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Crash (Widescreen Edition)


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Product Details

  • Actors: Don Cheadle, Sandra Bullock, Thandie Newton, Karina Arroyave, Dato Bakhtadze
  • Directors: Paul Haggis
  • Writers: Paul Haggis, Robert Moresco
  • Producers: Andrew Reimer, Betsy Danbury, Bob Yari, Cathy Schulman, Dana Maksimovich
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1)
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lions Gate Films
  • DVD Release Date: September 6, 2005
  • Run Time: 112 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (1,362 customer reviews)
  • ASIN: B000A3XY5A
  • Amazon Best Sellers Rank: #6,177 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Crash (Widescreen Edition)" on IMDb

Special Features

  • DVD Introduction by Director Paul Haggis
  • Crash Behind the Scenes
  • Commentary with Paul Haggis, Don Cheadle, and Bobby Moresco
  • Trailers

Editorial Reviews

Amazon.com

Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)







Product Description

They all live in Los Angeles. And in the next 36 hours, they will collide.

Customer Reviews

And to think that people who liked the movie have the nerve to say the people who didn't just didn't "get it".
Big J Moreno
The message of racial stereotypes and how easy it is for everyone of every race to make generalizations about people of other ethnicities.
Erica Anderson
The movie is far too contrived and artificial, especially the way the same characters keep meeting up in extreme circumstances.
Chris Luallen

Most Helpful Customer Reviews

78 of 95 people found the following review helpful By Emily R. Jarrell on September 7, 2005
Format: DVD
This is the truest movie out there on racism, and the preconceived notions we ALL (no matter what color) try not to admit to to a certain extent. This was not a "lets bash the white man" movie either, the racism was across the board. The biggest surprise was to come about an hour in, and I was stunned to see the revelation of that storyline (with Matt Dillon). This film requires paying attention to, please stay with it, it will pay off. High recommend!
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38 of 49 people found the following review helpful By D. Mills on August 14, 2006
Format: DVD
I passed up this film when first released on DVD but by hook or by crook, not to mention a nod from the Academy, I decided to give it a look. I was an entertaining two hours, but the in-your-face treatment of racial tension (is that ALL they talk about?), followed by self-congratulatory featurettes in which the film's creators convince us they are doing us great social service by making folks of every persuation confront their prejudice, reek of naivete and opportunism. (The 'Introduction to Crash by Director Paul Haggis' feature warranted its own icon, but consisted only of Haggis grinning in a self-satisfied manner and informing us that he was director Paul Haggis and here was HIS film, Crash). Am I supposed to take a deep breath? Make the popcorn? Take a potty break?

The film looks fine, sounds fine and is well-acted, and other reviews here will outline the who-and-what, so I'll merely leave you with a parting thought. A few years ago, a black man named Rodney King was severely beaten by LA cops. The incident was caught on camera and the police were initially acquitted by a largely white jury. This resulted in rioting in African-American neighborhoods, which cost one caucasian truck driver his life (wrong place, wrong time)and ruined many a business in the area (many owned by Koreans and Asians). If that true-life sequence of events didn't lead to revolutionary changes in people's attitudes (on all sides), an over-rated, but watchable, feature film will not begin to scratch the surface, despite its makers' smug post-Oscar posturing.
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15 of 18 people found the following review helpful By Tommy Montanarella on August 20, 2005
Format: DVD
When i sat down to see this movie i didnt know to much about it, but as it went through i realized that i got my monies worth. Unlike other movie addressing prejudice in the united states this movie covered views from many different social stand points. And besides that every event in the movie all ties together at the end which is great. if you are reading this, BUY THIS MOVIE...it'll change your outlook on life.
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37 of 49 people found the following review helpful By R. Penola on March 20, 2006
Format: DVD
CRASH has its absorbing sequences, and as many reviewers have mentioned, it has more than passing resemblance to MAGNOLIA, which is superior in every way. The subject of race in today's America is certainly a noble subject to bring to life in a movie - the issue with this film is that it is didactic, completely predictable and way too clever to be even remotely believable. Each performer is given two specific qualities- their racist self and their human self. And just like a nifty puzzle, all of these sides come together in a rather absurd stew by the time we get to the "revelations" sequence at the end. The musical score and cinemtography are so purposely dramatic and harsh that they end up becoming overbearing. How on Earth did this forgettable, uninvolving movie EVER win Best Picture?
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29 of 38 people found the following review helpful By KMan on March 10, 2006
Format: DVD
CRASH...even the title smacks of obviousness.

