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Editorial Reviews
From Publishers Weekly
Starred Review. Woody Allen biographer Lax has been conversing with the elusive, beloved film director for 36 years, and here's the proof: transcripts of their detailed shop talk distilled into chapters covering seven elements of filmmaking-writing, casting, shooting, etc.-and Allen's career as a whole. Despite a reputation for being odd and unapproachable, the man revealed in these dialogues is likable, forthcoming and even humble: "It's just not in me to make a great film; I don't have the depth of vision to do it." Fans, of course, will want to argue otherwise, but they'll be too absorbed by this fascinating, decades-long discussion to register the grievance. From the tremendous stable of actors Allen has directed-especially former muses Diane Keaton and Mia Farrow-to the deceptively intriguing details of editing Another Woman, Lax's interviews are penetrating but far from formal, giving readers the unique opportunity to hear Allen's thoughts on projects-in-progress (everything from Bananas to Match Point) and to join him on location. Fans will find a trove of Woody-on-Woody insight (heavy on second-guessing, light on personal details), and there's much advice for the aspiring artist: "The key is to work, enjoy the process, don't read about yourself... and keep your nose to the grindstone." Even casual fans will appreciate this work; with a handy index for tracking down favorite films and something interesting on nearly every page, it's a perfectly browsable volume. B/w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Fascinating . . . Readers will find a trove of Woody-on-Woody
Starred Review. Woody Allen biographer Lax has been conversing with the elusive, beloved film director for 36 years, and here's the proof: transcripts of their detailed shop talk distilled into chapters covering seven elements of filmmaking-writing, casting, shooting, etc.-and Allen's career as a whole. Despite a reputation for being odd and unapproachable, the man revealed in these dialogues is likable, forthcoming and even humble: "It's just not in me to make a great film; I don't have the depth of vision to do it." Fans, of course, will want to argue otherwise, but they'll be too absorbed by this fascinating, decades-long discussion to register the grievance. From the tremendous stable of actors Allen has directed-especially former muses Diane Keaton and Mia Farrow-to the deceptively intriguing details of editing Another Woman, Lax's interviews are penetrating but far from formal, giving readers the unique opportunity to hear Allen's thoughts on projects-in-progress (everything from Bananas to Match Point) and to join him on location. Fans will find a trove of Woody-on-Woody insight (heavy on second-guessing, light on personal details), and there's much advice for the aspiring artist: "The key is to work, enjoy the process, don't read about yourself... and keep your nose to the grindstone." Even casual fans will appreciate this work; with a handy index for tracking down favorite films and something interesting on nearly every page, it's a perfectly browsable volume. B/w photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Fascinating . . . Readers will find a trove of Woody-on-Woody