101 of 104 people found the following review helpful:
5.0 out of 5 stars
Graduate Level Courses on Prima Materia, December 1, 2003
This review is from: Cooking by Hand (Hardcover)
You buy this book for culinary inspiration and insights into how the very greatest chefs think. It's most proper neighbors on your bookshelf are titles such as Eric Rippert's `A Return to Cooking', James Beard's `Delights and Prejudices', and Mario Batali's `Simple Italian Food'. Each of these volumes, in their own very personal ways explore the authors' inspirations and love of food.
This volume combines monographs on ingredients, personal memoirs, and exacting techniques into a web of very enlightening recipes and insights.
Paul Bertolli is the owner and executive chef of the restaurant Oliveto in Oakland, California and a former head chef at Alice Waters' Chez Panisse. Unlike Jeremiah Tower, Bertolli makes no mention of Waters except for the obviously shared devotion to fine, local ingredients. Instead, I am delighted to see him acknowledge assistance from Harold Magee and several other culinary academics.
If Mario Batali gives us the college courses in proper Italian cuisine, then Paul Bertolli gives us the post-graduate training, citing in the introduction the Elizabeth David epigram that `Good Cooking is Trouble' meaning that good cooking requires painstaking effort with lots of circles and switchbacks in one's path to mastery.
The book is in no way a traditional cookbook and anyone who buys it just for the recipes will be missing over half the value. The eight chapters comprising the bulk of the book deal with some materials and techniques at the heart of Italian cuisine.
The first topic deals with respect for fresh ingredients. This begins Bertolli's illuminations on the life of ingredients such as polenta, artichokes, zucchini, spring vegetables, eggplant, olives, mushrooms, and pears. The book reveals something new and exciting about each material and breaks a few rules along the way. In explaining the methods for curing olives, the author also begins offering the reader an entrance into a wonderland of new ways to be involved with our food.
The second main topic is an essay on `Ripeness'. It stresses that good cooking does not come from recipes but from looking at and listening to your ingredients.
The third topic is tomatoes and looking at them for color, juice, essence, shape, sauce, conserva, complement, braise, container, condiment, and side dish. This section contains many tomato based recipes, but the real gem is the discussion of `conserva', a preparation similar to tomato paste, but a much more potent carrier of flavor.
The fourth topic is an essay on the techniques for making balsamic vinegar plus the ways of using young, middle-aged, and old balsamico.
The fifth topic is a primer on pasta making. This takes one beyond Mario's well method into a world of fussiness about the quality of the wheat which rivals the obsessions of the very best artisinal bakers. This chapter is worth the price of admission.
The sixth topic is entitled `Bottom up cooking' and introduces at the reader to meat `sugo' which is created by the repeated browning and deglazing of meat and broth until you reach a concentration of flavor I have never seen discussed before in depth, although it is similar to the French notion of `jus'.
The seventh topic treats pork and the many ways of curing pork including the making of sausage and ham. While there is enough information here to give one a credible start at salume, the author points out that this is a skill which requires a substantial amount of practice. Even if one never touches a sausage casing or a meat grinder, this chapter is well worth the background it gives to assist one in respecting their ingredients.
The last major topic is devoted to menu building, mostly by working backward from the dessert. This section should be very familiar to Chez Panisse devotees, where daily menus were built upon the produce of the day. Like Chez Panisse and some other very high end restaurants, Olivato presents fixed price tasting menus with several courses, each paired with an appropriate bottle of wine.
I suspect there are people who will buy this book and be disappointed because all they wanted was a book of good Italian recipes. If that is what you want, check out Marcella Hazan, Lidia Bastianich, or Giuliano Bugialli. This book has very good recipes, but it includes so much more. I give Bertolli and his editors extra credit for giving a complete list of all the recipes at the beginning of the book, since the recipes are not organized by chapters one commonly uses to find them.
The book also includes a better than average list of sources to support the author's emphasis on excellence. There are few photographs and very few color photographs. I don't miss them.
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34 of 34 people found the following review helpful:
5.0 out of 5 stars
Farmhouse cooking raised to high art, July 13, 2006
This review is from: Cooking by Hand (Hardcover)
There are many cookbooks out there that treat food as secondary. Their first concerns are time [Rachel Ray's focus on 30 minute recipes], waistlines [a new diet cookbok every day], money [cooking on a budget], impressing the neighbors [cooking quick, vapid, and flashy tray-foods], etc. It's remarkable, even in our food-neurotic culture, that so few cookbooks deal first and last with FOOD. Paul Bertolli's Cooking by Hand isn't just focused on food, it is passionately, single-mindedly, worshipfully, crazily in love with food and with ingredients, and with food's ability to draw friends and family together. This lusty focus generated a book like no other. In it, Bertolli efuses about tomatoes, engages in much hearty gesticulating about pork trimmings, goes on for seven pages about home prosciutto-making, writes a tear-jerking letter to his infant son about balsamic vinegar, and philosophizes at some length about terroir as a metaphor for human development. And, somehow, he pulls it off. His enthusiasm is infectious. My overwhelming sense of Paul Bertolli after reading this book [and cooking from it] is that he is totally, profoundly, madly in the thrall of good food. He makes other chefs look tepid or undercommitted. I'd probably have a hard time working for him, in the face of such over-riding passion every day, but I will be travelling 1,000 miles to his restaurant this fall because he's ignited in me a hunger that eschews caution.
I am happy to report that the recipes stand up to all the heavy breathing. The conserva of tomatoes has revolutionized my sauce-making. The illuminating instructions for sugo have caused some very quiet, almost prayerful pasta courses at my table. The Bitter Orange Cake with Compote of Blood Oranges is one of those foods that will end a meal in such a way that you will feel haunted for weeks until you get it in your mouth again.
I highly recommend this book, both as cookbook and as a gospel.
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35 of 38 people found the following review helpful:
4.0 out of 5 stars
Cooking by Hand by Paul Bertolli, September 2, 2003
By A Customer
This review is from: Cooking by Hand (Hardcover)
Paul Bertolli's first book, "Chez Panisse Cooking", is a wondrous book of recipes and thoughts, and his years at Chez Panisse produced many meals that helped validate that restaurant's stellar reputation. His new book, "Cooking by Hand", definitely satisfies expectations. The essay style of Bertolli's ideas and approaches goes even broader and deeper than before, with more fascinating information and suggestions for achieving elemental cooking that coaxes the true and utmost tastes from the ingredients. His descriptions of how to find the most flavorful cornmeal for polenta, the curing of prosciutto, and numerous other techniques is seldom shared information that is both fun and instructive to read. My only demerit for the book is the lousy paper that it is printed on. I'm suprised that Clarkson Potter, charging [so much] for this volume, cheaped out on paper where the type bleeds through the pages and the nice black and white photos are not given the resolution they deserve. These deficiences are in marked contrast to the high quality of authorship and overall concept. Hopefully a later edition will remedy these shortcomings. Meanwhile, enjoy this book - a valuable addition to the cook's library.
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