Rarely have I seen a film handle the issue of racism so clumsily an didactically, and what stuns me even more is that people are actually buying into the ugly, facile stereotypes employed by the screenplay. Paul Haggis' attempt at creating a mosaic of interlocking vignettes fails on fronts, chiefly because the director has little understanding of how people interact. Instead of drawing out subtle communications between the multi-ethnic characters, he goes right for the jugular with laughably overwrought demonstrations of how blacks, whites, Hispanics and Asians are all oh-so mean to each other. I've seen Sesame Street episodes with more nuance (and better acting, too, but that's a whole different issue). CRASH panders to the mainstream audience with its reductive portrayal of race relations, and makes no apologies for its ludcrious plot contrivances and overly-tidy characterizations. The fact that members of the Academy thought this was the best film of 2005 is stunning and disgusting on just about every conceivable level. If you want to see a real film about racism in America, rent Spike Lee's DO THE RIGHT THING and avoid this vacant, worthless imitation.
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38 of 51 people found the following review helpful By Michael T. Rognlien VINE VOICE on July 26, 2006
Format: DVD
The acting in this film was very good. The cinematography was also excellent, along with the soundtrack.

But has the general American population grown so completely ignorant that the only way they can recognize and detest racism is when it's displayed in a trite and totally implausible movie filled with impossible character interactions and no-way-in-hell-would-that-ever-happen coincidences? By far the most moving character in this film was the latino locksmith, mainly because he wasn't given horrible, over-the-top lines and (like that other small film, Brokeback Mountain) conveyed more through his actions and reactions than the other more overt characters.

While I have no doubt that clashes between races such as those depicted in the film happen around the world on a daily basis, we would only be so fortunate if real people wore their racism on their sleeves as visibly as the characters in this film. In reality, racism and prejudice are far deeper below the surface, and the types of epiphanies experienced by the characters in this film come neither as fast (the whole film took place in two days) nor as completely.

I respect the premise of the film, but for the odious qualities of so many of the characters in this movie, one simple lightbulb moment for each of them would not have been enough to erase a lifetime's supply of hatred and intolerance. That this movie won for best picture defies logic.
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Topic From this Discussion
Brokeback Mountain will always be remembered as the Best Film of 2005
The thing to understand is that all of this had to do with linking Crash and Brokeback Mountain. While BBM truly deserved Best Picture, beyond the homophobia, contriving this controversy fueled sales of Crash. Would anyone be thinking about Crash now if BBM or any of the other films won instead?... Read More
Jan 30, 2008 by Jokie X Wilson |  See all 33 posts
I didn't like it one bit, it was way too contrived...
Agreed...can't bring myself to see it again, just for the sake of discussion. Ponderous, corny, tell-it-all lines like the opener: "People in L.A. live in all this glass and steel...they crash into each other just to feel something," UGH!!

Am I supposed to be moved by the girl... Read More
Mar 2, 2007 by Paul Bowles |  See all 9 posts
Crash, a view from a non-American.
The issue isn't so much _what_ this movie says, as _how_ it says it. It is appallingly contrived and amateurish. Had it been a six-hour TV miniseries, with the time to develop the characters and their relationships, it could have been an outstanding film.
Oct 13, 2007 by William Sommerwerck |  See all 3 posts
Lions Gate to Support HD DVD!
Looks like that hasn't gone so well.
Feb 16, 2008 by Edward Carter |  See all 2 posts
i think grizzly man should of been nominated for best docremantry Be the first to reply
Excellent Movie I love it Be the first to reply
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