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Cover of Night [Abridged, Audiobook, CD] [Audio CD]

Linda Howard (Author), Joyce Bean (Reader), Dick Hill (Reader)
2.7 out of 5 stars  See all reviews (143 customer reviews)


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Book Description

June 27, 2006
In the charming rural town of Trail Stop, Idaho, accessible to the outside world by only a single road, young widow Cate Nightingale lives peacefully with her four-year-old twin boys, running a bed-and-breakfast. Though the overnight guests are few and far between - occasional hunters and lake fishermen - Cate always manages to make ends meet with the help of the local jack-of-all-trades, Calvin Harris, who can handle everything from carpentry to plumbing. But Calvin is not what he seems, and Cate’s luck is about to run out. One morning, the B&B’s only guest inexplicably vanishes, leaving behind his personal effects. A few days later Cate is shocked when armed men storm the house, demanding the mystery man’s belongings. Fearing for her children’s lives, Cate agrees to cooperate - until Calvin saves the day, forcing the intruders to scatter into the surrounding woods. The nightmare, however, is just beginning. Cate, Calvin, and their entire community find themselves cut off and alone with no means to call for help as the threat gathers intensity and first blood is drawn. With their fellow residents trapped and the entire town held hostage, Cate and Calvin have no choice but to take the fight to their enemies under the cover of night. While reticent Cal becomes a fearless protector, Cate makes the most daring move of her life…into the very heart of danger.

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About the Author

Linda Howard is the award-winning author of many New York Times bestsellers, including Drop Dead Gorgeous, Cover of Night, Killing Time, To Die For, Kiss Me While I Sleep, Cry No More, Dying to Please, Open Season, Mr. Perfect, All the Queen’s Men, Now You See Her, Kill and Tell, and Son of the Morning. She lives in Alabama with her husband and two golden retrievers.

Excerpt. © Reprinted by permission. All rights reserved.

The guest who was staying in room 3 of Nightingale’s Bed and Breakfast, which Cate Nightingale privately thought of as the He-Man room because it was almost unrelievedly masculine, stopped in the doorway of the dining room, then almost immediately stepped back out of sight. Most of the patrons who were enjoying Cate’s morning offerings didn’t even notice the man’s brief appearance; those who did probably didn’t think anything about his abrupt departure. People here in Trail Stop, Idaho, tended to mind their own business, and if one of her guests wasn’t in the mood for company while he ate, that was fine with them.

Cate herself noticed him only because she was bringing in a platter of sliced ham from the kitchen at the same time, and the kitchen door was directly opposite the open hall doorway. She made a mental note to go upstairs the first chance she got and see if he—his name was Layton, Jeffrey Layton—wanted her to bring up a breakfast tray. Some guests didn’t like eating with strangers, plain and simple. Taking a tray up wasn’t anything unusual.

Nightingale’s B and B had been open for almost two years. The Bed part of the business was often slow, but Breakfast was booming. Opening her dining room to the public for breakfast had been a happy accident. Instead of having one large dining table where everyone would sit together—assuming all five of her guest rooms were occupied at the same time, which had never happened—she had placed five small tables, each seating four, in the dining room so that her guests could eat in relative privacy if they wanted. Folks in the little community had quickly realized that Nightingale’s offered some fine eating, and before she knew it, people were asking if it was okay if they stopped by for coffee in the mornings, and maybe for one of her blueberry muffins as well.

As a newcomer she wanted to fit in, so because she had the extra seats, she said yes, even though mentally she had groaned at the thought of the added expense. Then, when they tried to pay her, she had no idea what to charge, because the cost of breakfast was included in the room rental; so she’d been forced to hand-print a menu with prices and post it on the side door, which most of the locals used instead of walking around to the front of the big old house. Within a month she’d squeezed a sixth table into the dining room, bringing her total seating capacity to twenty-four. Sometimes even that wasn’t enough, especially if she had guests in residence. It wasn’t unusual to see men leaning against a wall while they drank their coffee and munched on muffins, if all the seats were taken.

Today, however, was Scone Day. Once a week she baked scones instead of muffins. At first the community folk, mostly from ranch and lumberjack stock, had looked askance at the “fancy biscuits,” but the scones had quickly become a favorite. She had tried different flavors, but the vanilla was a runaway favorite because it went well with whatever jam the customer preferred.

