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Counterculture Through the Ages: From Abraham to Acid House Paperback – September 13, 2005

ISBN-13: 978-0812974751 ISBN-10: 0812974751

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Product Details

  • Paperback: 432 pages
  • Publisher: Villard (September 13, 2005)
  • Language: English
  • ISBN-10: 0812974751
  • ISBN-13: 978-0812974751
  • Product Dimensions: 7.9 x 5.5 x 0.8 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #221,458 in Books (See Top 100 in Books)

Editorial Reviews

From Booklist

Although typically defining themselves in opposition to dominant cultures--hence the name--countercultures through history have more in common with each other than previously supposed. In fact, argues this book, breaking with tradition is itself a longstanding tradition, distinguished by Promethean antiauthority impulses, often accompanied by some sort of libertine humanism and individualism (although often conflicted about the merits of technology). Less a history of movements than of moments, Goffman's narrative hits Socrates and Sufism, among select others, en route to a more detailed parsing of the various countercultural moments of the twentieth century; at times, it reads reminiscent of an old-fashioned intellectual history, mapping influences catalyzed in heady Paris or Haight-Ashbury. Yet Goffman steers clear of overtheorizing, keeps readers hooked with hip contemporary comparisons (declaring Calvin Coolidge the Reagan of the early 1900s, for example), and, for decorum's sake, keeps his evident zeal for certain figures (Timothy Leary, for example, a posthumous contributor to this book) more or less in check. Always engaging, often inspiring, and certainly not just for nostalgic boomers. Brendan Driscoll
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review

“In an age of corporate cool-hunting and target-marketed faux rebellion, along comes an inspirational work of scholarship to remind us of just how beyond ‘cool’ true rebels really are, and have always been. I am forever grateful to Ken Goffman for serving as my first guide through the starlit mire of countercultural thought and activity. Read this book, by all means. He knows his way around.”
–DOUGLAS RUSHKOFF, author of Cyberia, Media Virus, Ecstasy Club, and Nothing Sacred

“I read Ken Goffman’s least musings with utterly focused, indeed almost reverent attention.”
–BRUCE STERLING, author of The Zenith Angle and Tomorrow Now

“Being of the same energy field myself, I now throw a sack full of gold dust into the arena and dare anyone to be either funnier or smarter than this R. U. Sirius.”
–ANDREI CODRESCU

“This is a brilliant book. R. U. Sirius lived and created the cyberpunk culture in the 1980s. Now he and coauthor Dan Joy have written a sweeping history of countercultures through the ages, starting with the myth that still helps define our relationship with technology, that of the fire-snatching hacker Prometheus. Defying authority with creative edge has been a powerful force throughout history, and R. U. Sirius captures the magic with the authentic insight of someone who's been a rider on that wave.”
-Walter Isaacson, former chairman and ceo of CNN, author of Benjamin Franklin: an American Life

"Edge-thinker and media rabble-rouser Ken Goffman has done us all a great service with his entertaining and enlightening book Counterculture Through the Ages. With passion and wry humor, Goffman unfurls a secret history of rebels, ranters, mystics, and bohos united by their distrust of authority. By placing more recent social struggles in this juicy (and sometimes hilarious) context, Goffman and coauthor Dan Joy reveal the deeper dimensions of our current quest for freedom and fun in a shrinking world of surveillance and control."
-Erik Davis, author of Techgnosis: Myth, Magic, and Mysticism in the Age of Information




From the Hardcover edition.

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Customer Reviews

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The Jewish religion is favorably treated in this book as perhaps the most counter-cultural and individualistic of the religions.
Robert David STEELE Vivas
R.U. Sirius has been at the center of the counterculture himself for the last few decades, especially the cyberpunk/futurist wing of it.
Lleu Christopher
An excellent and very interesting overview of several different countercultures throughout time (up till it was written in 2003).
A. Drugay

Most Helpful Customer Reviews

17 of 18 people found the following review helpful By Robert David STEELE Vivas HALL OF FAMETOP 1000 REVIEWER on December 25, 2004
Format: Hardcover Verified Purchase
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I found this book in an airport, and bought it for three reasons: 1) because Bruce Sterling plugged it; 2) because my 15-year old is well on his way to being part of the emerging counter-culture; and 3) because I do believe that "power to the people" is now imminent--not if, but when.

It starts slow, quickly improves by page 50, and as I put down the book I could not help but think, "tour de force." This is both a work of scholarship and an advanced commentary that puts counter-culture movements across history into a most positive context.

