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When I read Pauls script for "Crash", I was immediately inspired to write for this film. The intricate plot, so masterfully woven around the wonderfully drawn characters, demanded a uniquely beautiful score. And in this case, this complete lack of financial resources, with which one could have resorted to the "tried and true" formulas of "successful film scoring", turned out to be a huge blessing.
Many composers start off their careers in "the bedroom" so to speak; in a small room, with their cherished equipment, building their music piece by piece, single handedly. For this score I returned to "the bedroom" and forced myself to find new and refreshing solutions to the challenge of writing this music. I am very proud of this score and sincerely hope that you, the audience, find it as engaging to listen to as I did to compose, and that through this album you can appreciate the beauty of this wonderfully crafted film.
-- Mark Isham
I haven't had an opportunity to listen to the whole thing yet but just love one title (Sense of Touch) in particular. Can't wait to hear it allPublished 4 months ago by Sherrill M. Meeks
One of the most intense soundtracks from one of the most intense movies of the decade.. hard to determine which is better .. the movie or the soundtrack.... Read morePublished 16 months ago by HykyrJoe
As a writer, I use music to inspire moods. This soundtrack is my muse. It was perfectly done for the film, but is music that stands alone beautifully. Read morePublished 20 months ago by Elizabeth Barrett
I absolutely LOVE this movie and the soundtrack! But I just cannot get myself to spend 40 bucks on a CD..and that's the used price! For the outrageous price I give it three stars. Read morePublished on March 14, 2010 by J. Tomlinson
Wow. Like many of the other reviewers, I saw the movie and was deeply touched by both the story and the incredible music. Read morePublished on July 14, 2009 by J. Austin
"Crash" is a picture that shows real Los Angeles which is full of people's emotions and racial conflicts. Read morePublished on January 15, 2009 by Juliusz Balcerak