Contra

Vampire Weekend | Format: Audio CD

Product Details

• Audio CD (January 12, 2010)
• Original Release Date: January 12, 2010
• Number of Discs: 1
• Label: XL Recordings
• ASIN: B002JN74WI
• Also Available in: Audio CD  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.0 out of 5 stars  See all reviews (139 customer reviews)
• Amazon Best Sellers Rank: #1,231 in Music (See Top 100 in Music)
  • #68 in Music > Alternative Rock > Indie & Lo-Fi > Indie Rock

Track Listings

1. Horchata

2. White Sky

3. Holiday

4. California English

5. Taxi Cab

6. Run

7. Cousins

8. Giving Up The Gun

9. Diplomat's Sun

10. I Think UR A Contra

Editorial Reviews

Like the first album, Contra was produced by keyboardist Rostam Batmanglij and is the realization of a whole and unique musical vision that sees the band stretching out and adding new textures, instrumentation, and rhythms into their sound.Primarily recorded in New York with a springtime sojourn to Mexico, Contra feels altogether fresh, joyous, and like nothing else but is immediately recognizable as the sound of Vampire Weekend.

Most Helpful Customer Reviews

99 of 119 people found the following review helpful

5.0 out of 5 stars Excellent follow-up January 12, 2010

By Dr. Rock

Format:Audio CD

After releasing their debut album, Vampire Weekend seemed to face a dilemma. They could either make another album with more of the same or completely change their sound. Either way, they were bound to receive scorn from critics. But somehow, they managed to evolve while still maintaining their signature sound. Anyway, let's get down to business...

Track by track:

"Horchata" - A great opener that sets the tone for yet another summery, poppy indie release from Vampire Weekend. The use of marimba and kalimba is new yet sounds very fitting. (9/10)

"White Sky" - This song has been played by the band for at least a year before they recorded it. I'm glad to see it was finally recorded. (7/10)

"Holiday" - A straightforward pop song with obvious ska influence. Instantly catchy. (8/10)

"California English" - Interesting use of auto-tune. I never thought someone would use auto-tune in a way that wasn't blatant and annoying. (8/10)

"Taxi Cab" - This is new territory for the band. Ezra sings in a low voice, buried under strings and programmed piano pieces. Very calming track with some of their best lyrics yet. (9/10)

"Run" - Things pick back up with this track which was instantly one of my favorites. The arrangements are very engaging on this one. The choruses are instrumental but quite effective. (9/10)

"Cousins" - When I first heard this song I didn't really care for it because I had only heard it live. Once I heard the recording, I was converted. It seems to capture the spirit of A-Punk but I feel like it lacks a hook. The ending makes up for it though. (8/10)

"Giving Up The Gun" - I was so excited to hear that this song would be on Contra.... Ezra's old hip-hop band, L'homme Run, recorded an old version of this song years ago called "Giving Up Da Gun," and I used to listen to it nonstop. Very glad to see that they went back to the well. (10/10)

"Diplomat's Son" - This track is the band's longest song yet and features some vocals done by Rostam during the bridge. I really dig the white-guy-reggae vibe. I found it especially funny when Ezra mentions that he "smoked a joint." (10/10)

"I Think Ur A Contra" - Hands down my favorite song on the album. The band truly ended the album with their masterpiece. Not only are the lyrics in this song their most sincere, but the arrangement they used is among their strongest. The subtle atmosphere paired with their first ever use of acoustic guitar makes the song sound genuinely heartfelt and sets it apart from their repertoire. (10/10)

Overall, I think this album is on par with their debut and I will be spinning it nonstop for months to come. Read more ›

33 of 44 people found the following review helpful

4.0 out of 5 stars Strong second album January 11, 2010

By Randy Connelie

Format:MP3 Music|Amazon Verified Purchase

Vampire Weekend's second album, Contra, is a strong followup to the self-titled debut album. Their peppy rhythms are intact, as is the distinctive instrumentation. In short, you'll likely enjoy Contra if you enjoyed their first album.

At times, I was reminded of Paul Simon's Graceland and Rhythm of the Saints albums. Lead singer Ezra Koenig's voice and loose lyrical rhyming/pacing sound like long-lost tracks from those discs. This vibe is compounded by the percussion and some simple sprightly-sounding picked guitar.

A few of the songs on Contra are a bit slower and/or more melancholy than any found on their previous album. This is a conscious effort by the band, and will probably be the crux of any "album sucks" vs "album is awesome" disagreements And this is also part of the reason for my 4/5 star rating: whereas the first album's closing tracks were a satisfying combination of energy followed by denouement, Contra's conclusion leaves me longing, feeling unfulfilled. But that's not because the music isn't good, but because it successfully affected me. (and then I play the album again)

11 of 14 people found the following review helpful

4.0 out of 5 stars The lack of surprise is a little disappointing... February 5, 2010

By Andrew Ellington VINE™ VOICE

Format:MP3 Music|Amazon Verified Purchase

The truth is, if you were a fan of Vampire Weekend's debut album then you will be a fan of `Contra', their similarly styled sophomore effort. The album is very good, but sadly it does suffer from sounding too much like their debut. There is nothing new thrown into the mix and so it doesn't excite as much as it could have. Lyrical content, musical arrangements and overall mood at times feels like a carbon copy of their self titled debut.

