Amazon.com: Conversations with Losey (9780416404708): Michel Ciment: Books

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Conversations with Losey [Hardcover]

Michel Ciment (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Language Notes

Text: English (translation)
Original Language: French

Product Details

  • Hardcover: 320 pages
  • Publisher: Law Book Co of Australasia; First edition. edition (July 25, 1985)
  • Language: English
  • ISBN-10: 0416404707
  • ISBN-13: 978-0416404708
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #8,064,663 in Books (See Top 100 in Books)

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5.0 out of 5 stars Inspiring, thought-provoking, fascinating, endearing, May 9, 2011
This review is from: Conversations with Losey (Hardcover)
Having been impressed over the years by a number of memorable movies directed by Joseph Losey, I recently found myself on a quest to watch all his films. (Unfortunately, a few remain very hard to find.) Wanting to know more, I found this volume, which is a gold mind of information about Losey and his amazing career.

Edited down from many, many hours of interviews, this is an absolutely fascinating book. Losey comes off as that rare artist able to discuss his work without ego, and to talk about about conflicts and problems with collaborators (and even producers) with humor and understanding and without rancor. His reflections on the impact of the Hollywood Blacklist on himself and others gave me a more vivid impression of that phenomenon that I've ever found elsewhere. He discusses every stage of his career, including his collaborations with Brecht, Charles Laughton, Harold Pinter, Dirk Bogarde, Liz and Dick, Tennessee Williams, Alain Delon, Jeanne Moreau, Jane Fonda, etc.

While Losey's intellectual and aesthetic insights are invariably interesting, so are his occasional comments about technical challenges (difficult camera shots, working within budgets, etc.). And a few times his anecdotes made me laugh out loud (as when he describes his first meetings with the Burtons.)

For fans of Losey's work, or for anyone interested in knowing more about independent filmmaking from the inside, this book cannot be too highly recommended.
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