Adam Sherman's "Crazy Eyes" fits squarely into the sub-category of drama that features boozy reprobates as metaphors for the dissolution of the American dream. At best, these character stories can be hard hitting and disturbing. At worst, they can seem tired and self-involved. Truthfully, I'm no big fan of "Crazy Eyes." The movie itself is well made and some of the performances are nice, but what it really lacks (for me) is heart. This tale of wasted potential and unexplained privilege is a familiar one. I don't know why, exactly, I was supposed to care about the principle characters in "Crazy Eyes." They were not particularly likable, nor do they have to be, but they ALSO weren't developed with enough depth to make them compelling. That was the disconnect for me. When I think of the many powerful and challenging movies about alcoholic debauchery and codependency that I've seen through the years, I felt that "Crazy Eyes" just served up a lightweight version of other more affecting dramas.
It is nice, however, to see Lukas Haas in a prominent role. I've watched him grow up onscreen since "Witness" when he was eight, and he has a hangdog appeal that I really appreciate. Of course, every serious actor worth his salt has to make his "alcoholism" movie, so I don't fault Haas for taking on the challenge. Unfortunately, though, his character seemed rather ill-defined. Apparently he is incredibly wealthy, though he never seems to work. He isolates himself in a bar every night, but has a laundry list of girls to call at the drop of a hat. At once, he is presented as independent and rather well connected--but we never see any visible signs of this part of his life. The movie is a romance, of sorts, as Haas pursues Madeline Zima like she's the love of his life. He calls her "crazy eyes" and spends much of the movie trying to bed her. I guess it's a valiant effort, but she is certainly no prize. The two might deserve one another, but I was never truly invested in their relationship. The one effort the screenplay makes to humanize Haas is to showcase him in scenes with his son. Unfortunately, these encounters come across as entirely too scripted and unreal.
I didn't hate "Crazy Eyes," though, it just never connected with me as a love story or a character study. Moments can be quite amusing, but it never gelled into a cohesive whole. Haas and Zima are solid enough and I also liked Jake Busey and Tania Raymonde in supporting (but also underdeveloped) roles. In the end, the movie didn't amount to too much for me, but at least it had moments of humor. Near the end, however, Sherman seems to want to express some deep meaning with a musical montage featuring all of the lonely and despairing characters at their most vulnerable. The moment is so self-important and unearned that it dissolved any remaining good will I had toward the picture. The word "lovely" is emblazoned on the DVD cover by a minor critic. It's a strange blurb. Even if you like the movie, I can't imagine many would describe it in such terms! About 2 1/2 stars (for me), I'll round up for Haas. KGHarris, 10/12.