|
|
16 of 16 people found the following review helpful:
4.0 out of 5 stars
A good, solid, pop-metal album, March 24, 2005
To be honest, I really hated "Crazy Night" when I first heard it. After a few listens, however, it has grown on me. It's not one of their best albums (even from their 80s output) but it's still a fine album.
It's no secret that since "Dynasty," KISS has often embraced the current sound of what is hip for the day. In the late 70s it was disco pop (Dynasty, Unmasked), in the mid 90s it was grunge (Carnival Of Souls), and in the late 80s it was pop-metal with "Crazy Nights." But even if KISS has not always been original, they have, for the most part, always put out good albums. KISS has always had the gift for following a trend, but still make it sound like KISS. KISS's stab at pop-metal works out nicely with this tight, solid collection of songs. One thing that I like about this album is that although it's very slick and has a very glossy production, it's also somewhat dark, as song titles like "I'll Fight Hell to Hold You," and "Good Girl Gone Bad" would suggest. This makes for an interesting contrast.
The KISS lineup of this album was Paul Stanley, Gene Simmons, Eric Carr, and Bruce Kulick. Paul Stanley has always been one of rock's more underrated singer/songwritters. The albums' highlights' are the Stanley numbers. And his delivery sounds as passionate as ever, especially in the magnificent "I'll Fight Hell to Hold You" and the mid-tempo "Reason to Live," two of the albums' highlights. The Simmon's songs aren't quite as strong, but are still solid, especially the closing track "Thief in the Night." Guitarist Bruce Kulick may not have been as technically gifted or as flashy as Vinnie Vincent or Mark St. John, but he was still a great guitarist. His solos throughout "Crazy Night" are awesome, yet are not over-the-top or self-indulgent. Eric Carr's drumming is exciting and dynamic and gives the songs an added kick.
This CD has a good pace and is about 45 minutes in length. There isn't a whole lot of filler. Some of the songs sound very dated and are somewhat embarrassing-- "Bang Bang You," and "No No No" for example, but even those are fun songs with good, albeit cheesy sing along choruses. All of the songs on "Crazy Nights" have catchy hooks and strong melodies--which ultimately makes the CD a winner. And, as mentioned previously, beneath the gloss and slickness, there is an element of darkness which gives an edginess to the album, which separates "Crazy Nights" from other albums of the pop-metal genre.
In conclusion, although "Crazy Nights" isn't all that original, or the best KISS album, it's still a good CD. If you are a KISS fan and hate this album, I would suggest giving it another spin with an open mind and you may gain a fresh perspective.
|