Cate set the platter of fried ham down in the middle of a table, exactly halfway between Conrad Moon and his son so that neither could accuse her of playing favorites. She had made that mistake once, putting a platter closer to Conrad, and since then the two had kept up a running commentary about whom she liked best. Gordon, the younger Moon, would be joking, but Cate had an uneasy feeling that Conrad was looking for a third wife and thought she’d fill the position just fine. She thought otherwise, and made certain she never gave him any accidental encouragement with the ham placement.

“Looks good,” Gordon drawled, as he did every day, stretching out his fork to capture a slice.

“Better’n good,” Conrad added, unable to let Gordon top him in the compliment department.

“Thank you,” she said as she hurried away, not giving Conrad a chance to add anything else. He was a nice man, but he was about her father’s age, and she wouldn’t have picked him even if she weren’t too busy to even think about starting to date.

As she passed by the Bunn double coffeemaker, she automatically checked the level of coffee in the pots, and paused to start a fresh batch. The dining room was still full, and people were lingering longer this morning. Joshua Creed, a rancher and hunting guide, was there with one of his clients; folks always hung around when Mr. Creed was there, just to talk to him. He had an aura of leadership, of authority, that people naturally responded to. She’d heard he was retired from the military, and she could believe it; he radiated command, from his sharp, narrow gaze to the square set of his jaw and shoulders. He didn’t come in very often, but when he did, he was usually the center of respectful attention.

The client, a handsome dark-haired man she judged to be in his late thirties, was just the sort of outsider she liked the least. He was obviously well off, if he could afford Joshua Creed, and though he was dressed in jeans and boots like most of the people in the room, he made certain, in some subtle and some not-so-subtle ways, that everyone knew he was Someone Important despite his show of camaraderie. For one thing, he’d rolled up his shirtsleeves and kept flashing the thin, diamond-set watch on his left wrist. He was also just a shade too loud, a shade too hearty, and he kept mentioning his experiences on a game hunt in Africa. He even gave everyone a geography lesson, explaining where Nairobi was. Cate managed to refrain from rolling her eyes at his assumption that local was synonymous with ignorant. Weird, maybe, but not ignorant. He also made a point of explaining that he hunted wild animals mostly to photograph them, and though on an emotional level Cate approved of that, her common sense whispered that he was just saying it to give himself an out in case he didn’t kill anything. If he was any kind of photographer, she’d be surprised.

As she hurried on to the kitchen, she wondered just when she’d started looking at newcomers as “outsiders.”

The dividing line between her life before and her life now was so sharply defined that sometimes she felt as if she weren’t even the same person. There hadn’t been a gradual change, giving her time to analyze and process, to slowly grow into the woman she was now; instead there had been jagged breaks, abrupt upheavals. The period between Derek’s death and her decision to move to Idaho was a steep, narrow valley into which sunshine had never reached. Once she and the boys had arrived here, she’d been so busy getting the B and B open and settling in that she hadn’t had much time to worry about being an outsider herself. Then, almost before she knew it, she was as much part of the warp and weave of the little community as she ever had been in Seattle; more, even, because Seattle was like all big cities, filled with strangers and everyone moving in individual little bubbles. Here, she literally knew every soul—all seventy-six of them.

Just before she reached the kitchen door, it opened, and Sherry Bishop stuck her head out, a quick look of relief crossing her face when she saw Cate approaching.

“What’s wrong?” Cate asked as she rushed through the door. She looked first to the kitchen table, where her four-year-old twins, Tucker and Tanner, were industriously digging into their cereal, but the boys were sitting on their booster chairs exactly where she had left them. They chattered and giggled and squirmed, as usual; all was right in their world. Rather, Tucker chattered, and Tanner listened. She couldn’t help worrying because Tanner talked so little, but their pediatrician hadn’t seemed alarmed. “He’s fine,” Dr. Hardy had said. “He doesn’t need to talk because Tucker is talking for both of them. He’ll talk when he has something to say.” Since Tanner was completely normal in every other way, including comprehension, she had to assume the pediatrician was right—but she still worried. She couldn’t help it; she was a mother.

