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Conversations with Jim Harrison (Literary Conversations)
 
 
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Conversations with Jim Harrison (Literary Conversations) [Paperback]

Robert Demott (Editor)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Literary Conversations May 6, 2002

Jim Harrison (b. 1937) is well known for his blunt, brave style in prose, poetry, screenplays, and nonfiction. In Conversations with Jim Harrison, the Michigan-born writer's directness and passion shine throughout.

Conversations with Jim Harrison is the first-ever collection of interviews by this well-known, prolific writer whose books include twenty-two volumes of poetry, fiction, and nonfiction published over a period of thirty-six years. In addition to standard literary forms, he has written sporting essays, reviews, literary journalism, food columns, and almost twenty screenplays.

Harrison, a writer devoted to small presses and independent bookstores, has a formidable reputation as a recluse and defender of his privacy. However, he has been open to interviews in America and abroad, particularly in France, where he is very popular.

Conversations with Jim Harrison features interviews given between 1976 and 1999. Although the conversations vary in length, most are traditional questions and answers. In these Harrison has the opportunity to develop his responses fully and cover a wider range of topics than he can in the briefer, profile pieces.

Harrison discusses his peripatetic early life, his desire to be a poet since he was sixteen, and his subsequent "quadra schizoid" attraction to writing poetry, fiction, nonfiction, and screenplays.

A literary outsider who prefers rural life Harrison talks in detail about his colorful, eventful life. He also explores the mutual enrichment he received from nature and civilization.

He talks specifically about a number of his important books-- including Wolf, Legends of the Fall, Sundog, Warlock, and The Road Home. Harrison speaks eloquently about habits of mind, aesthetic choices, intellectual resources, and psychological contexts in his writing. By turns thoughtful, cantankerous, witty, and erudite, his voice reveals a man fully given over to the single-minded pursuit of the art of writing.

Robert DeMott is the Edwin and Ruth Kennedy Distinguished Professor of English at Ohio University in Athens. His recent books include Steinbeck's Typewriter: Essays on His Art (1996), Dave Smith: A Literary Archive (2000), and The Weather in Athens (2001).


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Product Details

  • Paperback: 276 pages
  • Publisher: University Press of Mississippi (May 6, 2002)
  • Language: English
  • ISBN-10: 1578064562
  • ISBN-13: 978-1578064564
  • Product Dimensions: 9 x 5.7 x 0.8 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,088,595 in Books (See Top 100 in Books)

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12 of 12 people found the following review helpful:
5.0 out of 5 stars Great for fans and for inside info about the lit scene!, January 27, 2003
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Jeff Potter "outyourbackdoor" (Williamston, MI United States) - See all my reviews
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This review is from: Conversations with Jim Harrison (Literary Conversations) (Paperback)
I'm glad I found this book. You know a writer has finally made it when "they" start publishing books ABOUT him, eh?

Jim is a great writer, poetic in a totally accessible way. Don't like poetry? Read his and you'll be a convert.

Jim is a GREAT conversationalist. This book lets you into that world for the first time. This is a compilation of all his major interviews along with some rare ones. As the preface says, there is some repetition in them, but it wears well and shows what is important to Jim.

(I bought the "True Bones" book as well: the bio-pics of the longhair 70's days is great, the cover art is great, but the academic writing style is unreadable. It's a PhD paper in hardcover. Caution flag unless you're fluent in artspeak.)

In "Conversations" we get great insights into the guy and the game. How many top writers today hammer at MFA's like he does? He's pretty honest about Hollywood as well. Hey, his pals there helped him when others wouldn't. He's up front about that and about the banality of the place as well. At the same time, he gets high on the power, the talent and the $1000 dinners. Who wouldn't? He keeps the books as open as anyone.

We have to admit in this country that if someone wrote the actual literature that would keep our culture alive THEY WOULD STARVE TO DEATH. I think Jim is very clear about this. I'm not sure how many other writers who 'made it' are as candid. But he's a 'flyover' and values candor like so many here do.

American literature isn't dead. There are writers out there who have picked up the ball and have been moving it further all these years since Jim was in his prime. They just haven't seen print yet due to the MFA stranglehold. But not for long! "Flyover" spirit lives in the Underground Literary Alliance...The ULA is the first group to do something about the racket and tragedy that Jim laments about in his interviews.

For such a huge talent, I hate to say anything at all detracting, but we fans have our rights. I have one complaint: Harrison lets some of the obligatory Hollywood vibes into his books. It's the "old geezer gets the hot babes" thing. But Jim has always been up front about his need to pay the bills and play the ONLY game that writers are allowed to play if they don't want to teach or starve: the game with Hollywood. It's either feast or famine. (The ULA is changing this!)

Another thing is the jet-set stuff. His characters and even his memoirs tend to be about idle rich guys causing trouble in fancy and rustic places. His rich writer friends from the 70's often used the same plot. It's fine enough, but runs a little short on relevance. The rich aren't like you and me. They aren't even like themselves much of the time, if you consider the theme of confusion in their work. Yeah, I know it's silly: take out the cross-generation sex and jet-setting and what's left? (The Michigan woods all alone?) Where's the tension? Well, that's for the writer to worry about. : ) Jim's dualism of cabin/mansion, stew/caviar is of course like catnip even while a part of it bugs me. He's marvelously joyous about his fancy dinners and famous friends so I'm happy to call it art and not fret about it. He sure is more candid than others about this kind of thing. What else is he supposed to do really. Well, on a different vein: use that bully pulpit more. He's always railed against the MFAs but with his clout now it would stick.

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2 of 3 people found the following review helpful:
5.0 out of 5 stars Harrison is God, February 23, 2007
This review is from: Conversations with Jim Harrison (Literary Conversations) (Paperback)
Well, he's not God I guess, but the wisdom he espouses over the course of these interviews (and in his fiction and poetry) will serve anyone well who has questions on how to live in this world or the more Natural one.
I've highlighted and underlined my "Bible" as any student would.
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Inside This Book (learn more)
First Sentence:
When I turned up Deep Creek Road the sheep bordered the cattle guard and their "ba ba ba bahhs" seemed to reflect the question: why would anyone live here? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
false memoir, food columns, three novellas
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Jim Harrison, Legends of the Fall, Brown Dog, Jack Nicholson, Michigan State, The Woman Lit, United States, Stony Brook, Upper Peninsula, John Huston, Los Angeles, Grand Marais, Traverse City, Henry Miller, Lake Leelanau, Sam Lawrence, San Francisco, Warner Brothers, Houghton Mifflin, Kevin Costner, Key West, Seymour Lawrence, Sherwood Anderson, Sports Illustrated
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