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Cool Hand Luke [Blu-ray] (2008)

Paul Newman , Stuart Rosenberg  |  PG |  Blu-ray
4.6 out of 5 stars  See all reviews (497 customer reviews)

List Price: $14.97
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Cool Hand Luke [Blu-ray] + The Sting (Blu-ray + DVD + Digital Copy) + The Hustler [Blu-ray]
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Product Details

  • Actors: Paul Newman
  • Directors: Stuart Rosenberg
  • Format: Multiple Formats, Blu-ray, Color, Dolby, Dubbed, NTSC, Original recording remastered, Restored, Subtitled, Widescreen
  • Language: Spanish (Dolby Digital 2.0 Surround)
  • Subtitles: English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish
  • Dubbed: Spanish, French, German, Italian, Japanese, Portuguese
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 2.40:1
  • Number of discs: 1
  • Rated: PG (Parental Guidance Suggested)
  • Studio: Warner Home Video
  • DVD Release Date: September 9, 2008
  • Run Time: 126 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (497 customer reviews)
  • ASIN: B0017TYPIG
  • Amazon Best Sellers Rank: #16,793 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Cool Hand Luke [Blu-ray]" on IMDb

Special Features

Behind the Story
Commentary by Eric Lax (Noted writer and Paul Newman-biographer Lax discusses the films importance to Newmans career and its place in American cinema history.)
A Natural-Born World-Shaker: Making Cool Hand Luke - RT: 28:47. (An in-depth look at the creation of an uncompromising classic, including an unblinking profile of novelist, co-screenwriter and the real “Cool Hand Luke” Donn Pearce.)
Theatrical Trailer

Editorial Reviews

A defiant chain-gang prisoner suffers a "failure to communicate" in this searing drama. Paul Newman Shines in the title role, George Kennedy as his sidekick won an Oscar(R). Year: 1967 Director: Stuart Rosenberg Starring: Paul Newman, George Kennedy, J.D. Cannon

