dictatorship in 1975 has been its obsessive concern with the past. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
canna rica, hombres sois iguales, mitad del cielo, ardilla roja, ley del deseo, film subsidies, madre muerta, perro del hortelano, historical cinema, rural genre, toilet humour, santos inocentes, soy esa, ser divertido, film policy, women filmmakers, crazy comedy, genre cinema, film output, film concerns, million pesetas, younger directors, film professionals, screen violence Key Phrases - Capitalized Phrases (CAPs): (learn more)
Civil War, Bigas Luna, Carlos Saura, Bajo Ulloa, Belle Epoque, Imanol Uribe, Vicente Aranda, Oxford University Press, Spanish Cultural Studies, Marsha Kinder, New York, Pedro Olea, Josefina Molina, Alex de la Iglesia, Eva Lesmes, Francesc Bellmunt, Gonzalo Herralde, Julio Medem, Victor Erice, Costa Brava, Jorge Sanz, Luis Garcia, New Spanish Comedy, Second Republic, Victoria Abril New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 13
books:
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19
books
cite this book:
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- Spanish Cinema: A Student's Guide (Hodder Arnold Publication) by Barry Jordan in Front Matter, page 60, and page 110
- The New Spaniards (Penguin Politics and Current Affairs) by John Hooper on page 110, and page 155
- Cultural Studies: Volume 7, Issue 3 (Cultural Studies Journal) by Lawrence Grossberg on page 155, and page 203
- Play It Again SAM by Woody Allen on page 142
- Snow White (level 2) (Scholastic Readers) by Melissa A. Torres on page 50
See all 13 books this book cites
- Contemporary Spanish Cultural Studies by Barry Jordan in Front Matter (1), Front Matter (2), and page 212
- European Film Theory and Cinema: A Critical Introduction by Ian Aitken on page 254, and Back Matter
- Spanish National Cinema (National Cinemas) by Núria Triana-Toribio on page 9, and Back Matter
- The Cambridge Companion to the Spanish Novel: From 1600 to the Present (Cambridge Companions to Literature) by Harriet Turner on page 239, and page 250
- Spanish National Cinema (National Cinemas) by Núria Triana-Toribio on page 9, and Back Matter
See all 19 books citing this book
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