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Crash (Widescreen Edition)


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Product Details

  • Actors: Don Cheadle, Sandra Bullock, Thandie Newton, Karina Arroyave, Dato Bakhtadze
  • Directors: Paul Haggis
  • Writers: Paul Haggis, Robert Moresco
  • Producers: Andrew Reimer, Betsy Danbury, Bob Yari, Cathy Schulman, Dana Maksimovich
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1)
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lions Gate Films
  • DVD Release Date: September 6, 2005
  • Run Time: 112 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (1,409 customer reviews)
  • ASIN: B000A3XY5A
  • Amazon Best Sellers Rank: #5,826 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Crash (Widescreen Edition)" on IMDb

Special Features

  • DVD Introduction by Director Paul Haggis
  • Crash Behind the Scenes
  • Commentary with Paul Haggis, Don Cheadle, and Bobby Moresco
  • Trailers

Editorial Reviews

Product Description

They all live in Los Angeles. And in the next 36 hours, they will collide.

Amazon.com

Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)







Customer Reviews

And to think that people who liked the movie have the nerve to say the people who didn't just didn't "get it".
Big J Moreno
The message of racial stereotypes and how easy it is for everyone of every race to make generalizations about people of other ethnicities.
Erica Anderson
There are way too many characters, every single one of them based on racial stereotypes and its misconceptions.
book worm

Most Helpful Customer Reviews

79 of 96 people found the following review helpful By Emily R. Jarrell on September 7, 2005
Format: DVD
This is the truest movie out there on racism, and the preconceived notions we ALL (no matter what color) try not to admit to to a certain extent. This was not a "lets bash the white man" movie either, the racism was across the board. The biggest surprise was to come about an hour in, and I was stunned to see the revelation of that storyline (with Matt Dillon). This film requires paying attention to, please stay with it, it will pay off. High recommend!
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41 of 52 people found the following review helpful By D. Mills on August 14, 2006
Format: DVD
I passed up this film when first released on DVD but by hook or by crook, not to mention a nod from the Academy, I decided to give it a look. I was an entertaining two hours, but the in-your-face treatment of racial tension (is that ALL they talk about?), followed by self-congratulatory featurettes in which the film's creators convince us they are doing us great social service by making folks of every persuation confront their prejudice, reek of naivete and opportunism. (The 'Introduction to Crash by Director Paul Haggis' feature warranted its own icon, but consisted only of Haggis grinning in a self-satisfied manner and informing us that he was director Paul Haggis and here was HIS film, Crash). Am I supposed to take a deep breath? Make the popcorn? Take a potty break?

The film looks fine, sounds fine and is well-acted, and other reviews here will outline the who-and-what, so I'll merely leave you with a parting thought. A few years ago, a black man named Rodney King was severely beaten by LA cops. The incident was caught on camera and the police were initially acquitted by a largely white jury. This resulted in rioting in African-American neighborhoods, which cost one caucasian truck driver his life (wrong place, wrong time)and ruined many a business in the area (many owned by Koreans and Asians). If that true-life sequence of events didn't lead to revolutionary changes in people's attitudes (on all sides), an over-rated, but watchable, feature film will not begin to scratch the surface, despite its makers' smug post-Oscar posturing.
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17 of 21 people found the following review helpful By Joshua Beall on April 26, 2006
Format: DVD
Now don't get me wrong; Crash is decent, and completely watchable. Best Picture material? Uh, no.

Look, I think it's fine and even occasionally necessary to remind people that racism exists and that, despite conscious or unconscious tendencies toward racism, people are more complicated than we think at first glance. Yes, sometimes there's a reason (although not an excuse) for racism.

And having said all that, I still don't think Crash is anything close to a great movie. It whacks you over the head again and again with its message that a) all races are okay, and b) even racists are people, too. It accomplishes this message by taking a minimally simplistic view of racism--racists are baaaaad people--and complicating it, albeit as minimally as possible, by giving all the racists one redeeming quality.