“A pipe burst under the sink,” Sherry said, sounding harassed. “I turned off the valve, but we need the water back on fast. The dishes are piling up.”

“Oh, no.” Other than the obvious difficulty of having no water to cook or wash dishes with, another problem loomed even larger: her mother, Sheila Wells, was en route from Seattle, for a weeklong visit, and was due in that afternoon. Since her mother wasn’t happy about Cate and the twins leaving Seattle to begin with, Cate could just imagine her comments about the area’s remoteness and lack of modern conveniences should there not be any water.

It was always something; this old house seemed to need almost constant maintenance and repair, which she supposed was par for the course with old houses. Still, her finances were stretched to the breaking point; she could use just one week in which nothing went wrong. Maybe next week, she thought with a sigh.

She picked up the kitchen phone and from memory dialed the number of Earl’s Hardware Store.

Walter Earl himself answered, catching the phone on the first ring as he usually did. “Hardware.” He didn’t need further identification, since there was only one hardware store in town, and he was the only one who answered the phone.

“Walter, this is Cate. Do you know where Mr. Harris is working today? I have a plumbing emergency.”

“Mistuh Hawwis!” Tucker crowed, having caught the name of the local handyman. Excited, he banged his spoon against the table, and Cate ... --This text refers to the Hardcover edition.

Product Details

  • Audio CD
  • Publisher: Brilliance Audio on CD; Abridged edition (June 27, 2006)
  • Language: English
  • ISBN-10: 1423310071
  • ISBN-13: 978-1423310075
  • Product Dimensions: 6.1 x 5.1 x 0.8 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (143 customer reviews)
  • Amazon Best Sellers Rank: #3,028,417 in Books (See Top 100 in Books)

More About the Author

Linda Howard is the award-winning author of many New York Times bestsellers, including Up Close and Dangerous, Drop Dead Gorgeous, Cover of Night, Killing Time, To Die For, Kiss Me While I Sleep, Cry No More, and Dying to Please. She lives in Alabama with her husband and two golden retrievers.


 

Customer Reviews

143 Reviews
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Average Customer Review
2.7 out of 5 stars (143 customer reviews)
 
 
 
 
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52 of 56 people found the following review helpful:
3.0 out of 5 stars Good story, but missing the sensuality and snappy dialogue, July 3, 2006
By 
Cate is still mourning the loss of her husband who died three years earlier of an infection, leaving her with infant twin boys. Realizing that she could not make ends meet in Seattle, she moves to a small town in Idaho and buys a B&B. When her latest guest leaves via the window rather than the front door and does not come back the next day, she notifies the police. Meanwhile, the town is trying desperately to get Cate and the local handyman, Cal together - even going so far as to sabotage her plumbing, but she does not seem to notice him.

The guest is Jeffrey Layton, an accountant who is blackmailing a Chicago gangster. He has info on a flash drive that would ruin the gangster, and he has left a trail straight to Cate's door. When the gangster hires thugs to bring Jeffrey and the flash drive in, they rough up Cate and her friend and have a run-in Cal, who would do anything to protect Cate. The thugs leave with bruised egos and Layton's suitcase. Sensing danger, Cate has her mother take the twins to Seattle for a visit, which turns out to be smart. The two thugs come up with a ridiculous plan to take the town hostage to obtain the flash drive when they determine that she did not give them all Layton's luggage.

When the hired thugs (their numbers swollen to six) strike, all hell breaks loose in Trail Stop, Idaho. Little do they know Cal is a former Special Forces soldier - a one man army if you will. With the aid of his former mentor Joshua Creed, Cal organizes the townspeople who are cut off from the outside world. Cate and Cal are forced to climb their way out of the valley via a sheer cliff to obtain help.

While the plot is engaging, there is a lack of chemistry between the main characters. We know Cal is in love with Cate, but Cate never even noticed him, so her sudden turnaround is hard to buy. The requisite love scene between the two comes so late in the story that it seems like a last minute add on. Also in short supply is the snappy dialogue that keeps the pace of a typical Howard novel. While I enjoyed this novel, it certainly is not in my top 10 LH faves.
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43 of 51 people found the following review helpful:
3.0 out of 5 stars It could have been very good., July 7, 2006
By 
Pinktulip "Cat" (Chattanooga, TN United States) - See all my reviews
I was so excited to get this book. The storyline was so promising, but I didn't think it went deep enough. As a previous reviewer remarked, Cate didn't notice Calvin until half way into the book. We got Cate's take on things, but rarely a glimpse at what Calvin was thinking, feeling, ect. That is the element that was missing in her story. It seemed like it was rushed or something. I love Linda Howard, but this one is not her best work. Wait until it comes out in paperback.

