The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707 [Hardcover]

Nicholas Delbanco (Author)

Book Description

Publication Date: October 2001

A history of the Paganini Stradivarius Cello of 1707.

It is a truth universally acknowledged that Antonio Stradivari of Cremona (1644–1737) was the noblest of bowed wooden stringed instrument makers. His work remains the Platonic ideal and template for contemporary 'luthiers'; present day technology may hope to match but not alter the standard of such craftsmanship. Extant examples of the master's instruments are numerous—but cellos from the 'great period' (1707–1720) are relatively few. The Countess of Stanlein-ex Paganini Stradivarius violoncello of 1707 is one of the best known in this exalted group. It has been copied often, physically dissected, discovered in a barrow on its way to a municipal dump, owned by Paganini, and applauded in hall after hall.

Today the 'Stanlein' belongs to the cellist Bernard Greenhouse. In his eighties and semi-retired, he determined 'to give back something of value to the world of music that had given him so much.' In September 1998 he deposited the cello in the New York atelier of virtuoso luthier Rene Morel. The craft of instrument repair remains rooted in tradition; its practitioners belong to a quasi-mediaeval guild. Morel began a complete restoration of the instrument, a painstaking and meticulous enterprise that took him nearly two years. This book tracks that process—the intricacies, anxieties and pleasures that precede the cello's triumphal unveiling at the World Cello Congress in June 2000. Its subject is a work of art that must prove nonetheless functional, for the Countess of Stanlein-ex Paganini Stradivarius is only itself when played.

Editorial Reviews

Review

As fine a pure prose stylist as any writer living. (The Chicago Tribune Book World )

About the Author

Nicholas Delbanco is a British-born American who received his BA from Harvard and his MA from Columbia University. He currently directs the Hopwood Awards Program and is the Robert Frost Distinguished University Professor of English at the University of Michigan. An editor and author of more than twenty books, Delbanco has received numerous awards—among them a Guggenheim Fellowship and two Writing Fellowships from the National Endowment for the Arts.

Product Details

• Hardcover: 120 pages
• Publisher: Verso; First Edition edition (October 2001)
• Language: English
• ISBN-10: 1859847617
• ISBN-13: 978-1859847619
• Product Dimensions: 7.9 x 5.7 x 0.6 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #419,421 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

5.0 out of 5 stars The Art of the Luthier Revealed, September 27, 2001

By 

R. Hardy "Rob Hardy" (Columbus, Mississippi USA) - See all my reviews
(TOP 100 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707 (Hardcover)

If you are like me, you have never before heard of the word "luthier." Nicholas Delbanco defines the word as "one who makes and repairs bowed string instruments." It is an old, old word, and much of the craft of the luthier "feels nearly medieval in it hierarchy of apprentice, journeyman, laborer, master craftsman." Delbanco knows that we don't know the word, and we don't know the craft of the luthier, but after reading his book, _The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707_ (Verso), we can at least appreciate in small the stratospheric levels of expertise in the luthier's craft. The visit to this world is exhilarating.

Delbanco tells of the history of the cello, one of a few dozen that Stradivari built. It eventually came down to Bernard Greenhouse, who has owned the cello for almost forty years. He says, "I've traveled the world with that instrument. It's been my companion for 40 years. It was my career, my friend." He played in the Beaux Arts Trio, two hundred times a year. He was never separated from his dear instrument. But as he got older, and concertizing became less pressured and less frequent, he thought he owed his instrument and posterity a favor. In 1998, he turned it over to the luthier, René Morel in New York City, who took it apart and reworked it, over almost two years. Morel says, "To start with, we take it apart. Even so fine a lady as the Countess of Stanlein must be opened for examination; you insert the knife carefully, carefully just here into the glue - you must know how to do it - and then you just go _pop_!" You can believe he was that cavalier about it, if you like. Delbanco details the incredibly complicated steps in the renewal, and Greenhouse's fretting about being without his old friend and fellow performer. The restoration complete, the instrument was just as good as he wanted it, which is unexcelled.

A charming little book, telling of the mastery of the luthier and the musician, _The Countess_ is obviously written with love by a fan, but the awesome story of the history of the cello and its dismemberment and resurrection is full of quietly told facts. It is a fine work for general readers who know nothing of this world, and it is a delightful introduction to two elderly artists at the top of their form, and whom it is hard not to love.

7 of 11 people found the following review helpful:

3.0 out of 5 stars close, but no cigar, February 6, 2003

By A Customer

This review is from: The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707 (Hardcover)

It is easy to be excited by the promise of this little book. Its austere but stylish cover displays an old, rare, beautiful instrument. The instrument was created by a sublime craftsman. In recent years it has been played by another, and now it has been restored by a third. The cello has an intriguing name and the cover notes suggest a history to match. Alas, seduced readers will be left unfulfilled. The story is simpler than the promised romance. Ardent admiration is obvious in descriptions of the knowledge and skill of the craftsmen, but little of any depth is revealed. Even the illustrations disappoint. It's a beautiful package and will look well on any shelf. However what might, with more control, have been a delightful article in Vanity Fair is, instead, bloated, swollen and grandiose.

2 of 6 people found the following review helpful:

3.0 out of 5 stars close, but no cigar, February 6, 2003

By A Customer

This review is from: The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707 (Hardcover)

It is easy to be excited by the promise of this little book. Its austere but stylish cover displays an old, rare, beautiful instrument. The instrument was created by a sublime craftsman. In recent years it has been played by another, and now it has been restored by a third. The cello has an intriguing name and the cover notes suggest a history to match. Alas, seduced readers will be left unfulfilled. The story is simpler than the promised romance. Ardent admiration is obvious in descriptions of the knowledge and skill of the craftsmen, but little of any depth is revealed. Even the illustrations disappoint. It's a beautiful package and will look well on any shelf. However what might, with more control, have been a delightful article in Vanity Fair is, instead, bloated, swollen and grandiose.