The Art of Courtly Love (Records of Western Civilization Series) [Paperback]

Andreas Capellanus (Author)

Book Description

Series: Records of Western Civilization Series | Publication Date: July 15, 2009

Marriage is no real excuse for not loving. & nbsp;& nbsp; That which a lover takes against the will of his beloved has no relish. & nbsp;& nbsp; When made public love rarely endures. & nbsp;& nbsp;Love can deny nothing to love.Published in the twelfth century, Andreas Capellanus's canonical The Art of Courtly Love had a major impact on the culture of medieval Europeans and relates centrally to Arthurian romance, troubadour lyric, and other genres. More than just a list of rules and advice, the book has been remarkably influential in modern understandings of the Middle Ages, especially of the phenomena known as courtly love. Is it a time capsule of social laws and customs that prevailed in courts? Or was it a flight of fancy that mocked such etiquette? Debates over its nature and meaning have been unending. Its style and concerns contributed long and significantly to English literature, and for centuries its attitudes and practices reflected and may even have shaped thinking and behavior about love in Western civilization. Renowned medievalist Jan M. Ziolkowski has revised the standard translation of the work from the original Latin, maintaining its lively tone and sophisticated play with character and sentiment. He has also written a foreword highlighting the work's continued relevance and updated the bibliography with new critical sources.

Editorial Reviews

Language Notes

Text: English (translation)
Original Language: Latin --This text refers to an alternate Paperback edition.

About the Author

Jan M. Ziolkowski is Arthur Kingsley Porter Professor of Medieval Latin and chair of the Department of the Classics at Harvard. His many books include Fairy Tales from Before Fairy Tales: The Medieval Latin Past of Wonderful Lies; Nota Bene: Reading Classics and Writing Songs in the Early Middle Ages; and, with Michael C. J. Putnam, The Virgilian Tradition to 1500.

Product Details

• Paperback: 288 pages
• Publisher: Columbia University Press; Revised edition (July 15, 2009)
• Language: English
• ISBN-10: 0231136579
• ISBN-13: 978-0231136570
• Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #7,097,616 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

27 of 27 people found the following review helpful:

5.0 out of 5 stars How Capellanus reshaped romance..., August 21, 2002

By 

J. Russ (STOW, OH USA) - See all my reviews
(REAL NAME)   

This review is from: The Art of Courtly Love (Paperback)

Andreas Capellanus, chaplain at the court of Countess Marie de Champagne, daughter of Eleanor of Aquitaine, wrote this treatise on courtly love in the 12th century--ostensibly to educate a friend--and thus set a new standard for lovers. Capellanus' work may have been intended as a satirical reworking of Ovid's Ars Amatoria, or it might have been influenced by the Arabic views of love in The Dove's Neck-Ring by Ibn Hazm a Mozarabic writer of the 11th century. Whatever his intent, his work, The Art of Courtly Love, influenced the aristocracy's ideas of social relationships, and the portrayal of male-female roles in romantic literature, well into the Renaissance. In a series of conversational examples between men and women of various classes together with a list of rules of love, Capellanus draws distinctions between the relationship of marriage and the relations between true lovers. Within the context of courtly love the true lover is required to pay homage to and do the bidding of his ladylove above all else. True love according to Capellanus does not exist between husband and wife, but is a state sought by all outside of the marriage bed. He states, attributing the sentiment to "M., Countess of Champagne", that "Love cannot acknowledge any rights of his between husband and wife". This attitude is understandable in a society where marriages were contracted for position and fortune.

