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Most Helpful Customer Reviews
14 of 15 people found the following review helpful:
4.0 out of 5 stars
Raw reality,
By
Amazon Verified Purchase(What's this?)
This review is from: Crazed Fruit (The Criterion Collection) (DVD)
Having lived in Japan for seven years, and taught at a fine University during that time, I saw many young people who were on the fringe of society....even now, and it was unnerving to see the total disregard for others in this film so early after the war. That attitude is still prevalent in Japan.
The fact that the attitude seems rather universal in Western societies, and increasingly all Asian societies as well, the young people grow into adulthood, keeping their adolescence. It surely fosters the ME, ME, ME behavior and makes real human compassion difficult in light of this obsessive selfishness. I cringe at some of the scenes in the film because it is such raw reality. Beautiful people doing not so beautiful things, is a fascination for many people, so I think the film will be an interesting wake up call for our present time.
12 of 13 people found the following review helpful:
4.0 out of 5 stars
Bruised Fruit,
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This review is from: Crazed Fruit (The Criterion Collection) (DVD)
Penned by Ishihara Shintaro, the same ultraconservative politician-author who wrote The Japan that can Say No, Crazed Fruit depicts the lives of privileged Japanese young people during the 1950s. Unburdened by Japan's militaristic past that their parents' generation had to endure, the members of the Sun Tribe, a name given to certain groups of teenagers during this era, were able to enjoy the early fruits of the early capitalist Japan. However, well aware the faults and frailties of the previous couple of generations, these teenagers desire to toss aside traditional values and to create new ones. Yet, if this film could be used as an example, the only things they seem to gain are material items and boredom. The central characters of this film are the brothers Natsuhisa and Haruji. Seasoned in the ways of the Sun Tribe, Natsuhisa spends his days in such "decadent" activities such as playing the ukulele, water skiing, and playing cards. Joined by his mixed blood friend Frank, the duo, along with a few other friends, seem to do little more than chase after girls and hang out at the beach. The younger brother Haruji, however, is still a bit naïve and while not fully engraining himself in his brother's lifestyle, obviously wants to make an impression on the older boys One day at the train station Haruji encounters a young girl and is immediately smitten with her squeaky clean image. Eventually Haruji and Eri become a couple and the young man is elated because of his good fortune. Besides a few innocent first kisses, their relationship remains quite tame and it seems the young lovebirds are willing to take things slow. Yet, of course, a dark cloud begins to hover over their relationship when Natsuhisa becomes jealous of his younger brother and they worsen even more when Natsuhisa discovers that Eri is not quite the girl she makes herself out to be. Quite tame by today's standards, and in comparison to the original novella, Crazed Fruit caused quite a stir back during the 1950s because of its depiction of teenagers drinking, sleeping around, and getting into fights. However, it helped usher in a new type of film that focused on teenagers. Instead of depicting youths doing all in their power to strengthen Japan, these new films depicted dispirited youths suffering from ennui whose only care was to fill empty time.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
A movie that "wow-ed" me...,
By Thomas D. Feeps "Thomas D. Feeps" (Virginia Beach, VA) - See all my reviews
This review is from: Crazed Fruit (The Criterion Collection) (DVD)
This review is for the Criterion Collection Edition:
I won't go into the plot, since that seems to have been covered fairly accurately and completely by others. I will say that within moments of watching the open scene with Haruji speeding along in his boat, the jazzy background music playing in the background, I was hooked. The movie is full of fascinating camera movements, music, and acting. The characters are selfish, decadent, and rebellious... and yet we somehow feel sympathetic for them, even before it leads to disaster. I was certain I'd go searching for more films by Director Ko Nakahira, but according to the fantastic commentary by Donald Richie, after this commercially and critically successful film, he was forced to make standard dribble by the studios. That's a shame, because this is a film where he obviously took risks with the camera, dialogue, and sexual innnuendo. Richie's commentary helps the Western viewer put a lot of the movie into context, explaining Japanese social and film-making trends at the time as well the fate of the major actors. I was dying to know why the car was right hand-drive though, and he never answered that one! The essays included in the Criterion set are also insightful for putting the movie into context, although none of this "context placing" material is necessary. Watch the movie and you'll find yourself feeling nostalgic for the late 50's in Japan--a time and place I doubt most knew about before.
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