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Crafting Short Screenplays That Connect [Paperback]

Claudia H. Johnson (Author)
4.6 out of 5 stars  See all reviews (14 customer reviews)


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Crafting Short Screenplays That Connect, Third Edition Crafting Short Screenplays That Connect, Third Edition 4.6 out of 5 stars (14)
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Book Description

March 8, 2000 0240803787 978-0240803784
The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiding the student through carefully focused writing exercises of increasing length and complexity. Five award-winning student screenplays are included for illustration and inspiration.

The text is divided into three parts. Part one focuses on preparing to write by means of exercises designed to help students think more deeply about the screenwriter's purposes; their own unique vision, material and process; and finally about what screenplays are at their simplest and most profound level--a pattern of human change, created from specific moments of change--discoveries and decisions.

Part two teaches students how to craft an effective pattern of human change. It guides them through the writing and re-writing of "Five (Not So Easy) Pieces"--five short screenplays of increasing length and complexity--focusing on a specific principle of dramatic technique: The Discovery, The Decision, The Boxing Match, The Improbable Connection, and The Long Short Screenplay.

Part Three presents the five screenplays used throughout the book to illustrate the dramatic principles that have been discussed, and includes interviews with the screenwriters, a look at where they are now and what they are doing, and brief discussion of how each film evolved.



Exercise-based text puts the students' work at the center of the screenwriting courseBreaks the complex craft of screenwriting into teachable/learnable phrases and piecesAdopting professors receive a free video of the five films featured in the book!


Editorial Reviews

Review

"In this beautifully written and inspiring book, Claudia Johnson leads the reader through the process of writing the short film, along the way illuminating something much bigger--how to write great drama in any form. A very accessible book, well-researched and full of original thinking, Crafting Short Screenplays That Connect adds an important part to the literature of screenwriting and filmmaking, and will undoubtedly lead to some great short films."
- Linda Seger, author, Making a Good Script Great

"Crafting Short Screenplays that Connect would make a good addition to any screenwriter's library...a very accessible book for aspiring screenwriters." - Videomaker

"Whether you want to write short screenplays because you want some practice before you go the distance, or because it's an assignment for your film class, 'Crafting Short Screenplays That Connect' is for you...It is explicit in its detail and direction. What is perhaps the most unique part of this guide is the fact that it contains five short screenplays that illustrate dramatic principles she teaches."
- Jason Antebi, Done Deal (scriptsales.com)

Book Description

The first screenwriting guide to introduce connection as an essential aspect of creating stories for the screen and of the screenwriting process itself. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 288 pages
  • Publisher: Focal Press (March 8, 2000)
  • Language: English
  • ISBN-10: 0240803787
  • ISBN-13: 978-0240803784
  • Product Dimensions: 9.2 x 6 x 0.6 inches
  • Shipping Weight: 14.1 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #1,386,567 in Books (See Top 100 in Books)

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Customer Reviews

14 Reviews
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Average Customer Review
4.6 out of 5 stars (14 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

38 of 41 people found the following review helpful:
3.0 out of 5 stars Great ideas; why don't they work?, August 4, 2005
By 
Dick Oliver (Wilton, NH United States) - See all my reviews
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Ms. Johnson has some terrific, if not-quite-revolutionary, insights and ideas on screenwriting. Her central idea is that connection is more important than conflict, and she eloquently presents and defends this approach. I really appreciated the inclusion of the DVD, which shows the results of her exercises and approach with some good (not great) student films.

On the down side, the good-not-great-ness of these films reveals quite clearly the greatest weakness of her approach. The resulting films are warm and fuzzy and "work" on the level of human connection, but consistently lack exactly those elements of drama that she says aren't important--namely the tension and conflict that make you care what happens next when actually watching a film. Her ideas are so good it saddened me that the films seemed to prove the most obvious and naive argument against her central premise: Won't films that emphasize connection at the expense of what is traditionally called "conflict" come across as BORING and predictable? Sorry to say it, but yes these films are just that and I was left more than a bit skeptical that her approach as presented would really generate films that didn't share the same flaw.

Bottom line: As a filmmaking teacher, I'm very glad I bought this book. It opened my mind to some great new ideas and practical approaches to teaching. On the other hand, I would not show any of the films from this book as examples for my students to emulate and learn from, and I would be very cautious about taking the approach presented in this book too far when writing either student or commercial screenplays.

Buy it despite its limitations--it's really worth a read!
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16 of 16 people found the following review helpful:
5.0 out of 5 stars This book is a real gem., September 21, 2000
By 
Chuck Brown (Los Angeles, CA) - See all my reviews
This review is from: Crafting Short Screenplays That Connect (Paperback)
I stumbled on it recently when I was at the Samuel French bookstore on Sunset Blvd. In the heart of Hell-A (oops, scratch that - L.A. has no heart!) Anyway, there are tons of screenwriting books in that store. Tons. But I happened to pick this one up and start reading the Introduction. Very insightful. So I bought it (should've bought it here, though - it's cheaper), and I ended up devouring it pretty damn quickly. The writing is terrific - very conversational, accessible, smart, and at times bust-a-gut funny. But most impressive, the author sheds light on the importance of "connection" in the storytelling process. It made me think back about how many times in writing classes CONFLICT CONFLICT CONFLICT had been shoved down my throat. Okay, okay, I got it already! But, she points out, it's only half the story (the yin to the yang, or ya know, vice-versa...) - as she goes on to wonderfully illustrate and illuminate. Also, the sample student scripts are great additions. I especially got a big laugh out of "The Making of 'Killer Kite.'" I may have to spring for the companion video just to see how that film turned out.

Yeah, yeah, the book has "short screenplays" in the title, but the points she makes are applicable to scripts of any length. You can bet that even this jaded L.A. feature film writer will be incorporating a lot of her insights in his own creative process.

I'm looking forward to any follow-ups from this author, because she's finally brought something new - and important -- to the endless discussions (and how-to books) on screenwriting.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Crafting Short Screenplays that Connect, March 31, 2000
This review is from: Crafting Short Screenplays That Connect (Paperback)
What I liked most about this book was its conversational style. Very down-to-earth, but it maintains a sense of professionalism as well. Claudia really knows what she's talking about - not only book knowledge, but also life experience. Of course, that isn't all there is to like about this book. Her insights are well-thought-out and well-defined. It's good to see something in the genre that doesn't focus on Conflict as the sole driving force in the narrative form. And, finally, on a practical level, I believe the book is well-ordered and well put together. And the length of the chapters is inviting, rather than daunting. You can read a chapter easily in one sitting; because so much of the learning process is not *reading*, but *doing*, I feel that the brief chapters allow much more time to get to the 'doing' portion of learning, the really meaningful stuff. In short, I wish all text-books were this accessible and enjoyable.
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Inside This Book (learn more)
First Sentence:
A screenwriter's purpose is to connect. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
screenplay manuscript, short screenplays, dialogue card, deep action, emotional flow, improbable connection, good screenplays, screenwriting class, authentic connection
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Killer Kite, New York, Joe Wagner, Down the Aisles of the Quickcheck, Lena's Spaghetti, Little Tramp, Film Festival, Pulp Fiction, Sam Smiley, Matt Stevens, Los Angeles, Thomas Jackson, Lani Sciandra, Young Joe, Andy Zare, Anne Lamott, City Lights, First Place, Mark Spragg, Video Festival, Arthur Miller, Directing the Film, Jerry Stern, Nora Ephron, Ray Bradbury
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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