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Counterfeit Worlds: Philip K. Dick on Film
 
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Counterfeit Worlds: Philip K. Dick on Film [Paperback]

Brian J. Robb (Author)
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

July 1, 2006
From Blade Runner to the forthcoming A Scanner Darkly (starring Keanu Reeves), via Total Recall, Screamers, Impostor, Paycheck and Tom Cruise in Minority Report, the legacy of science fiction writer Philip K. Dick has revolutionised Hollywood. Counterfeit Worlds is the definitive history of all the adaptations of Dick's work, not only the films but also TV series, radio plays, even operas and computer games. Beginning with a concise biography of Dick, acclaimed writer Brian J. Robb looks at the evolution and production of each project in depth, along the way uncovering a wealth of new information, including the stories behind the fascinating unmade film Ubik (with a screenplay by Dick himself), and the stillborn sequels to Total Recall and the legendary Blade Runner.

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Editorial Reviews

Review

Counterfeit Worlds is an extensively researched, well-written account of the man, his life and his afterlife. '4/5 Stars' -- SFX Magazine, September, 2006

About the Author

Brian J. Robb is a film critic and author of books on Brad Pitt and River Phoenix, as well as a bestselling biography of Johnny Depp, and a guide to the films of Ridley Scott. He is currently editor of the science fiction magazine Dreamwatch.

Product Details

  • Paperback: 320 pages
  • Publisher: Titan Books; First Edition edition (July 1, 2006)
  • Language: English
  • ISBN-10: 1840239689
  • ISBN-13: 978-1840239683
  • Product Dimensions: 6.6 x 0.7 x 8.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,762,949 in Books (See Top 100 in Books)

More About the Author

Brian J. Robb is the author of a series of Hollywood biographies, including an international best-seller on Leonardo DiCaprio. Other subjects have included Scream director Wes Craven and Hollywood stars Keanu Reeves, Brad Pitt, Johnny Depp, Ewan McGregor, Nicolas Cage, Will Smith and River Phoenix.

He is currently Managing Editor at Titan Magazines, a publisher of film and TV related titles in the UK. In addition, he edits the UK's Official Star Wars Magazine, as well as being Managing Editor on Dreamwatch, an international cult film and television magazine.

He is a journalist of 20 years standing who has held a variety of film-related jobs, including Publications Editor of the British Film Institute, editing publications for the 1990 London Film Festival, as well as publications for the 1991 Edinburgh Film Festival and the 1991 British Film Festival in Washington DC.

He was film and video critic for the Edinburgh Evening News for eight years and has contributed film reviews to Scot FM and BBC Radio Scotland. He has worked for the Radio Times and TV Guide, ran a local newspaper group in Edinburgh and was the Founding Editor of Scottish Arts Monthly.

In addition, he has worked on The Scotsman and Scotland on Sunday newspapers and contributed freelance work to The Guardian, The Daily Record, Scotsman Magazine, Fear, Fantasy Zone, Doctor Who Monthly, Film Monthly, Dreamwatch and Starburst, as well as regular columns for ZX Computing magazine in the mid-1980s.

Brian has an MA in Film & TV Studies from the University of Glasgow and a postgraduate diploma in Journalism Studies from University College, Cardiff.

 

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7 of 8 people found the following review helpful:
4.0 out of 5 stars PKD's direct and indirect influence on film, May 26, 2007
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This review is from: Counterfeit Worlds: Philip K. Dick on Film (Paperback)
First off, I haven't read too many books on films based upon the works of PKD. I bought this book because I'm a fan of Dick's works, and the films that are closely linked to it (A Scanner Darkly primarily, but before that film came out, Blade Runner - the rest, to me, are like Vanilla Sky, and the Matrix; movies `using' Dick's ideas).

Secondly, I found this to be a very good overview of not only the films that were based on PKD's works (Blade Runner, Total Recall, Screamers, Confessions d'un Barjo, Impostor, Minority Report, Paycheck, and A Scanner Darkly), but also his life (~32 pages), radio and TV adaptations, and upcoming/unmade projects (film and otherwise).

You should read this book if;

a) You're interested in reading about PKD's life,
b) You're interested in reading about how some of his films ended up being made (those listed above),
c) You're interested in reading about the influence that PKD's works had on the realm of film in general.

You shouldn't read this book if you want to find out more about the radio/tv programs based upon his works, since you won't get too much from this book on these (not that you necessarily should).

If you're just interested in finding out more about Blade Runner, you'd probably be safe purchasing this book for that reason alone.

There's lots of pictures, the type is rather normal (small-ish, in a good way), and there's some new content in this book - not just the author's perspectives, but also new interviews, albeit only snippets from these - so you'll certainly get your money's worth.

4 stars because I didn't `love it' - I thought it was very good, and I may end up looking at particular parts over again (and it got me to dust off my copy of Impostor for another viewing), but there's no real reason to re-read the book, in my opinion.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Double review, December 30, 2011
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I recently bought two books about the films based on Philip K. Dick's writing, Brian J. Robb's "Counterfeit Worlds: Philip K. Dick on Film" and Jason Vest's "Future Imperfect: Philip K. Dick at the Movies." They were published around the same time (2006 and 2007, respectively) but there's surprisingly little overlap. "Counterfeit Worlds" focuses mostly on the making of the films while "Future Imperfect" is comprised mostly of critical analysis of them. I don't usually review books before finishing them, but both of these offer such a wealth of content (especially "Counterfeit Worlds," which is the longer of the two) that I probably won't finish them for a long time, but I've enjoyed them immensely so far.

"Counterfeit Worlds" is so comprehensive that it goes as far as offering a biography of Dick and detailing obscure productions like the TV series "Total Recall 2070" as well as unmade films that were put into production only to be canceled, and "Future Imperfect" impressed me by offering defenses of films that deserve better than what they've gotten, "Screamers" in particular. I only have a couple of minor complaints. First, the foreword to "Future Imperfect" is an essay about film adaptation in general from another author that has nothing to do with Dick. It's not bad at all, but it feels a bit out of place. Second, neither book spends much time on the films that were inspired by Dick's fiction but not officially based on it.

There are a couple of more things worth mentioning. First, while "Counterfeit Worlds" includes content about films, television, and radio productions, "Future Imperfect" focuses exclusively on the feature films. Second, the 2006 film "A Scanner Darkly" is the cut-off point for both books. If you're looking for coverage of later films, you won't find much. The 2007 film "Next" gets a short section in "Counterfeit Worlds" and a brief mention in "Future Imperfect," but you won't find anything on "Screamers: The Hunting," "Radio Free Albemuth," or "The Adjustment Bureau."

There's so much more I could write about why I've enjoyed these two books so far, but I don't want to bore anyone with a lengthy review. If you want incredibly lengthy and detailed production histories of the films, including interviews with the filmmakers and stars, go for "Counterfeit Worlds." If you want rich, analytical essays that explore the themes of the films, go for "Future Imperfect." Or if you're like me and you're a huge fan of both Philip K. Dick and the films based on his writing, you'll want both.
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1 of 2 people found the following review helpful:
1.0 out of 5 stars The Small Font Is Impossible, July 16, 2011
This review is from: Counterfeit Worlds: Philip K. Dick on Film (Paperback)
I found the small (9-point?) font to be impossible to read. Not only that, but it is a light gray color, which makes it doubly annoying. Just an observation for folks who have bifocals and will need another level of reading glasses to read this at all!
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