Across the ages, the common currency of any counter-culture is the will to live free of constraints, limiting the impositions of authority. Indeed, it is very hard not to put this book down with an altered appreciation for hippies, war protesters and civil rights activists, for the book makes it clear that they are direct intellectual, cultural, and emotional descendants of both Socrates and the Founding Fathers, especially Thomas Paine and Thomas Jefferson.

From Socrates to Taoism, Zen, Sufis, Troubadours, the Enlightenment, the Americans, Bohemian Paris, and into the 1950's through the 1970's, the author's broad brush review of the history of counter-culture in all its forms is helpful to anyone interested in how the next twenty years might play out.

The bottom line is clear: we need the counter-culture, and it is time for this century's culture hackers--of whom Stewart Brand may be the first--along with the author--to rise from their slumber.

Some side notes:

1) An underlying theme, not fully brought out, is that anything in excess or without balance can be harmful. Absolute dictatorship by religions is as bad as absolute secular dictatorship.
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4 of 5 people found the following review helpful By doomsdayer520 HALL OF FAME on January 25, 2005
Format: Hardcover
Here Ken Goffman (apparently coauthor Dan Joy worked at the conceptual level only) has created a fast-moving and fascinating discussion of countercultures throughout history and what they have in common. The most interesting aspect of this book is the locating of ancient groups, like followers of Socrates and even the original Jews, that fit the modern definition of counterculture. Goffman even includes the Enlightenment thinkers of Europe, who even though they ended up being the establishment, definitely started out by countering the dominance and dogma of the Catholic Church. Goffman finds that these and modern countercultures, such as hippies and ravers, share an anti-authoritarian worldview and a love for individualism and nonconformity, which are central to the human condition in all regions, time periods, and political environments.

Unfortunately there are some problems with this book, inherent in the methods followed by Goffman and Joy. Goffman states in the introduction that it would be impossible to describe all the countercultures the world has ever seen, so representative examples have been chosen that most illustrate the basic arguments being advanced. This works reasonably well, to the extent described in the last paragraph, but still leads to a somewhat distracting sense of arbitrary and fragmented history. More specifically, the inevitable coverage of the hippie/new left movements of the 60s and 70s is highly politicized and personalized (not a problem for most of the rest of the book), and Goffman even accidentally says "we" a few times when describing the countercultural participants of that and the current era, damaging the observational integrity of some portions of the book.
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1 of 2 people found the following review helpful By Siv on October 24, 2013
Format: Hardcover
Kenny Boy Goffman has been the self appointed Court Jester to the psychedelic and transhumanist communities for far too many years. In reality, neither camp has anything in common and Kenny does great damage with his hucksterism and nonsensical gibberish. This crusty old hippy and now goofy shill for techno-fascism needs to shut up for once and for all. He damages what little remains of the potential for a real psychedelic culture with his boosterism for the truly evil transhumanist technocrats who oppose democracy and who cheer-lead for general mechanization and dehumanization. Kenny Boy Goffman, you are truly nothing at all but the Enemy of Relevance and the enemy of what is actually Human.
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1 of 2 people found the following review helpful By Don Strachan on September 27, 2005
Format: Hardcover
Alternative aficionados, hoist your flagons, pass your joints, heave your Molotov cocktails and give cheer! CCttA fills a vacuum you've always suspected existed but were too busy having sex, drugs and rock & roll to notice. Former underground historians have focused on only one era, one counterculture. Goffman/Day begin at the beginnings: Prometheus, Abraham, Socrates. They pay obeisance to heterodox religions--taoism, zen Buddhism, Sufism (where's tantra?). They execute a mad, four-chapter dash through a millenium or so--the Troubadours, the Enlightenment and American and French revolutions, the Transcendentalists, Parisian bohemians. Finally they get down close to home with the efflourescing rebel movements of the past half-century: beatniks, rock & roll, hippies, women's lib, punk, cyberpunk, the New Age, raves, hip-hop, hackers, environmentalism.

And just what is a counterculture, anyway? Sifting through their subjects from Alcibiades to the Zapatistas, the authors extract three central traits shared by them all: they're adamantly anti-authoritarian; they're iconoclastically individualistic; and they espouse lofty visions of personal and/or societal transformation.

We expect a history to be thoughtful and thoroughy researched, and CC fills the bill. We hope for--but seldom get--a history as anecdotally rich, as entertaining and enthusiastic as this. Pity poor James Joyce, despairing after nine consecutive women quit typing his manuscript of Ulysses in sexual huffs, "and one even threatened to throw herself out the window." est founder Werner Erhard is "a mix of Giurdjieff, Hitler and a traveling salesman"; JFK on LSD an "altered statesman." John Lennon, listening to Chuck Berry and Elvis in 1957, "knew something was happening although he didn't yet know what it ws."

If you have a jones for underground tomes, Bogart this one.
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