Copland Conducts Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches

Aaron Copland (Composer), Aaron Copland (Conductor), Helmuth Kolbe (Conductor), London Symphony Orchestra (Orchestra), New Philharmonia Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: London Symphony Orchestra, New Philharmonia Orchestra
• Conductor: Aaron Copland, Helmuth Kolbe
• Composer: Aaron Copland
• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Sony
• ASIN: B0000026GF
• In-Print Editions: MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #35,925 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

4.0 out of 5 stars review and comparison with Slatkin's CD, May 10, 2003

By 

"kephon" (stanford, california) - See all my reviews

This review is from: Copland Conducts Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches (Audio CD)

It does seem (and I have heard from professional conductors) that performance standards of orchestras in the 1960s and 70s were not what they are today, but I would not necessarily hold that fact against this CD. While Leonard SlatkinÕs more recent recording with the Saint Louis Symphony Orchestra (on the RCA label) is much more pristine, and the musicians sound much more in tune, I find something in CoplandÕs own interpretation of his music that is missing from SlatkinÕs (still very capable) rendition.

Comparing the two versions of ÒOur TownÓ, for example, the difference in character is striking. With Copland the tempo is much slower, the intensity is proportionally much greater, and Copland, with a composerÕs sense of intimacy with his score and the music intended behind it, derives more musicality out of each phrase and note than I hear in SlatkinÕs faster-paced performance. The same can be said for the rest of CoplandÕs CD--what the older recording might lack in technical musicianship, it makes up for in greater interpretive depth. While it is aggravating sometimes to hear instruments out of tune (and I am only assuming that what sounds out of tune to me today was equivalently considered out of tune back then), the tradeoff may be worth it for some.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Profound, October 30, 2003

By 

Robert (Laurel, Maryland) - See all my reviews

This review is from: Copland Conducts Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches (Audio CD)

Forget what the guy above says about the London Symphony Orchestra's recording of "Our Town." Hands down, the most beautiful piece of music I have ever heard. Moving, surreal, profound. Truly a once in a lifetime experience.

9 of 11 people found the following review helpful:

4.0 out of 5 stars Copland conducts Copland, November 26, 2003

By 

Robert E. Nylund (Ft. Wayne, Indiana United States) - See all my reviews
(REAL NAME)   

This review is from: Copland Conducts Copland: Our Town; The Red Pony Suite; El Salón México; Danzón Cubano; Three Latin American Sketches (Audio CD)

Aaron Copland was, admittedly, NOT a great conductor. Nevertheless, musicians enjoyed working with him, possibly because he was so exuberant and enthusiastic. One friend said Copland might tell musicians to "hit a home run." He certainly wanted the musicians to have fun and it's clear that usually happened. Along the way, Copland did manage to give his interpretations of his own music, setting a standard of how it should be played.

It's very apparent in Copland's numerous recordings for Columbia (now available on Sony) that the composer left an important legacy. Among the more original American composers, Copland was distinctly American. He enjoyed a fine musical education from Nadia Boulanger in Paris that gave his compositions some added depth. Initially, Copland followed George Gershwin's example and made considerable use of jazz and blues in his works. Copland himself said he felt he soon exhausted the possibilities of popular music and then turned to American folk music.

A trip to Mexico, where he met and befriended Carlos Chavez, resulted in Copland's first great musical triumph, "El Salon Mexico." It became the only Copland work to ever be conducted by Arturo Toscanini with the NBC Symphony Orchestra. On this CD one has a chance to hear the composer himself conducting this 1936 triumph.

This writer has long enjoyed Copland's wonderful music for the 1948 Technicolor western "The Red Pony," an adaptation of the John Steinbeck story by Lewis Milestone that starred Myrna Loy and a young Robert Mitchum. The music is such an important ingredient in this classic film. Fortunately, Copland extracted a concert suite from the film score and it is included in this CD.

Copland wrote other film scores, too, and we get to hear some of the music he wrote for the 1940 film adaptation of Thornton Wilder's very American play, "Our Town."

The CD includes some additional Latin-influenced works, "Danzon Cubano," which rivals Gershwin's "A Cuban Overture," and "Three Latin American Sketches." These are very colorful, exciting works.

Perhaps, as some have said, the London Symphony Orchestra and the New Philharmonic Orchestra were not up to par in these recordings. Some of that may have been Copland's fault. Still, these are competent performances and they convey what the composer wanted.