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Cosmic Thing


Price: $7.21 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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81 new from $1.62 469 used from $0.01 17 collectible from $6.00
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Audio CD, June 6, 1989
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$7.21
$1.62 $0.01

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Cosmic Thing 3:50$1.29  Buy MP3 
listen  2. Dry County 4:54$0.99  Buy MP3 
listen  3. Deadbeat Club 4:56$1.29  Buy MP3 
listen  4. Love Shack 5:20$0.69  Buy MP3 
listen  5. Junebug 5:05$1.29  Buy MP3 
listen  6. Roam 4:55$1.29  Buy MP3 
listen  7. Bushfire 4:57$0.99  Buy MP3 
listen  8. Channel Z 4:50$1.29  Buy MP3 
listen  9. Topaz 4:21$0.99  Buy MP3 
listen10. Follow Your Bliss 4:08$1.29  Buy MP3 

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Biography

The B-52's are most recognisable from their brightly coloured 50-retro look and their unique vocals, mixing the high-pitched melodic harmonies of lead singers Cindy Wilson and Kate Pierson with the sprechgesang vocals of frontman Fred Schneider. Formed in early 1977, their eponymous debut album was released in 1978 and quickly gained an underground following, as their new-wave/surf pop ... Read more in Amazon's B-52's Store

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Cosmic Thing + B-52's + Wild Planet
Price for all three: $20.75

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Product Details

  • Audio CD (June 6, 1989)
  • Number of Discs: 1
  • Label: Reprise / Wea
  • ASIN: B000002LGY
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (310 customer reviews)
  • Amazon Best Sellers Rank: #6,344 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Nirvana made a lot of things irrelevant when Nevermind was released in 1991. Among the most unfortunate casualties caught inside the blast radius were the B-52's. Just two years prior, they had released their very first mainstream breakthrough album, Cosmic Thing. This album was featherweight, sun-kissed, playfully pansexual and, most importantly, danceable. Tracks like "Love Shack" and "Roam" reminded us there could be fun without responsibility. Alternately kitschy and lazy (I still insist that "Deadbeat Club" was a slacker anthem long before Beck's "Loser"), Cosmic Thing took the B-52's signature Trekkie-camp sensibility and slowed it down just enough to click on MTV and portable radios wonderfully. And let's be honest, anyway: would you rather road-trip to Kurt's sad refrain of "Well, whatever, nevermind" or Fred Schneider belting out, "The whole shack shimmies!!" at the top of his lungs? On second thought, don't answer that. --Todd Levin

Product Description

Love Shack; Roam, and Deadbeat Club highlight this 1989 smash!

Customer Reviews

Highly Recommended as one of Madonna's Best Albums.
Mark
It shows that Madonna has mature and even her music sounds different in this album.
Lucy
And the filler on this album is just as good as the singles.
Aaron

Most Helpful Customer Reviews

37 of 42 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 16, 2004
Format: Audio CD
The B-52's began life as a self-described "tacky little dance band" out of 1970s Athens, Georgia--and they sounded like musical refugees from a Twilight Zone episode that Rod Serling thought better of. But the band touched a techno-nerve, and before too long they had a record deal and a cult single ("Rock Lobster") that actually made the charts. But for all their fame, The B-52's very glitchy sound never had much in the way of airplay, much less big-time sales... until the release of COSMIC THING.

COSMIC THING spawned two major singles. The first one to hit--and the one that remains most durable--is "Love Shack," a truly bizarre but extremely infectious mix of funky rhythm and catchy melody dominated by Fred Schneider's ultra-silly, ultra-clever pseudo-rap--the song was and is a tremendous amount of fun, and while it lacks the truly weird edge of earlier B-52's cuts it remains one of the best dance party cuts I've ever come across, something that will get you on your feet faster than you can say "Bang Bang." The second hit, "Roam," was more specifically pop--but pop with a B-52's twist: a covertly sexy lyric and Cindy Wilson and Kate Pierson blasting out unexpected harmonies from beneath their dueling beehive hairdos.