I still really like this album, and their fans will too, but if you (like me) were looking for them to expand and really embellish their already vibrant sound then you'll be letdown a tad by the familiarity of `Contra'.

The blatant standouts (in a bad way) are `California English' and `I Think Ur a Contra'. The blatant standouts (in a good way) are `Run', `Cousins' and `Giving Up the Gun' (and thankfully these three run back-to-back-to-back). I really hate the idea of auto-tune, and the way that it is used on `California English' is so irritating I wanted to scream. The thing is that I like the songs construction musically, but the vocals are such a distraction that I'm forced to skip it whenever it comes on. The closing track, `I Think Ur a Contra' leaves me at quite the contradiction. I like the idea of branching out (this is the most unique song on the album) and I LOVE the earnest lyrics, but the way it all comes together is kind of bland and awkward. The playful double meaning of the word Contra is awesome but it is lost in the almost dullness of the song itself. On the other hand, `Run' and `Cousins' are so stunningly captivating, from start to finish. I love the breakdowns on `Run' ("I am with you-ou-ou-ou") and `Cousins' is just outstanding.... It reminds me of Incubus infused with Sublime run through the Vampire Weekend machine, and that ending is ridiculous (as in AWESOME)! `Giving Up the Gun' is the best track on the album and battles `M79' as the best song they've ever penned (both are so different yet equally masterful). I love the unique quality found on this track. It really sets itself apart and is instantly memorable. It reminds me of a modernized version of a Police song, something definitely vintage in flavor with relevant packaging.

And I love the hip-hop influences, no matter how subtle they are (subtle is a good thing).

I love the reggae influences that the incorporated into their debut, and I really like `Diplomat's Son's use of it. In fact, this had the chance of becoming my favorite song on the album, but where some of their songs come across as `half songs' because of their length (or lack there of), this song simply wares out its own welcome. At one second over six minutes, the chill becomes almost dull by the songs ending. If they had halved this one it would have been perfect. A little after the three minute mark they shift directions briefly in an awkward transition before stepping up the pace and then falling back into that awkward musical interlude.

Missed opportunity.

`Horchata' and `Taxi Cab' are good songs yet they lack a real pop. `Taxi Cab; especially comes off slightly bland. The band has to refine their attempts at that mellow sound. They have to strike the balance so that they can deliver a mellow `balladesque' track without coming across close to dull. I think that `Horchata', like `Mansard Roof', is a great way to represent (and or open) the album, even if it doesn't prove the best on the album. `White Sky', while not as stellar as `Oxford Comma', is a step up and a great way to truly kick off the album. I love the playfulness of the song, but again, it falls into resembling too closely their debut album. `Holiday' is a good example of taking what made their debut so great and coloring it with a life it's own so that it recalls but doesn't outright copy their previous efforts. I also applaud the track for feeling complete despite the two-minute running time.

So, this is a good album, and one that will definitely please the band's fans. I hope that with their third album they can really expound on their sound and give us something that, while true to their style and sound, takes us by surprise. Read more ›

5 of 7 people found the following review helpful

3.0 out of 5 stars Average - Step Down From Their Previous Album January 13, 2010

By Tesoro

Format:Audio CD

I was expecting more from this great band. I really enjoyed their first album. The album is good, but none of the songs on this album really stuck in my memory.

11 of 16 people found the following review helpful

3.0 out of 5 stars 3.5 stars-Vampire Weekend stay in their groove January 14, 2010

By B. Martin

Format:Audio CD

One of the tests that young new bands face, especially ones with the poetential for greatness, is the follow up album. Vampire Weekend's debut album made them instant indie rock stars, earned them critical acclaim and also burdened them with the pressure of trying to equal or surpass thier first record. What's a band to do when facing those kinds of expectations?

As it turns out, Vampire Weekend play it safe on their latest release. Contra feels very much in the same musical vein as its predecessor with its mix of reggae, african pop and Graceland era Paul Simon. For the most part the band sounds similar to the one that delivered some of 2008's biggest indie hits including A-Punk and Oxford Comma. The guys do stretch just a little bit by throwing in some synth and electronic beats and a sample in Diplomat's Son. But for the most part, they don't stray too far from the formula that worked so well for them 2 years ago.

I just wish they had delivered a couple of killer singles this time out. Nothing on Contra matches the hooky delights of their first record. Part of this may be attributed to the band's apparent effort to stay true to their musical roots and style while trying to move in new directions at the same time. This struggle puts a bit of a strain on the record. It's almost as if you can sense that the band is trying to make a record that will be both popular and critically acclaimaed rather than just cutting loose and having fun. That was a major part of the allure of their epinomynous debut.

At this point, it's too early to label Vampire Weekend a great band, but this is only their secdond album. For now, they are a very good band and they have delivered a very good album. Maybe next time out they will relax and let the greatness come naturally.