Yes, Matt Dillon's character is racist... but he loves his father! Yes, Sandra Bullock's character thinks all people of color are lazy... but she actually cares about her Latina housekeeper! Yes, Don Cheadle's character is insensitive toward his girlfriend/partner (he calls her white, but she's not; he calls her Mexican, but she's not that either)... but he loves his mother!

And so on. It's something we've all come across in our everyday experience and thought about in much more nuanced terms than this film cares to do. If you have a sixth-grader, then perhaps this film is for him.

Now, let me repeat: this film is decent, and watchable. Perhaps I'd be less disappointed if Academy voters hadn't, in a colossally dumb move, annointed Crash as the best picture of the year. It isn't, not by a long shot. But it's still enjoyable: well-directed, DEFINITELY well-acted, and the soundtrack is excellent. I just think that our national discourse on racism (and yes, movies are appropriate vehicles for this discourse) ought to move beyond such simplistic views.
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15 of 19 people found the following review helpful By Dean Backus on March 30, 2006
Format: DVD
A great cast and good intentions make most of this film go down easily--too easily. Don Cheadle, Sandra Bullock, Matt Dillon, Thandie Newton and Terrence Howard do sterling work in this tale of culture clashes, prejudices, and coincidences in Los Angeles, and scene by scene the film is gripping with some amazingly powerful and poignant moments. However, the script's desire to throw stereotypes up on the screen, while brave, is also its weakness: too many of the overwhelmingly large number of speaking parts are, in fact, stereotypes, and no amount of happy wish-fulfillment or well-intentioned scenes that come across as patronizing (an injured Bullock embracing her Latina housekeeper and telling her she's her best friend) can paper over the fault lines the film purports to examine. Cheadle, as he was in "Hotel Rwanda," is the throughline of the movie, and his knockout final scene with his mother has a dramatic punch and ambiguity that the rest of the movie needs; too often, it feels like something that would've been incendiary in the mid-90's after Rodney King and O.J. (especially if Spike Lee had tackled it), but now seems simultaneously overwrought and tame. You'll admire the performances (a deserving SAG win), but the more you think about the movie as a whole, the more it seems too tidy--and putting it up against the brainy "Good Night and Good Luck" and the shattering "Brokeback Mountain," it's flaws are even more apparent, especially the awful video quality. It's a water-cooler "buzz" film right now (thanks to the Oscar idiocy), but how it will stand up over time is a very big question mark--it was #36 in Entertainment Weekly's year-end critic's roundup, and #56 in PREMIERE'S. ("Brokeback" and "Good Night" were #2 and #3, respectively.) Good for high school civics classes if they can get past the (voluminous) profanity, and for those more interested in praising the film's reach over its actual grasp.
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Brokeback Mountain will always be remembered as the Best Film of 2005
The thing to understand is that all of this had to do with linking Crash and Brokeback Mountain. While BBM truly deserved Best Picture, beyond the homophobia, contriving this controversy fueled sales of Crash. Would anyone be thinking about Crash now if BBM or any of the other films won instead?... Read More
Jan 30, 2008 by Jokie X Wilson |  See all 33 posts
I didn't like it one bit, it was way too contrived...
Agreed...can't bring myself to see it again, just for the sake of discussion. Ponderous, corny, tell-it-all lines like the opener: "People in L.A. live in all this glass and steel...they crash into each other just to feel something," UGH!!

Am I supposed to be moved by the girl... Read More
Mar 2, 2007 by Paul Bowles |  See all 9 posts
Crash, a view from a non-American.
The issue isn't so much _what_ this movie says, as _how_ it says it. It is appallingly contrived and amateurish. Had it been a six-hour TV miniseries, with the time to develop the characters and their relationships, it could have been an outstanding film.
Oct 13, 2007 by William Sommerwerck |  See all 3 posts
Lions Gate to Support HD DVD!
Looks like that hasn't gone so well.
Feb 16, 2008 by Edward Carter |  See all 2 posts
i think grizzly man should of been nominated for best docremantry Be the first to reply
Excellent Movie I love it Be the first to reply
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