In one of the sets of rules for lovers set forth by Capellanus he states that "No one should be deprived of love without the very best of reasons". This would justify romantic relationships of which women were otherwise deprived. Before modern times, love was rarely a factor in choosing a spouse, and yet it is perhaps the strongest force that drives mankind. Capellanus both acknowledges and rationalizes the power love holds over men and women alike. The path to true love is never easy, and the rules of courtly love would have it that where there is love there, too, is suffering. It is by his great distress that the beloved can see how greatly the lover loves. Although love that suffers chastely and from afar is held in esteem, Capellanus also says that kisses and embraces are "indications that love is to follow" and should not be overdone if the lover is not sincere. This seems to acknowledge the human need for sexual action to follow seduction. Appropriate action with gifts and flattery is described by Capellanus in his dialogs for seducing the beloved. Care must be taken in the choice of gifts, since by the rules of courtly love exchange of valuable objects debases the relationship and lovers may only accept those "little gifts" "useful for the care of the person" or "pleasing to look at" as long as there is no "avarice" involved. This rule led to the carrying by knights of tokens or "favors"--gifts of their ladies--in tournaments throughout the Middle Ages. Seduction has four steps according to Capellanus: first should come the offer of service (or if by a lady the giving of hope to the suitor), followed by the granting of kisses and the embrace--in which a couple may even lie down together nude, having no actual sexual congress, with no blame attached. If the final fourth step is taken, yielding to sexual relations, the lover is committed and can not withdraw from the relationship with honor for any less reason than a seriously dishonorable action on the part of his or her partner. These elements of courtly love appear again and again in literature of the Middle Ages from Chaucer's "Knight's Tale" to Malory's Morte D'Arthur.

Perhaps the most interesting influence in Capellanus' life is that of Eleanor of Aquitaine, queen of England and wife to King Henry II. Eleanor was already instrumental in the production of early courtly romances, especially the Arthurian tales. Wace dedicated his "Brut" to her, Thomas of Britian wrote his "Tristram" at her instigation and Chretien de Troyes wrote his Lancelot romances from material given him by her daughter Marie. Eleanor's life reads much like one of these romances. Duchess of Aquitaine, she married Louis, the king of France, at a young age, and produced two daughters Marie and Alix. She met Henry II, six years her junior, before he became king of England and then divorced Louis, on a consanguinarity technicality, to marry him. The rumor was that she and Henry, like Lancelot and Guinevere, met secretly while she was still legally married to Louis. When Henry later tired of her she again took up regency of the Aquitaine for her son Richard, and with her daughter Marie held liberal and literary courts where troubadours sang and courtiers waited upon ladies. Together Eleanor and Marie set a standard of chivalrous manners that changed the behavior of all knighthood. As a pastime these highborn ladies held "courts of love" wherein they tested the behavior of lovers, by the standards set in Capellanus' treatise, vindicating those they found to be "true lovers" and pronouncing penances for those found lacking. If not for the influence of the strong minded Marie de Champagne and the formidable Eleanor--women who wanted more of love than the usual marriage of convenience--Capellanus might have been relegated to the obscurity of the Church's proscribed text list, and our standards of romance might be very different today.

14 of 17 people found the following review helpful:

4.0 out of 5 stars Revealing book from 11th Century on Attaining Love, February 6, 1998

By A Customer

This review is from: The Art of Courtly Love (Paperback)

This is the sort of book you look for, not a scholarly book compiled from various sources and presented for a modern reader, but a treatise written at the time that Courtly Love was at its height in France. This book consists of three sections. The first has dialogues between men and women of different classes, which are of a man trying to reason with a woman for her love. In the book there are two nice stories, but the third section was the most suprprising. The first two sections summarize the rules of love to a young man the author knows named Walter, but in the third he gives his own opinion about pursuing love and women to the boy that gave what seemed like a light work the ending of a heavy and controversial commentary. I liked it, and you will especially as preparation to reading books of the era such as King Arthur. I gave the book a rating of 8 only because the dialogues all seemed to be similar, but on the whole its a great book.

5 of 5 people found the following review helpful:

5.0 out of 5 stars Interesting look at medieval manners and customs, January 22, 2003

By 

Maggie Boleyn - See all my reviews

This review is from: The Art of Courtly Love (Paperback)

This is a must read if you are at all interested in medieval life. Aside from being the premiere treatise on "courtly love," there are interesting historical issues raised by this book.

For example, in the section "What persons are fit for love," Capellanus says that "Age is a bar, because after the sixtieth year in a man and the fiftieth in a woman...passion cannot develop into love..." The conventional wisdom holds that most people did not live much past 40 in those days. Evidently Capellanus ran across a few people in their 50s and 60s, in addition to his encounters with nuns. (You will have to read the book to find out more)