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Corporate Identity Design [Paperback]

Veronica Napoles (Author)
3.9 out of 5 stars  See all reviews (7 customer reviews)


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Paperback, 1988 --  

Book Description

1988 0442268440 978-0442268442
In a market cluttered with big and small companies competing for the consumer's attention, public image becomes more critical than ever to the success of any business. Veronica Napoles's Corporate Identity Design provides a practical tool for designing and implementing a successful, comprehensive corporate identity program. It is an invaluable resource, since fashioning a powerful and accessible identity is a company's best bet for capturing the attention of consumers. Napoles explains the difference between corporate image--how a company is actually perceived by the public--and identity--how it wants to be perceived--and shows how to close the gap between the two. In doing so, she goes beyond previous books on the subject and anticipates the needs of consumers by incorporating elements of behavioral psychology into the design process. Corporate Identity Design is not merely a picture book or an anthology of symbols, but a comprehensive, detailed examination of all factors that lead to the choice and refinement of a corporate identity. Napoles's concise, step-by-step overview looks at all phases of the corporate identity design process, including:
* recognizing the need for corporate identity adjustment
* selecting a basic symbol category from which to choose
* deciding on and refining a chosen symbol
* implementing a careful, intelligent program for phasing in the new corporate identity and ensuring its acceptance by the public.
The book includes dozens of helpful illustrations, a sample design proposal, questionnnaires, design briefs, and a color chart. In addition, Napoles provides guidelines for changing a company name, including information on basic name categories and the categories and the creative process for developing and evaluating names. These and other features make Corporate Identity Design the definitive work for establishing quick and accurate image/identity relationships in the mind of the public. Design students and professionals, public relations and communications officers, and top-level management personnel will all find Corporate Identity Design a continuing resource for ideas, information, and inspiration.
--This text refers to an alternate Paperback edition.


Editorial Reviews

From the Back Cover

In a market cluttered with big and small companies competing for the consumer’s attention, public image becomes more critical than ever to the success of any business. Veronica Napoles’s Corporate Identity Design provides a practical tool for designing and implementing a successful, comprehensive corporate identity program. It is an invaluable resource, since fashioning a powerful and accessible identity is a company’s best bet for capturing the attention of consumers. Napoles explains the difference between corporate image—how a company is actually perceived by the public—and identity—how it wants to be perceived—and shows how to close the gap between the two. In doing so, she goes beyond previous books on the subject and anticipates the needs of consumers by incorporating elements of behavioral psychology into the design process. Corporate Identity Design is not merely a picture book or an anthology of symbols, but a comprehensive, detailed examination of all factors that lead to the choice and refinement of a corporate identity. Napoles’s concise, step-by-step overview looks at all phases of the corporate identity design process, including:
  • recognizing the need for corporate identity adjustment
  • selecting a basic symbol category from which to choose
  • deciding on and refining a chosen symbol
  • implementing a careful, intelligent program for phasing in the new corporate identity and ensuring its acceptance by the public.
The book includes dozens of helpful illustrations, a sample design proposal, questionnnaires, design briefs, and a color chart. In addition, Napoles provides guidelines for changing a company name, including information on basic name categories and the categories and the creative process for developing and evaluating names. These and other features make Corporate Identity Design the definitive work for establishing quick and accurate image/identity relationships in the mind of the public. Design students and professionals, public relations and communications officers, and top-level management personnel will all find Corporate Identity Design a continuing resource for ideas, information, and inspiration. --This text refers to an alternate Paperback edition.

About the Author

Veronica Napoles is owner and chief graphic designer at Communications Planning, a firm specializing in corporate identity design. Her clientele range from savings and loan companies to California wineries to Fortune 500 companies. Prior to launching Communications Planning, Ms. Napoles was a project director at Walter Landor Associates in San Francisco. In addition to running a highly successful identity-design firm, she teaches corporate design at the University of California, Berkeley. --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 144 pages
  • Publisher: Van Nostrand Reinhold (1988)
  • Language: English
  • ISBN-10: 0442268440
  • ISBN-13: 978-0442268442
  • Product Dimensions: 9.2 x 8 x 0.5 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #3,309,466 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
4.0 out of 5 stars primer to learning design & client business considerations, February 23, 2001
By 
Richard Bigus (Kailua, HI United States) - See all my reviews
(REAL NAME)   
Most books on logo design and corporate identity design are image heavy with examples and case studies instead, Veronica's book is very informative of the design process. I have taught graphic design for over 20 years at the university level and this book has always been on my recommended reading list and is one that I bring out to help explain how students should develop a concise design brief (the appendix includes a sample client questionnaire). Chapter 5 on methodology (lots of marketing analysis) appears too logical and counter intuitive but because artistic decision making has always been view skeptically by business, designers need to know how to problem solve in a manner that appears rational to business professionals. The introduction's section on "Image versus Identity" defines the two with good common sense advice. This book does not require any advanced academic studies to be comprehensive. I would give this book five stars if it were in color and updated with more contemporary examples.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars A Good Introduction, September 9, 2000
By 
chris nagle (New York, NY USA) - See all my reviews
Napoles text provides a good overview of the branding topic by mixing visual examples with instructional text which in turn support the text to create a step by step approach. I would thoroughly recommend the book for those seeking information on small scale projects. What is lacking is a strong strategic section dealing with large scale corporate issues. Studio designers working on small scale projects will benefit, but anyone looking for instruction on large scale consultancy type brand creation might be a bit disappointed.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Great Information!, August 30, 2000
By 
I think this book is very usefull and descriptive. Is very difficult to find today graphic design books with information you can use in your everyday work.Usually there are a lot of books with images and graphic examples, but what about theory?! I highly recommend this one.
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Even though a firm may have an impressive list of achievements, unless this information reaches the public and its targeted market, it does little good. Read the first page
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Design Refinement-Phase, Communications Planning, Creative Services Department, Design Exploration-Phase, Bank of America, Garamond Light Roman, United States, Apple Computer, Pacific Telesis, British Airways, Herb Lubalin, Information Systems
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