It was 1959, and Burt Pugach, a funny-looking guy, but an extremely rich and successful New York lawyer by the standards of the day, spotted a beautiful girl, Linda Riss, on a street in the New York borough of the Bronx. He immediately jumped out of his car, introduced himself to her, and started courting her, with his classy car, his airplane, his nightclubs, and his nascent filmmaking career-- he'd just finished making a film, in London, starring now nearly forgotten, but very much pretty-boy-of-the-day Keith Brasselle. Unfortunately, however, Pugach was married. The attorney quickly became obsessed with Linda, and tried every twist and turn, every lie he could think of, to keep her. But Linda, an ordinary girl in every way, aside from her looks, had been raised in a household of women, where men were not necessarily trusted, and she was able to track his every twist. No divorce, no Linda was her position, and she took her leave, became engaged to somebody else.
Pugach's obsessional love went far beyond the ordinary, and he was determined that if he couldn't have Linda, nobody would. So he hired a coupla thugs to throw lye in her face. She was disfigured, and blinded. Pugach's trial was a media circus, covered extensively by Jimmy Breslin, among the city's famous journalists. Pugach was found guilty, disbarred, and sent to jail, where he became a winning jailhouse lawyer, freeing several men. He was in New York State's most feared upstate prison, Attica, when riots broke out there, taking several lives. Upon his release, he regained his lawyer's license, and was, remarkably enough, married to Linda. He was to lose his lawyer's license yet again by threatening another beautiful young woman, an employee, with "what Linda got." Linda stuck by him; today he has a successful paralegal business (the man's evidently an inspired lawyer) in the New York borough of Queens.
It's a unique New York story, and it's doubtful anything like it has ever happened anywhere else. It was celebrated in its time, the media made a feast of it, and, in its general themes, remarkably powerful. All the important characters are still alive, and were willing to talk freely to Fisher Stevens, who made this film: he deserves the greatest praise for that. We see archival stills, and film, but it's the current day Linda and Burt who are the stars of their own show.
And if you don't believe Linda could have married Burt after what he did to her, think about it some more. Women's lives haven't changed that much in the intervening nearly half-a-century since Burt and Linda first met, and "Crazy Love" lays it all out for you.