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Counterplay: An Anthropologist at the Chessboard
 
 

Counterplay: An Anthropologist at the Chessboard [Kindle Edition]

Robert R. Desjarlais
4.2 out of 5 stars  See all reviews (5 customer reviews)

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Editorial Reviews

From Publishers Weekly

Desjarlais probes the many uses and forms of chess, with extensive research in the U.S. and abroad. Drawing on interviews with dozens of players, authors, and teachers, as well as on online journals, and blogs, Desjarlais finds "a sense of the sacred" in chess rituals. He contrasts the slow pace of correspondence and e-mail chess with high-speed "blitz chess." The book is packed with player profiles and anecdotes, along with a look at the use of chess in education to develop cognitive skills. He also probes the philosophical and psychological aspects of chess, noting that during "intersubjective encounters" of conflicting wills and intentions, a player "finds he grasps something of another's life." He looks at the impact of computers on the game, such as "analysis engines" that calculate the strengths of different moves. Chess clubs have lost members to online games, the author finds, and, as in other areas of life, chess on the Internet is "increasingly removed from flesh-and-blood encounters." Desjarlais, a professor of anthropology at Sarah Lawrence, adds a glossary of chess terms to this informative and penetrating survey of the game today. (Mar. 7)
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Review

"The subject of chess boasts more books than any other game, but this one is special, crafted for the general reader as well as the aficionado. . . . Like the game itself, Counterplay is an enjoyable mental exercise."--Foreword

"Desjarlais draws from his backgrounds in ethnographic research and amateur tournament chess to nimbly explore the game's social, philosophical, aesthetic, psychological, and technological quirks."

--Utne

"An informative and penetrating survey of the game today."--Publishers Weekly

Product Details

  • Format: Kindle Edition
  • File Size: 906 KB
  • Publisher: University of California Press; 1 edition (February 20, 2011)
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B004NBZGG0
  • Text-to-Speech: Enabled
  • Lending: Enabled
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #329,761 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Chess Has the Power to Make Men Happy. Desjarlais Wants to Know Why, August 23, 2011
This review originally appeared in Chess Life magazine.

Dr. Siegbert Tarrasch famously observed that chess has the power to make men happy; Dr. Robert Desjarlais wants to know why. Desjarlais, a professor of anthropology at Sarah Lawrence College (Bronxville, N.Y.) and an expert-level chess player, is the author of _Counterplay: An Anthropologist at the Chessboard_ (U. California Press, $24.95). The book investigates the human passion for chess, through personal narrative, short player profiles, and a study of psychology, sociology, American culture, online play, and computer technology. Early in the first chapter, Desjarlais states his thesis:

"Why devote one's energies to a time-intensive pursuit that is little valued or understood in one's own society? How is it that, in a world rife with social inequities, violence, economic upheaval, and fast-paced transformation, people are drawn to chess playing? The anthropologist in me got to thinking: Why not conduct fieldwork at the chessboard and train an anthropological lens on the cultures and motives of chess players?"

Desjarlais successfully focuses this anthropological lens by combining strict first-person narrative (or short third-person profiles of other players) with analysis utilizing his background in social science. This analysis often includes citations from chess literature or scholarly work. Supplemental profiles of the author's friends and research subjects close out each chapter. Here, for example, Desjarlais provides an all-too-familiar account of his occasional addiction to online blitz:

"[Narcotics] seem like such a natural fit: the clammy need for a quick fix, the high that bites back, the shame of it all. Biologists would deem such conduct a `behavioral addiction' akin to those of compulsive gambling, shopping, or overeating...once I'm on, if the conditions are right and blitz lust takes hold, I can be on for hours chasing three-minute games...."

He then investigates this behavior using the voice of an anthropologist:

"...the easy slide into game after game can induce trancelike states that compare to those found among the participants of ritual ceremonies around the world. In Nepal, shamans provoke trances for themselves and others by sustaining a driving, incessant drumbeat and intoning sacred chants through nightlong ritual healing work. Their purposes are different...but the psychophysiological effects are similar."

