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Most Helpful Customer Reviews
4.0 out of 5 stars
Yee-aah!,
By Michael Baxter "Mike Baxter" (Hull, East Riding of Yorkshire, England.) - See all my reviews (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: More Cowboy Movie Posters (Illustrated History of Movies Through Posters) (Paperback)
Excellent book for the western enthusiast. was a little disappointed that posters were not full page but guess I'm being a bit picky.No text apart from the introduction, many memories came flooding back of favourites such as Charles Starrett, Allan Lane, Roy Rogers, Gene Autry etc.
These books will end up collectors items so strike while the iron is hot.
5.0 out of 5 stars
The Colorful West,
By DAVID LOCKETT (Tasmania, Australia) - See all my reviews
This review is from: More Cowboy Movie Posters (Illustrated History of Movies Through Posters) (Paperback)
More Cowboy Movie Posters is a fabulous art book and truly invaluable, offering the highest quality images from good and bad westerns. As someone who collects western posters, I have used this book as an important aid to purchasing posters illustrated within. Without such a quality reference I would have needed to peruse a stack of catalogs to find the same amount of images. For the non collector movie buff, the book is equally a delight and tremendous value at the low price.
5.0 out of 5 stars
Superb, Extraordinary Detail On Every Level!,
By A Customer
This review is from: More Cowboy Movie Posters (Illustrated History of Movies Through Posters) (Paperback)
This review can easily apply to any of the books in the Bruce Hershenson edited series of film poster history. Hershenson rightly treats film graphics not just as pop culture artifacts but true works of art. His books are filled with a curator's eye for superior choice and reproduction, each poster in striking color and with a clarity of printing that rivals most any coffee table art book. Somewhere between advertising and illustration, film posters, like book jackets and record covers, inhabit that imaginative and atmospheric zone where one art reflects another. It's not just the history of film or the history of film design, it's a history of twentieth century Saturday afternoons and Saturday nights. How often we would go into the dark theatre armed only with the ideas and ideals of the posters outside, and then return to them afterward, perhaps with nodding affirmation or smirking disillusionment, but still a vision of what could be. This series of books should be subtitiled: THE FINE ART OF ANTICIPATION,for no matter if expectation was filled or emptied by the films behind them, their posters kept on shining.
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