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Created By Paperback – August 1, 1994

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Editorial Reviews

From Publishers Weekly

Screenwriter/producer Matheson's first novel dissects the high-octane Hollywood of network TV with blistering cynicism but ultimately fails to sustain psychological suspense. Writer/producer Alan White finally has a sure-fire hit with his series The Mercenary , a show that takes TV sex and violence to new levels of depravity. But he has also created a monster, unleashing his own dark side in the form of his fictional character, a vicious mercenary named A. E. Barek. As Alan's enemies are brutally murdered one by one, he realizes he must track down and destroy his creation before it consumes its creator. The novel's bitter portrait of Hollywood might have worked as a contemporary morality play, but the narrator's smug, hipper-than-thou tone and contrived humor render Alan himself nearly as unsavory as the soulless media barons he despises. Matheson--whose credits include the short story collection Scars and Other Distinguishing Marks and work on such TV series as Quincy , Magnum PI and Tales from the Crypt --devotes pages to secondary characters (a mysterious psychic, a comely detective) and undeveloped subplots while leaving the bizarre premise of Barek's transition from fiction to reality largely unexplored. It is as though Matheson loaded down a slam-bang screenplay with novelistic "depth," and in the process almost buried it.
Copyright 1993 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

Horrific satire of Hollywood-based network TV, with the satire more biting than the horror. First-novelist Matheson (Scars, 1987) knows his target: Son of veteran screen/TV-writer Richard Matheson, he's written for Quincy, Hunter, and Magnum PI. Matheson's TV-land is a cruel sea of Armani-suited sharks, few of whom have sharper teeth than writer Alan White, who's come up with the perfect remedy for the networks' rating blues: Give the public the graphic sex and violence they crave. White pitches his concept for The Mercenary--a hardcore gore-porn drama about a human killing machine--to one network, which bites. Months later, The Mercenary is the hottest TV show ever and White is on the A-list everywhere in a Tinseltown painted here in a garish light--a town where most ``actors couldn't've gotten work in claymation'' and a young network hotshot laughs like ``a satanic muppet.'' But then things go wrong--in both Matheson's plotting and White's life--as the novelist draws on a worn Frankenstein variant recently used by Chet Williamson (in Reign) and Stephen King (in The Dark Half): White's fictional creation, the mercenary A.E. Barek, comes to life. It takes several ghastly murders and maimings of those inimical to the series and its antihero (including the blinding of a harsh critic, and a rampage in a biker bar that bears an unhappy resemblance to scenes in the films Terminator II and Near Dark) for White to catch on fully. Weakened by his monster, who's sucking away his creator's life energy in order to solidify his own self, a repentant White confronts Barek in a dragged-out blood-brawl--one with an unexpectedly ironic ending. Matheson's slashing prose and wit draw blood, but his borrowings serve him ill. Still, an unusually clever horror novel. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

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Product Details

  • Paperback
  • Publisher: Bantam (August 1, 1994)
  • Language: English
  • ISBN-10: 0553566105
  • ISBN-13: 978-0553566109
  • Product Dimensions: 1.2 x 4.2 x 6.8 inches
  • Shipping Weight: 7 ounces
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #11,825,071 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful By seldombites on January 29, 2010
Format: Hardcover
I found the plot of this book predictable and the character's felt fake. The format, which kept switching from script, to character, to real life, was extremely annoying and distracted from the story. Additionally, it wasn't really very thrilling or scary. I wouldn't bother reading this again.
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3 of 4 people found the following review helpful By Michael Butts HALL OF FAMEVINE VOICE on December 24, 2002
Format: Paperback
In "Created By," Matheson spares no one his cycnicism and obvious disdain for the television industry. The idea of a t.v. show with gratuitous sex, nudity, and violence was something unusual when the book was written, but now in the new millennium, we're getting so much of it, we've become numb to it. Matheson's work is so out of sync with itself, vaunting different styles, making all the characters as unlikeable as possible and coming up with an ending that truly negates the entire premise. Psychobabble nonsense.
Not Recommended
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4 of 6 people found the following review helpful By A Customer on April 9, 1999
Format: Hardcover
The plot is okay. A writer creates a TV script which the main chracter actually begins to take shape and form. Sounds like a Steven King Frankenstein novel. What I did not like about the book was the style the book was written. It was a heavy chore to read. The book jumped from narrator to personal view to almost like a TV script to philosophical musings. The writer obviously knew someone in publishing as this mesh-mash is the type which would be creamed in a writer's conference. I hope that in the future the author choses one style and sticks with it. If you can stand to read the style the plot is as good as any B slasher films you will find at the video store.
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