Counterplay, at its most successful, existential moments, strips all rationalization from the chess enthusiast; the book lays bare why players love their art - and why the smitten ones sometimes even love to suffer. At his best, Desjarlais accurately and emotionally describes the milieu of competitive practice, at times even more poignantly than Wells Tower's award-winning Washington Post article "The Days and Knights of Tom Murphy" or Paul Hoffman's acclaimed King's Gambit. In this next passage, for example, Desjarlais provides an interesting anthropological perspective on the ritual of resigning:

"The last stages of a lost game can resemble the act of dying...few other sportive games include the ritual of resigning, of admitting defeat outright. That act can itself induce an explicit, humbling, submission to an opponent's will and mastery....Postgame analysis can reconstitute a sense of self and meaning - in ways similar to those found with acts of mourning, or with the healing rites that communities around the world draw on when trying to rebuild the lifeworld of a person afflicted by illness or malevolent form."

Unfortunately, however, Desjarlais' lens doesn't always focus as well as it does here. Profiled personalities sometimes get introduced to the reader more than once, as though each chapter was written independently of every other chapter. The cover image - depicting Loek van Wely, a professional playing at a professional tournament (Russian Team Championships, 2008) - does not accurately reflect the content of the book, which is primarily about amateur chess. Most ineffective, Desjarlais overreaches by too often employing the second-person ("you") point of view for many sections of his personal narrative. Not only does the second-person voice inject surrogate emotion that replaces the reader's genuine feeling, this voice proves inconsistent with the more easily managed and appropriate first-person ("I") voice used in the better written parts of the book. Before the reader is comfortable understanding his own relationship and passion for chess, Desjarlais too often force feeds these highly personal feelings with presumptuous second-person prose.

Nevertheless, Counterplay remains a success, because it manages to erase a niche image of the game, while respecting the allure of its complexity. Desjarlias respects Botvinnik's masterpieces equal to Picasso's; he respects the high and low emotions of chess competition equal to that of any physical sport; he respects the achievements of the computer scientists who have built machines that far exceed the playing strength of the all-time best humans; and he respects the utility with which these humans have embraced their submissive role. Within Counterplay, chess and its attractions qualify as the center of an objective study. Who better to pioneer this study than an anthropologist with a polished lens and a penchant for sliding the game that so many people love, under his microscope?
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Superb contemporary look at "the state of chess", October 8, 2011
By 
Chris A. Kantack (Huntsville, AL United States) - See all my reviews
(REAL NAME)   
If you enjoy reading "about chess" as much as playing or studying the game itself, you will really enjoy this book. The author does a great job of describing the current state of chess today - especially in the United States. The main focus of this book is to explain to the reader why serious chessplayers spend so much of their lives devoted to studying and playing the game. On the way to accomplishing this goal, the author delves into many modern aspects of chess. Chess clubs, tournament chess, blitz versus slow games, the Internet Chess Club, the impact of computers on chess play and learning, chess addiction, and many other topics are explored. Much of the material in this book comes from the author's own interviews with chess masters and grandmasters. This book does not require any chess expertise to enjoy. Indeed, it may be a great book to give to a spouse or friend who may not understand your dedication to the game.

Over the years I've read several books "about chess". Most of these books are historical in nature as they cover "chess history" or the life of a famous player. While I've enjoyed these books, it's been very refreshing to find a "new gem" such as this work (published 2011) that is up-to-date in covering contemporary chess issues.

Highly recommended!!
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5.0 out of 5 stars A different perspective, January 25, 2012
By 
David Borensztajn (Rio de Janeiro, Brazil) - See all my reviews
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For those who are interested in another side of the game of chess this book is highly recomendable.
The author describes his feelings and addiction of chess, in a way that I had not seen anywhere else.
He is an anthropologist and this makes the book more interesting, as he is not a professional player.
Therefore, for an average player, or club player, with interests beyond the game itself I recomend the book.
Very interesting!
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While being absorbed in this imaginative sphere, players can be transported to another realm, distinct from everyday life. This can entail a kind of ecstasy, that of ex-stasis, to use the ancient Greek term, which means to be or stand outside oneself, a removal to elsewhere. &quote;
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Bourdieu draws on the fact that the word illusio relates etymologically to the Latin word ludus, game, in speaking of the ways in which people are invested in a number of social games over the course of their lives. Illusio, he suggests, is the fact of being caught up in and by the game, of believing the game is worth the candle, or, more simply, that playing is worth the effort. &quote;
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People play chess, its true, but it could also be said that the game plays them. &quote;
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