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Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832 (Cambridge Studies in Romanticism)
 
 
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Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832 (Cambridge Studies in Romanticism) [Hardcover]

James Watt (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

0521640997 978-0521640992 June 28, 1999
This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterized at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.

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Editorial Reviews

Review

"James Watt argues that generic labels need to be re-examined, with greater attention given to the historical specificity of certain "so-called Gothic" works. This is an exciting historicist study that provides important contextual material for Gothic scholars." British and American Literatures

"...Contesting the Gothic is impressively researched, well-documented, and convincing in its claims." Jeffrey Andrew Weinstock, Journal of the Fantastic in the Arts

"The exposition is lucid, the reasoning scrupulous, the tone measured and never polemical. The book can be recommended to anyone as the model of a focused and thoroughly professional investigation that carves out a niche of originality in a very crowded literary shelf." Eighteenth-Century Studies

Book Description

This historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole to Scott, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between writers or works. Watt examines the novels' political import and concludes by looking ahead to the fluctuating critical status of Scott and the Gothic, and perceptions of the Gothic as a monolithic tradition, which continue to exert a powerful hold.

Product Details

  • Hardcover: 218 pages
  • Publisher: Cambridge University Press (June 28, 1999)
  • Language: English
  • ISBN-10: 0521640997
  • ISBN-13: 978-0521640992
  • Product Dimensions: 9 x 6 x 0.7 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #8,438,613 in Books (See Top 100 in Books)

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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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3 of 4 people found the following review helpful:
5.0 out of 5 stars A refreshing and forthright contribution to the subject, July 14, 1999
By A Customer
This review is from: Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832 (Cambridge Studies in Romanticism) (Hardcover)
What can I say. This is a must buy for anyone with even a vague interest in Gothic Literature. Watt manages to totally re-evaluate a series of widely held premises surrounding the very core structure of 'Gothic' as a totallity. It should be part of your collection.
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3 of 7 people found the following review helpful:
5.0 out of 5 stars Respect, February 11, 2000
By 
Elroy Alexander (Flamstead End, England) - See all my reviews
This review is from: Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764-1832 (Cambridge Studies in Romanticism) (Hardcover)
Tome it may concern: big up to the Buffa from the Flamstead End massive!

Cuffley and Goffs Oak been dissing the Gothic for too long, but there ain't no contesting it now - tha Buffa has spoken and HIS WORD IS LAW.

Walpole, Scott - the whole damn lot; your reputation is on a firm footing.

Respect.

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Inside This Book (learn more)
First Sentence:
While literary critics have often signalled their confusion about the meaning of The Castle of Otranto, they have nonetheless been virtually united in seizing upon the second edition's subtitle, 'A Gothic Story', and locating the work as the point of origin for a whole genre. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
first poetess, escapist fiction, supernatural machinery, first preface, ancient ballad, modern romance, second preface, medieval setting
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Loyalist Gothic, Strawberry Hill, The Bride, Ann Radcliffe, Netley Abbey, Clara Reeve, Walter Scott, Contesting the Gothic, Sicilian Romance, Sir Roger, Gaston de Blondeville, Monthly Review, Mort Castle, Edinburgh Review, King Richard, Richard Hurd, The Antiquary, The Robbers, Charlotte Smith, British Critic, Earl Strongbow, Tales of Wonder, Alfonso the Good, General Preface, Gentleman's Magazine
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