Customer Reviews

Cover Girl

5 star:		(9)
4 star:		(9)
3 star:		(2)
2 star:		(2)
1 star:		(0)

 

 

Believe it or not, Shawn Colvin started out playing hard rock with her own group, the Shawn Colvin Band in Illinois. But the music played havoc with her voice. Then she ended up in the Dixie Diesels, a Western swing band in Texas. By the early 1980s she had moved to New York and was writing and singing folks songs there and in Boston, when she was not appearing in off Broadway shows like "Pump Boys and Dinettes" and "Lie of the Mind." By 1987 she was singing backup on Suzanne Vega's hit song "Luka" and a year later paired up with John Leventhal, writing the lyrics to his melodies. A decade later we get to her big album "A Few Small Repairs," with the hit single "Sunny Came Home," which won Grammy Awards for Record of the Year and Song of the Year.

The 1994 album "Cover Girl" is actually a look backwards in Colvin's ascent on the music scene. When Colvin first started working the folk circuit in Greenwich Village in the early 1980s she would take rock songs and turn them into tunes she could play and sing on her guitar, such as "Every Little Thing [He] Does Is Magic" by the Police and "This Must Be the Place (Naive Melody)" by the Talking Heads. Of course, when she was signed to a recording contract Colvin focused on her original material. But the generation of music lovers weaned on MTV's "Unplugged" are more amenable to hearing covers of familiar songs done in interesting ways, which justifies this effort. This is not to say that everything here is a radical interpretation of the text, because that would certainly not apply to Dylan's "You're Going to Make Me Lonesome When You Go." The only problem is that the best songs on the album are ones that are not mainstream works and it is hard to appreciate a cover song if you do not know the original (e.g., Greg Brown's "One Cool Remove" or Willis Alan Ramsey's "Satin Sheets").

This album is a mixture of studio and live tracks, and after listening to the likes of "Heart of Saturday Night" by Tom Waits and "Twilight" by Robbie Robertson, I will state a preference for the former. I have picked up Colvin's last album in preparation for hearing her in concert again this month. Since the last time was Lilith Fair it will be nice to hear her do more than a short set, and in addition to listening to her best known songs I will be interested to see what cover songs she shares with us this time around. Hearing this album can only whet your appetite for such things.

Concert Update: Colvin, back to playing solo with a pair of acoustic guitars, did some very inttresting covers during her performance at the Big Tent Chautauqua. She did a capella versions of the provincial song of Ontario and a couple of beer jingles ("Amazing what you remember," she told us). She also did "If These Walls Could Speak." Then during her three song encore she opened with "(Looking For) The Heart of Saturday Night" (which apparently she only sings on Satruday nights) and closed with a stellar version of "You're Going to Make Me Lonesome When You Go" (her guitar playing is as good as her singing, which my wife finds a compelling combination of being husky and high). So all of the "new" stuff was from the album she is working on for release next February, which will certainly give us something to look forward to.

I am not a long standing Shawn Colvin fan. I found this CD in a salvage store...and bought it because I had recently go into a "Few Small Repairs". While I liked most of "Repairs" some songs were world class and others just OK...or better than average "filler" songs. I played "Cover Girl" for the first time not knowing what to expect. Many of these songs are live and the recording quality is astounding. For audiophiles who, like myself, believe how well the music is recorded is almost as important as the message the music conveys, this ablum delivers in spades. It is clear from the music and the album notes that Ms.Colvin has picked these songs very carefully...and is, in fact, deeply, emotionally involved in most of the music recorded here. This album is pure emotion, talent, a stool, a guitar...and THE voice to carry it off. I would recommend this for anyone who likes live acoustic music.

I am amazed to see an earlier 1 star review when the reviewer raves about 5 of the cuts! This album introduces you to the following writers: Tom Waits, Jimmy Webb, Sting, Willis Alan Ramsay, Greg Brown, Steve Earle, Bob Dylan, David Byrne, Robbie Robertson, J.Sill, and T. Littlefield. A few cuts are live. Some with a full band and others with Shawn and guitar. You can hear her smile while singing the live cuts! A duet with Mary Chapin Carpenter is great. And the liner notes are interesting to boot, which is something I miss with the advent of CD packaging. I found it fun to hear her rendition of songs I already knew and enlightnening to hear writers I never would have heard otherwise. I have not seen her live but from this album I would LOVE to see her in a small venue with just Shawn and her guitar. I think her guitar playing has been overlooked.

