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Copenhagen Paperback – August 8, 2000
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Frayn's cunning conceit is to use the scientific underpinnings of atomic physics, from Schrödinger's famous cat to the Heisenberg uncertainty principle, to explore how an individual's point of view renders attempts to discover the ultimate truth of any human interaction fundamentally impossible. To Margrethe, Heisenberg was always an untrustworthy student, eager to steal from her husband's knowledge. To Bohr, Heisenberg was a brilliant if irresponsible foster son, whose lack of moral compass was part of his genius. As for Heisenberg, the man who could have built the bomb but somehow failed to, his dilemma is at the heart of the play's conflict. Frayn's clever dramatic structure, which returns repeatedly to particular scenes from different points of view, allows several possible theories as to what his motives could have been. This isn't the first play to successfully merge the worlds of science and theater (one is inevitably reminded of Tom Stoppard's Arcadia and Hapgood), but it's certainly one of the most dramatically successful. --John Longenbaugh --This text refers to an alternate Paperback edition.
“Superbly dramatized…. [Frayn] has an elegant, almost algebraic way with the structure of a play…. Copenhagen offers a particular kind of brain-teasing pleasure.”–John Lahr, The New Yorker
“Scintillating…. A dazzling fugue.”–San Francisco Examiner
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Top Customer Reviews
Other reviewers have talked about the life history of the scientists, so I'll just sketch out more details about the piece itself. First of all, what an important and revelatory decision Frayn made in including the character of Margrethe, Bohr's wife. In his play, she is the intellectual equal of the physicists, wryly commenting about how many versions of each position paper she spent time typing. Her character makes this play unlike so many science-based dramas before it, because she is a woman and an outsider. Her humor, her humanity and her anger towards Heisenberg's for his involvement with the Nazis...all these issues keep the play grounded in real life, make it palpable to modern audiences not necessarily schooled in the fundamentals of atomic theory. It also insures that the play isn't just the typical strutting, cocksure junk that movies like "Dr Strangelove" aptly mock.Read more ›
HOWEVER, the discussion can be difficult to follow at times, not just because of the science, of course, but also because the author covers a lot of the politics of 1920s physics and 1930s Europolitics. After a couple of hours. I wished that I had read the play before seeing it. I recommend that you consider doing the same. (Don't worry: You won't lose any of the "plot" line by reading ahead. In fact, a readahead may make the interchanges seems richer....)
The play itself is brilliant (see my review of the PBS production directed by Howard Davies, starring Stephen Rea, Daniel Craig, and Francesca Annis available on DVD) and is the kind of play that can be fully appreciated simply by reading it. There are no stage directions, no mention of props or stage business. There is simply Frayn's extraordinary dialogue. A photo from the cover suggests how the play might be staged on a round table with the three characters, Danish physicist Niels Bohr, his wife Margrethe, and German physicist Werner Heisenberg, going slowly round and round as in an atom. This symbolism is intrinsic to the ideas of the play with Bohr seen as the stolid proton at the center and the younger Heisenberg the flighty electron that "circles." Margrethe who brings both common sense and objectivity to the interactions between the ever circling physicists, might be thought of as a neutron, or perhaps she is the photon that illuminates (and deflects ever so slightly) what it touches.
At the center of the play (and at the center of our understanding of the world through quantum mechanics) is a fundamental uncertainty. While Heisenberg and Bohr demonstrated to the world through the Copenhagen interpretation of quantum mechanics that there will always be something we cannot in principle know regardless of how fine our measurements, Frayn's play suggests that there will always be some uncertainty about what went on between the two great architects of QM during Heisenberg's celebrated and fateful visit to the Bohr household in occupied Denmark in 1941.Read more ›
Most Recent Customer Reviews
I was disappointed by this play. As a stage actor and a physics buff, I was looking forward to it, but I found it flat and meandering. Read morePublished 4 months ago by Peter J. Orvetti
An infrequently produced play about a meeting between Werner Heisenberg and Niels Bohr during WW II. Read morePublished 5 months ago by GypsyRover
Fascinating play about the "final core of uncertainty at the heart of things". Can we ever be sure of why we do things? Read morePublished 11 months ago by Gro Asland
I'm sure the CD was fine, but I returned it because it wasn't what I thought I was purchasing. When I typed in the original play, the screen brought up an accurate picture and... Read morePublished 14 months ago by Joyce Bergan
"Copenhagen" is a great play. It is extremely well-written and thoughtful. The characters are well-represented and realistic. Read morePublished 14 months ago by Tawni