Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your email address or mobile phone number.
Counterpunch, 2nd edition: Making Type in the Sixteenth Century Designing Typefaces Now Paperback – December 14, 2011
Top 20 lists in Books
View the top 20 best sellers of all time, the most reviewed books of all time and some of our editors' favorite picks. Learn more
Customers Who Bought This Item Also Bought
More About the Author
Top Customer Reviews
It is greatly illustrated, beautifully designed and so lively written that you have to read it like a novel, not able to stop anymore. I hope Fred Smeijers continues writing so interesting books.
This book is a must read.
Along the way, he fell in love with the metal that he shaped into punches. He became quite lyrical about it: "... you feel nothing but delight in this substance, with such a strong and fine substance, which we call steel." He even became jealous of the old-timers, who remember alloys of the past that yielded even more gracefully to the punchcutter's caress. I have to admit, I've worked metal (though not steel), and I know just how that passion developed.
There's more about the history of letterforms and the punchcutters that brought them to life, and about the pleasures there are in being an amateur historian. There's more, too, about current and future practice in type design. This brings us to the one point where I disagree with Smeijers, a statement that I just can't believe he made. He mentions letters on screens, objects that he lumps together as "anything that can carry information and which is able to refresh itself.Read more ›
Read and enjoy!
Most Recent Customer Reviews
This is a wonderful book. To write it, Fred Smeijers looked closely at printed books and type punches in museums. He read contemporary accounts of sixteenth century type making. Read morePublished on January 17, 2002 by Peter Marquis-Kyle