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Crash (Widescreen Edition)

3.9 out of 5 stars 1,961 customer reviews

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Editorial Reviews

Product Description

Lives in Los Angeles intersect following a random car-jacking.

Amazon.com

Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)








Special Features

  • DVD Introduction by Director Paul Haggis
  • Crash Behind the Scenes
  • Commentary with Paul Haggis, Don Cheadle, and Bobby Moresco
  • Trailers

Product Details

  • Actors: Don Cheadle, Sandra Bullock, Thandie Newton, Karina Arroyave, Dato Bakhtadze
  • Directors: Paul Haggis
  • Writers: Paul Haggis, Robert Moresco
  • Producers: Andrew Reimer, Betsy Danbury, Bob Yari, Cathy Schulman, Dana Maksimovich
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1)
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Lions Gate Films
  • DVD Release Date: September 6, 2005
  • Run Time: 112 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (1,961 customer reviews)
  • ASIN: B000A3XY5A
  • Amazon Best Sellers Rank: #2,220 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Crash (Widescreen Edition)" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
This is the truest movie out there on racism, and the preconceived notions we ALL (no matter what color) try not to admit to to a certain extent. This was not a "lets bash the white man" movie either, the racism was across the board. The biggest surprise was to come about an hour in, and I was stunned to see the revelation of that storyline (with Matt Dillon). This film requires paying attention to, please stay with it, it will pay off. High recommend!
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A wonderful, intelligent, compelling examination of racism, filled with pathos, humor. Haggis shows us a world other films are afraid to tackle. Superb perfromances all around. I will be seeing it again soon.
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There are simply not enough words to describe how excellent this film is. Other reviewers have gone in depth as to its plot, style, craft and comparisons to other films.

This is a film that deals honestly and openly with race relations, especially as played out in America. We all harbor stereotypes, fears, judgments and yet a fascination with "the other" and we often do not realize just how this effects us and society as a whole. The movie digs deep into these emotions and draws them out brilliantly in a montage of triggers that are all woven together in a period of 24 hours in L.A.

Black, white, Puerto Rican/Mexican, Arab/Persian, mixed ethnicity, you name it, it's all in here and it's refreshingly in your face. It is for that very reason that the film is about hatred and hope, violence and redemption. Perhaps most poignantly, it is filled with all the complexity of modern life and provides no easy answers.

You will be left speechless. All of the actors, most well known, play roles that are against their "types" of roles and it is for this reason that it is perhaps so impacting and believable. It is a brilliant piece of cinema, one that should make us all realize that sanitizing culture in the name of political correctness is a time bomb.

Do not miss this film.
Comment 18 of 23 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: DVD
Lions Gate really wanted to release a new Director's Cut with only 3 minutes of extra reel, didn't they? As a moviegoer who has admired Crash for what it was, I have to say that the marketing push has gotten over the top. This DVD is worth it if you didn't purchase the first copy, but let me tell you that this product is a complete waste of money for those unfortunate fans who think they are getting a full-package deal with this new, "you-have-to-get-it" DVD that they call Director's Cut, but really is just the same DVD case with a few changes wrapped in a new cover. I'm not impressed.
2 Comments 34 of 45 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: DVD
I just finished watching this film. I find that it takes a very simplistic and childlike view of race relations. It's extremely melodramatic in all of the wrong ways. It started out as intriguing with the development of plot, but the resolutions were weak and tepid. This has a very TV-movie quality to it, and I am SHOCKED that this movie won the best movie of the year. The only thing I can think of is that the liberal Hollywood elite wants Americans to think that there is still a tremendous amount of civil strive between races. This hostility is what fuels the Dem base. There is of course still racism in this country, but there is no way it is this ubiquitous, and this movie constantly veers towards parody unintentionally with its heavy handed "everyone's a little bit racist" cries.
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Format: DVD
A great cast and good intentions make most of this film go down easily--too easily. Don Cheadle, Sandra Bullock, Matt Dillon, Thandie Newton and Terrence Howard do sterling work in this tale of culture clashes, prejudices, and coincidences in Los Angeles, and scene by scene the film is gripping with some amazingly powerful and poignant moments. However, the script's desire to throw stereotypes up on the screen, while brave, is also its weakness: too many of the overwhelmingly large number of speaking parts are, in fact, stereotypes, and no amount of happy wish-fulfillment or well-intentioned scenes that come across as patronizing (an injured Bullock embracing her Latina housekeeper and telling her she's her best friend) can paper over the fault lines the film purports to examine. Cheadle, as he was in "Hotel Rwanda," is the throughline of the movie, and his knockout final scene with his mother has a dramatic punch and ambiguity that the rest of the movie needs; too often, it feels like something that would've been incendiary in the mid-90's after Rodney King and O.J. (especially if Spike Lee had tackled it), but now seems simultaneously overwrought and tame. You'll admire the performances (a deserving SAG win), but the more you think about the movie as a whole, the more it seems too tidy--and putting it up against the brainy "Good Night and Good Luck" and the shattering "Brokeback Mountain," it's flaws are even more apparent, especially the awful video quality. It's a water-cooler "buzz" film right now (thanks to the Oscar idiocy), but how it will stand up over time is a very big question mark--it was #36 in Entertainment Weekly's year-end critic's roundup, and #56 in PREMIERE'S. ("Brokeback" and "Good Night" were #2 and #3, respectively.) Good for high school civics classes if they can get past the (voluminous) profanity, and for those more interested in praising the film's reach over its actual grasp.
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Brokeback Mountain will always be remembered as the Best Film of 2005
The thing to understand is that all of this had to do with linking Crash and Brokeback Mountain. While BBM truly deserved Best Picture, beyond the homophobia, contriving this controversy fueled sales of Crash. Would anyone be thinking about Crash now if BBM or any of the other films won instead?... Read More
Jan 30, 2008 by Jokie X Wilson |  See all 33 posts
I didn't like it one bit, it was way too contrived...
Agreed...can't bring myself to see it again, just for the sake of discussion. Ponderous, corny, tell-it-all lines like the opener: "People in L.A. live in all this glass and steel...they crash into each other just to feel something," UGH!!

Am I supposed to be moved by the girl... Read More
Mar 2, 2007 by Paul Bowles |  See all 9 posts
Crash, a view from a non-American.
The issue isn't so much _what_ this movie says, as _how_ it says it. It is appallingly contrived and amateurish. Had it been a six-hour TV miniseries, with the time to develop the characters and their relationships, it could have been an outstanding film.
Oct 13, 2007 by William Sommerwerck |  See all 3 posts
Lions Gate to Support HD DVD!
Looks like that hasn't gone so well.
Feb 16, 2008 by Edward Carter |  See all 2 posts
i think grizzly man should of been nominated for best docremantry Be the first to reply
Excellent Movie I love it Be the first to reply
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