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Conversations with Edward Albee (Literary Conversations)
 
 
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Conversations with Edward Albee (Literary Conversations) [Paperback]

Philip C. Kolin (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0878053425 978-0878053421 January 1, 1988 1ST
Edward Albee has reigned over the American theater since 1959. By transporting the techniques of European absurdism to American soil, he ushered in a new era in the American theater. He has said he won two and one-half Pulitzers---one for Delicate Balance, one for Seascape, and the one-half supposedly for Virginia Woolf, which the Pulitzer committee denied to Albee in 1962 because they objected to the language of the play.

Albee's numerous roles and achievements are reflected in the lively interviews in this collection. These reveal the many sides and responses of one of the most significant dramatists of our age. In them we see the poised and guardedly amiable Albee; the angry Albee; the speculative and philosophical Albee; the historical-critical Albee; and the witty Albee.

Albee talks knowledgeably and frankly about every phase of staging his plays---the many personalities involved in the process and the playwright's prerogatives, which he jealously guards.

These twenty-seven interviews contain a rich sampler of Albee's own scathing wit, his wry humor, and his sometimes biting, sardonic innuendo. His targets are many---the New York theater critics, television, Hollywood and films, complacent America, and lazy audiences.


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Editorial Reviews

From Library Journal

$15.95. theater For his addition to the "Literary Conversations" series, editor Kolin has selected 27 of the more than 125 interviews Albee has given. Arranged chronologically, they cover the years from his first success in 1961 with Zoo Story to 1986. As the foremost American avant-garde playwright, Albee discusses his plays, the creative process, the critics ("ignore them"), and the state of American theater, which he finds to be thriving in experimental and university settings. Since all the interviews are quoted in full, there is much repetition of information. Still, this is of interest to serious theater students and deserves to be in most theater collections. Marcia L. Perry, Berkshire Atenaeum, Pittsfield, Mass.
Copyright 1988 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 258 pages
  • Publisher: University Press of Mississippi; 1ST edition (January 1, 1988)
  • Language: English
  • ISBN-10: 0878053425
  • ISBN-13: 978-0878053421
  • Product Dimensions: 8.9 x 6 x 0.7 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,994,646 in Books (See Top 100 in Books)

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5.0 out of 5 stars Better than his writing, April 14, 2006
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This review is from: Conversations with Edward Albee (Literary Conversations) (Paperback)
I first heard of Edward Albee in a foreward he wrote for a collection of plays by Noel Coward. I assumed, if he was someone influenced by the New Renaissance man, I would enjoy his plays. I've read 6, and hate them all. Zoo Story isn't too bad, the rest are good plays, just not my cup of tea. However, this is not what this book is about. Like James McNeill Whistler, he speaks his philosophy when he is SPEAKING it far better than when he is painting, or, in this case, writing. Albee is a genius, and his conversations inspired me and helped me formulate much of my personal views of theater and life.
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Inside This Book (learn more)
First Sentence:
We had a talk last week with Edward Albee, the thirty-three-year-old playwright whose three one-act plays now on the boards Off-Broadway have established him as the critics' current man-of-promise. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Edward Albee, New York, Jeanne Wolf, Miss Gordon, United States, Delicate Balance, Tiny Alice, Peter Adam, Tennessee Williams, Ballad of the Sad, The Lady, Pulitzer Prize, Miss Faber, Neil Simon, Miss Young, Soviet Union, Western Union, Counting the Ways, Dramatists Guild, John Simon, The Sandbox, Hartford Stage Company, Richard Barr, Actors Studio, Central Park
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