I've been a Shawn Colvin fan since even before she came out with her own album. (I discovered her doing backups for/with other people I like, such as Mary-Chapin Carpenter and Lucy Kaplansky.) _Cover Girl_ is my second-favorite album of hers, next to her first. It has a good range of songs, and her cover of "This Must Be The Place (Naive Melody)" (by The Talking Heads) is amazing and gives a much different feel to the song than the original. Other great songs are "The Heart of Saturday Night" (by Tom Waits), "Killing the Blues" (John Prine), "Window to the World" (by Greg Brown), and "You're Gonna Make Me Lonesone When You Go" (by Bob Dylan). The clearly marketable "Every Little Thing (He) Does Is Magic" (by The Police / Sting), while adept enough, I feel actually detracts from the overall mood of the album.

Although this album contains no new material, I liked it. Shawn Colvin does a great job of putting her own signature sound to the songs she has selected. She even manages to put a totally new direction on the Police classic "Everything little thing she does is magic"; and it sounds great. Other highlights of the album are ""Uncool remove", "Someday", and "Window to the World".

I recommend this album to any Shawn Colvin fan, or anyone who enjoys quality acoustic music. You will enjoy the work she has done on others songs. Enjoy.

I bought this disk in a pawn shop in Georgia after hearing her play at an arts festival. This is the perfect disk to pop in your headset when you are feeling small in a big world. Shawn somehow manages to sound strong and vulnerable at the same time. It is renewing. I wasn't ever interested in her billboard music, but this album is straight from the heart. Her covers of "You're going to make me lonesome when you go", and "Home" (the Talking Heads song). ARe especially good. Buy this album even if you have nothing like this in your CD collection, it will become a favorite.

Like many other reviewers, I backed into this one from "A few small repairs". Now this is the one I listen to more.

The songs are simple, the accompaniment is clean, lean and tasteful, and Shawn's voice is a delight of breathy intimacy. I could have done without the Talking Heads song, and "Every little thing" is an amusing curiosity, but the rest are beauties.

After being enchanted by FAT CITY and STEADY ON, I bought COVER GIRL expecting something similiar. There is no debate that Shawn Colvin is extremely talented. Her albums have been amazing, this is the sole exception. It would have been a better idea to mix some originals in with these covers, since her own songs are experiences beyond the album. She starts off on a great note, but the album quickly runs out of steam. The highlights are "Every Little Thing He Does Is Magic" which is energetic and well arranged. "One Cool Remove" an excellent duet with Mary Chapin Carpenter. Stunning acoustic power in "Killing The Blues". "Window To The World" is another treasure. "Someday" rocks, a great version of one of the many highlights from the classic GUITAR TOWN. Unfortunately, too many of the other reneditions don't have the spirit that the songs on FAT CITY and STEADY ON do. By the time "Twilight" comes out of the speakers I'm already worn down. No one can top Shawn Colvin when you listen to STEADY ON, FAT CITY, or A FEW SMALL REPAIRS, so you can easily skip COVER GIRL. If you're haven't heard Shawn Colvin, you're better off starting with one of those three. Maybe there will be a hits package that will include these songs. Together with the songs from the other albums, the results could be amazing.

The cutely titled "Cover Girl" is a mixed bag of covers from a great singer/songwriter.

At its best "(Looking For) The Heart of Saturday Night,' "One Cool Remove" "Killing the Blues," and the exquisite "Twilight" this album showcases Shawn's voice and her knack for good arrangements.

But this does not help a lackluster version of The Police's Every Little Thing" and several other songs that come across as little more than filler.

If you are looking for an introduction to Shawn, pass this one by and get "Live '88" and "A Few Small Repairs."

I just had to leave a five-star rating in hopes of bumping up the overall rating of this album. This is at the top of my list of Shawn Colvin albums, with Polaroids probably being right next to it. I especially love her version of Bob Dylan's "You're Gonna Make Me Lonesome When You Go." I also love "Killing the Blues," "Window to the World," and "If These Walls Could Speak."

Shawn Colvin has such a smooth, iridescent, mesmerizing voice. One of the most soothing voices I've ever heard.