Some of her best works are: Mr. Perfect, Kill and Tell, and Now You See Her.
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28 of 33 people found the following review helpful:
1.0 out of 5 stars Could have been titled "The Incredibles" ......, August 13, 2006
This book is yet another disappointment from Linda Howard, who seems to have lost her ability to write either mystery or romance. Cover of Night is slow starting, repetitive,--Howard tells us again and again what a good, responsible person and mother Cate is, which, since she's our plucky heroine, we assume is a given--and overwritten, an ongoing problem with Howard. In attempting to establish character, she consistently tells the reader too much, as though she doesn't trust her audience to "get" it. Here's an example: Describing Cate's self-sacrifice and unselfishness, Howard writes: "Just about the only extra grooming she had time for these days was keeping her legs and underarms shaved, which she did because--well, just because. Besides, all it took was an [the edition I bought has a typo of two "ans"]--extra three minutes in the shower." Judicious editing would have reduced this description to: "Just about the only extra grooming she had time for these days was keeping her legs and underarms shaved," which is more than enough to let us sympathize with this busy mother of twins and owner of a Bed and Breakfast, who doesn't take enough time for herself. To tell more is the mark of a bad writer, and makes the reader (at least this reader) impatient. Perhaps Howard is not to blame as much as her editors for passages like this, but the book is full of them. It is also uneven. The action sequences are marginally better, crisper, without all the interior monologues or descriptions of motivation that slow the first part of the book down and make it--and its heroine-- dull. Are these sequences better edited or is Howard just better at describing action than she is in creating characters? Hard to know; neither work all that well here.

There are other problems, too, but the most serious is its incredible plot. WARNING: plot revelations follow. Howard's own characters say it best: "Toxtel's plan was one of the most idiotic things he'd ever heard in his life....." and later, "This whole thing was so over the top it didn't make sense." The "plan," so to speak, is to blow up bridges, put an entire town under seige, take the inhabitants hostage, and kill innocent citizens--all in order to recover an item which the protagonists ONLY ASSUME IS HIDDEN IN THE TOWN! The expense of such an operation alone makes it unbelievable, never mind the impracticality or logistics of it. The plan's mastermind is not even portrayed as an out-of-control, power-hungry madman, who might conceivably come up with such a deranged idea, but simply as a rather plodding hitman, angry because his first attempt to recover the object failed. Almost as incredible is our hero's action in allowing these bad guys to leave town in the first place, when any thinking, sane person would have turned them over to authorities. But of course they had to leave town so that the remainder of the plot--and I use the term lightly--could unfold.

CofN is also highly predictable; I knew our hero and heroine would have reason to climb a mountain from the first moment we learn they have climbing experience. But even then, the climb is aborted, as though Howard herself grew bored with it. And then there is the relationship between Cate and our hero, which other reviewers have commented on and which I agree only adds to our disbelief. In this, as well as in other aspects of the story, Cate comes off as slightly stupid, while our hero challenges our believability by doing a sudden about-face (no pun intended) from blushing, stammering handyman to Super Marine. Precocious, baby-talking four-year olds and assorted other good and bad characters with mysterious pasts help clutter the landscape but do little to enrich the story.

Again, I cannot help but suspect that Cover of Night is an earlier unpublished Howard manuscript which has been updated and offered to an audience eager for her next best seller. If I'm wrong and this is the level of her current writing, then I also can't help anticipating future Howard offerings with a certain amount of trepidation.
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thermal scopes, trenching tool, flash drive
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Cover of Night, Trail Stop, Roy Edward, Jeffrey Layton, Dopp Kit, Yuell Faulkner, Walter Earl, Kennon Goss, Hugh Toxtel, Calvin Harris, Salazar Bandini, Cate Nightingale, Joshua Creed, Wal Mart, Milly Earl, Cal Harris, Sherry Bishop, Naughty Chair
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