But COSMIC THING has more to offer than just these two cuts: everything here is extremely well done. The downbeat "Dry Country" has a seductive swing to it; "Deadbeat Club" is super smooth; "Topaz" is a remarkable little thing, sweet and sour all at once; and the largely non-vocal "Follow Your Bliss" wraps up the set on an unexpected but effective note.
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31 of 35 people found the following review helpful By Daniel Jolley HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 27, 2002
Format: Audio CD
Like a Prayer could very well be Madonna's most important album; marked by maturity, honest emotional content, superior musical form and style, and overall quality, it is a remarkable achievement by an artist whose earliest work was dismissed by some as throwaway pop. Perhaps no other album I own starts off as strongly as this one. Like a Prayer and Express Yourself make one heck of a one-two punch. This is the Madonna I like the most--brave, strong, unafraid of controversy, and willing and able to rock your world. Personally, I found the controversy over Like a Prayer and its video to be quite overblown, but it certainly did nothing to hurt album sales. The gospel background vocals gives the song a powerful, full sound that only reinforces the driving beat and mass appeal of the song. Express Yourself is a Madonna statement song--Madonna knows all about expressing herself, and the song does inspire you to be yourself and let others know what you are thinking.
Love Song is a song I can take or leave. At the time, Prince and Madonna were pretty much the king and queen of pop music, and it was really something to hear them team up on a duet. Unfortunately, the song has little substance, and Prince overplays his peculiar, distinctive voice and style. Till Death Do Us Part is, in my opinion, the best song on the album. It has meaningful, important lyrics, yet its tempo makes you tap or sway along with the music; it almost moves too quickly, achieving a perfectly vibrant, energetic pace, and the chorus is just wonderful. Promise to Try is a slower song with beautiful lyrics and a graceful sound, offering yet more proof that Madonna is a real singer with great vocal skills.
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13 of 13 people found the following review helpful By Rich Bunnell on June 27, 2000
Format: Audio CD
In 1989, the B's suddenly returned with a completely new image, revitalized and full of a bunch of Nile Rodgers/Don Was-produced dancepop. And hey, despite the obvious cries of "sellout!" that are perfectly deserved, this is still a very good album. It's most heavily remembered for the hit "Love Shack," which is an infectious song that suffers a bit from constant overplay and an overlong running time (it doesn't need that "bang bang" part at the end at all), as well as the gorgeous, solid pop song "Roam"("Boooy Mercury, cruisin' throoough every degreeeee"). For the most part, the songs on here are very well-written in spite of their slickness ("Bushfire," "Channel Z," "Deadbeat Club"), the only real gripes being the kind-of-dull studio creation "Dry County" and the fact that on the catchy title track the band tries to mix a political message ("Don't let it rest on the president's desk!") next to lyrics like "SHAKE YOUR HONEY BUNS!" Still, overall, an album well worth buying and one of the better releases to come out in the overproduced year of 1989.
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7 of 7 people found the following review helpful By Johny Bottom on April 14, 2000
Format: Audio CD
First of all I'm not a Madonna fan. When this album came out in 89, me and my buds were all hardcore headbanging maniacs. If anyone even knew I had this album, my life might have been over. Why did I buy it? 1989 was a crazy year for me, (left home on bad terms, bitter/sweet first love relationship, experimentation). Anywho when I first heard the song Cherish, I said to myself 'Wow wouldn't it be great to have someone feel that way about me? Then I heard Oh Father, and I had to break down and buy the record. It's not my kind of music, but it really struck me, and I still listen to it now and then (Hey I still headbang too! ) It's very listenable, I espescially like 'Act of Contrition'. The only dive nose tune is the godawful duet she does with Prince. It's so terrible my finger is on the FF button before it even starts. If not for that one tune, I would have given it five stars.
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