Customer Reviews

Most Helpful Customer Reviews
80 of 88 people found the following review helpful
5.0 out of 5 stars It's sweltering out there, in there, anywhere November 27, 2002
Format:VHS Tape
This movie is anything but cool. The characters are rough, foul, and awkward. The setting is realistic and harsh. It takes place in the scorching sun and humidity. There's many a scene of sweat and overheating men. Luke, though, is cool. He's the figure of composure; he's classy, smart, proud, and witty, but he rarely talks, keeping aloof. Or he's independent free man who won't let anyone get him down.
There's a scene when he bluffs his way to victory in a poker match, thus his nickname "cool hand Luke". Another scene has him fighting with another inmate until he's nearly unconscious, but he never surrenders. Yet another has him eating 50 eggs in an hour for a bet, and he doesn't give up. And I think this is the metaphor for the rest of the film. You can either see him as a cocky stubborn man, or more appropriately, a man who won't give up his freedom. He's thrown in prison and chain gang labor for a case of petty vandalism during a drunken stupor, yet he never utters a word about it, even during the most humiliating or painful punishment, but his conviction and sentence are hardly a matter in this film. Here is a man who is troubled and dysfunctional (as the story slightly exposes), but is already in an advanced state of personal freedom. Though he'd like to be living a normal life, searches for it, and deserves as much, he doesn't need it. He's spiritually and mentally invincible, and eventually it leads to his ultimate fate.
Cool Hand Luke is a marvelous film. It's one fourth romantic, three fourths gritty reality. Paul Newman and the gorgeous cinematography are the romance. Newman nearly carries the film. Here's this movie star, a charismatic leading man who liberally uses his smile to get himself through scenes, but he immerses himself into his character.
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40 of 47 people found the following review helpful
5.0 out of 5 stars My favorite movie of all time. May 18, 2000
By Stan
Format:DVD
And I really mean it. They used to show this film often on the Superstation. When I was twelve, I watched it; the next time it came on, I taped it, and watched it probably more than 50 times over the next few years (I didn't know for a long time that the TV version has several scenes cut out for length, so getting it on video was a new revelation). What is it about "Cool Hand Luke" that is so moving? Well, it starts with Paul Newman's performance. Lucas Jackson is one of the most psychologically complex characters in the history of cinema, and Newman, criminally denied the Oscar for this film, makes him seem larger-than-life without saying much. Everything that comes out of his mouth is a revelation. The Christ allusions, which are fittingly done, heighten the sense of injustice that Luke is being slowly crucified by the lawmen, simply because he won't bend to their rules. On the surface, Luke seems self-destructive and ignorant, but in repeated watchings of the film, it becomes apparent that Luke is answering to a call that is bigger than the prison, bigger than the bosses, bigger than the law itself. I could go on and on about the myriad other ways in which this film is perfect, but why bother? I only get 1,000 words. Suffice it to say that this is the movie that makes George Kennedy, of all people, seem noble. YOU MUST SEE THIS FILM. The only flaw: I grew up in Georgia, and I can assure you that it is not filmed where it is set. Looks more like the Central Valley of California to me.
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29 of 34 people found the following review helpful
5.0 out of 5 stars "Sometimes nothing can be a real cool film." February 15, 1999
By A Customer
Format:VHS Tape
The first time I saw "Cool Hand Luke" I was not overly immpresed with it. I thought he was a "punk" who had desevedly fallen on hard luck.I have since seen the movie ten-twelve times. I think a lot can be learned about "Luke" (Paul Newman)in the scene when his mother goes to visit him. It is clear that he always wanted to please his mother, but he ended up more like his father. Arletta(Luke's mother) makes allusions to Luke's father not being good at sticking around. From the start, there have been many people who have left Luke far behind. The girl from Kentucky, all of his mates, he lost in the War, and finally his mother when she passed on. This was the "final straw" so to speak. Luke was going to run for sure. The true beauty of "Luke's" character was the fact that he was able to give many people, hope without having any of his own. He makes two references to "The Man Upstairs". Once in the rain asking his to just let him know that he is up there, and another time letting him know that he felt cheated. Every man in that camp loved and respected "Luke". "Dragline"(George Kennedy)called Luke "a natural born world shaker". I could not have put it any better myself. I felt this was a top-notch screen play, and the acting was incredible. I have not seen Newman give a better performance. Kennedy was well deserving of the "best supporting actor" Oscar. Look closely for Dennis Hopper, Joe Don Baker, Harry Dean Stanton and many others. This film should be on everyone's must see list.
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7 of 7 people found the following review helpful
5.0 out of 5 stars An underrated classic September 19, 2005
Format:DVD
I've seen this movie many times and caught it on TV again this weekend, only reminding me what a classic it is, easily among the best of all time.

Paul Newman plays Luke, an unbreakable spirit trapped in a place, and among men, determined to break him. That spirit, though, is as much his strength as it is his burden. As the story progresses, the audience comes to identify, not so much with Luke himself, but with his prisonmates. We're in silent awe of his guts when he won't stay down in the fight scene with George Kennedy, we root for him on the edge of our seats during the oft-referenced egg eating scene, we watch with pity as he digs and fills the ditch - the guards working him to the breaking point, and we cheer like mad as he takes off in the same guards' truck, shackles be damned.

It could easily be regarded as Newman's best acting. I wouldn't disagree with that, but won't go that far myself only out of respect for his other all time great performances (e.g. The Hustler, Butch Cassidy, The Color of Money, The Verdict, and so on).

Also, as a "prison movie", as much as I hate to lump this classic into such a narrow sub-genre, it is by far the best I've seen and its influence on future films of that genre, the good ones and the bad ones (e.g. Escape From Alcatraz, The Shawshank Redemption, and so on), is blatantly obvious.

In short . . . a classic, definitely in my personal top ten of all time.
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