Cover Girl

Shawn Colvin | Format: Audio CD

Product Details

• Audio CD (June 3, 2011)
• Original Release Date: August 23, 1994
• Number of Discs: 1
• Label: Columbia
• ASIN: B0000029JI
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (22 customer reviews)
• Amazon Best Sellers Rank: #99,825 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

4.0 out of 5 stars Shawn Colvin does other people's songs her way, July 10, 2005

By 

Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews
(VINE VOICE)    (COMMUNITY FORUM 04)    (TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Cover Girl (Audio CD)

Believe it or not, Shawn Colvin started out playing hard rock with her own group, the Shawn Colvin Band in Illinois. But the music played havoc with her voice. Then she ended up in the Dixie Diesels, a Western swing band in Texas. By the early 1980s she had moved to New York and was writing and singing folks songs there and in Boston, when she was not appearing in off Broadway shows like "Pump Boys and Dinettes" and "Lie of the Mind." By 1987 she was singing backup on Suzanne Vega's hit song "Luka" and a year later paired up with John Leventhal, writing the lyrics to his melodies. A decade later we get to her big album "A Few Small Repairs," with the hit single "Sunny Came Home," which won Grammy Awards for Record of the Year and Song of the Year.

The 1994 album "Cover Girl" is actually a look backwards in Colvin's ascent on the music scene. When Colvin first started working the folk circuit in Greenwich Village in the early 1980s she would take rock songs and turn them into tunes she could play and sing on her guitar, such as "Every Little Thing [He] Does Is Magic" by the Police and "This Must Be the Place (Naive Melody)" by the Talking Heads. Of course, when she was signed to a recording contract Colvin focused on her original material. But the generation of music lovers weaned on MTV's "Unplugged" are more amenable to hearing covers of familiar songs done in interesting ways, which justifies this effort. This is not to say that everything here is a radical interpretation of the text, because that would certainly not apply to Dylan's "You're Going to Make Me Lonesome When You Go." The only problem is that the best songs on the album are ones that are not mainstream works and it is hard to appreciate a cover song if you do not know the original (e.g., Greg Brown's "One Cool Remove" or Willis Alan Ramsey's "Satin Sheets").

This album is a mixture of studio and live tracks, and after listening to the likes of "Heart of Saturday Night" by Tom Waits and "Twilight" by Robbie Robertson, I will state a preference for the former. I have picked up Colvin's last album in preparation for hearing her in concert again this month. Since the last time was Lilith Fair it will be nice to hear her do more than a short set, and in addition to listening to her best known songs I will be interested to see what cover songs she shares with us this time around. Hearing this album can only whet your appetite for such things.

Concert Update: Colvin, back to playing solo with a pair of acoustic guitars, did some very inttresting covers during her performance at the Big Tent Chautauqua. She did a capella versions of the provincial song of Ontario and a couple of beer jingles ("Amazing what you remember," she told us). She also did "If These Walls Could Speak." Then during her three song encore she opened with "(Looking For) The Heart of Saturday Night" (which apparently she only sings on Satruday nights) and closed with a stellar version of "You're Going to Make Me Lonesome When You Go" (her guitar playing is as good as her singing, which my wife finds a compelling combination of being husky and high). So all of the "new" stuff was from the album she is working on for release next February, which will certainly give us something to look forward to.

6 of 6 people found the following review helpful:

5.0 out of 5 stars What an album!, May 23, 2000

By 

Larry L Shreve (Richmond, VA) - See all my reviews

This review is from: Cover Girl (Audio CD)

I am not a long standing Shawn Colvin fan. I found this CD in a salvage store...and bought it because I had recently go into a "Few Small Repairs". While I liked most of "Repairs" some songs were world class and others just OK...or better than average "filler" songs. I played "Cover Girl" for the first time not knowing what to expect. Many of these songs are live and the recording quality is astounding. For audiophiles who, like myself, believe how well the music is recorded is almost as important as the message the music conveys, this ablum delivers in spades. It is clear from the music and the album notes that Ms.Colvin has picked these songs very carefully...and is, in fact, deeply, emotionally involved in most of the music recorded here. This album is pure emotion, talent, a stool, a guitar...and THE voice to carry it off. I would recommend this for anyone who likes live acoustic music.

7 of 8 people found the following review helpful:

5.0 out of 5 stars DO buy this one along with Shawn's earlier work!, December 29, 2001

By A Customer

This review is from: Cover Girl (Audio CD)

I am amazed to see an earlier 1 star review when the reviewer raves about 5 of the cuts! This album introduces you to the following writers: Tom Waits, Jimmy Webb, Sting, Willis Alan Ramsay, Greg Brown, Steve Earle, Bob Dylan, David Byrne, Robbie Robertson, J.Sill, and T. Littlefield. A few cuts are live. Some with a full band and others with Shawn and guitar. You can hear her smile while singing the live cuts! A duet with Mary Chapin Carpenter is great. And the liner notes are interesting to boot, which is something I miss with the advent of CD packaging. I found it fun to hear her rendition of songs I already knew and enlightnening to hear writers I never would have heard otherwise. I have not seen her live but from this album I would LOVE to see her in a small venue with just Shawn and her guitar. I think her guitar playing has been overlooked.