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Creating from the Spirit
 
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Creating from the Spirit [Hardcover]

Dan Wakefield (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

June 18, 1996
"Every day is a creation--not only for us but by us . . . a moment-by-moment miracle."
Dan Wakefield recounted his own pilgrimage through the heady peaks and grim gulches of a creative life in Returning: A Spiritual Journey, which Bill Moyers called "one of the most important memoirs of the spirit I've ever read." Now, in Creating from the Spirit, this award-winning journalist and novelist reveals how writers, artists, musicians, and creative people of all kinds can unleash the principle of creativity within, so that it can infuse every aspect of our lives.
Wakefield explodes the many myths often associated with the mysterious creative process: that creativity is only for the artistic elite, that women's work is less creative than men's, and that to be creative means one must be tormented, alienated, neurotic, irresponsible, and a failure at relationships. The truth is that many of us are blocked by low self-esteem, unrealistic expectations, stultifying routine, or the double demons of money and artistic standing--we compartmentalize our lives into the "creative" and the "commonplace."
Drawing on examples from religion, philosophy, and literature, and exercises such as journaling and right-brain drawing, Creating from the Spirit teaches us that the key to creation is clarity of body, mind, and spirit. This book challenges the "dangerous nirvanas" of drug and alcohol as false agents of inspiration, examines the stereotype of tortured artists like Dylan Thomas, Scott Fitzgerald, Jackson Pollock, and Kurt Cobain, and contrasts them with portraits of fulfilled and healthy creators, such as Toni Morrison, Rabbi Harold Kushner, Michael Jordan, and Hildegarde of Bingen.
Creating from the Spirit guides us into the art of "emptying" ourselves of the incessant chatter that deadens both senses and soul. It teaches us the wisdom of "filling up" by accessing our natural perceptions and hidden creative resources. This cycle is brilliantly expressed in the lives and words of twenty "creators of the spirit"--from artists and writers to scientists and athletes, to CEOs and chefs--who have learned to embrace each moment as a creative act.
For those who create in solitude or in community, out of personal pain or irrepressible joy, Creating from the Spirit testifies to a luminous truth: "To access your creative powers. . . you need only be in awe of the mystery of the universe, the life force and its power, and be willing to be open to it."

Editorial Reviews

From Publishers Weekly

"Clarity of mind, body, and spirit is the key to creativity," declares Wakefield (Expect a Miracle) at the start of this sage and affirming work. To help readers understand and embrace both clarity and its radiant offspring, creativity, Wakefield follows a carefully structured "road map" that begins with the debunking of several "myths." These include the ideas that creativity depends upon suffering and that the ability to be creative fades with age. The myth that gets the author's most passionate attention, though, is the belief that alcohol or drugs awaken creativity. Here, as elsewhere, Wakefield draws upon his own experiences, investing his text with a welcome and warming personal touch. Next comes an examination of processes Wakefield deems supportive of creativity?the acts of emptying oneself of egoism and of allowing oneself to be filled with "spirit." A series of exercises designed to nurture creativity follows. The book winds up with original statements by a variety of "creators," from musician Judy Collins to writer Mark Matousek to telephone receptionist Karen Monti Lindo, on how they learned to free their own creative sparks, and concludes with commonsense advice on how to foster creativity at any moment of the day. Covering vital ground both theoretical and practical, this potentially life-changing work should appeal to the same wide readership as Julia Cameron's The Artist's Way. Author tour.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

Contending that conventional interpretations of creativity actually limit the scope of the creative spirit, journalist Wakefield (Expect a Miracle, LJ 5/1/95) explodes the stereotypes and myths surrounding creativity, e.g., only artists possess the power of creativity as the simple act of daily living. In order for the creative spirit to develop, individuals must first clarify their spiritual goals by emptying themselves of the noisy intrusions of daily life and then fill themselves up with the power of their new visions. Through a series of wide-ranging interviews and reflections with creative spirits such as Michael Jordan and Reynolds Price, Wakefield demonstrates that the "key to creation is the clarity of body, mind, and spirit." Wakefield's lucid insights and luminous prose recommend his book for most libraries.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 321 pages
  • Publisher: Ballantine Books; 1 edition (June 18, 1996)
  • Language: English
  • ISBN-10: 0345374304
  • ISBN-13: 978-0345374301
  • Product Dimensions: 9.5 x 6.5 x 1.3 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,033,875 in Books (See Top 100 in Books)

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Average Customer Review
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4 of 4 people found the following review helpful:
4.0 out of 5 stars The Two Sides of Creativity, December 23, 1997
By A Customer
This review is from: Creating from the Spirit (Hardcover)
If you are an artist who has turned to alcohol or drugs in your struggle with creativity, if you feel that being creativity requires you to be alienated and irresponsible, then this book is definitely for you. However, if you do not have any such problem, then half this book is for you. Wakefield has taken at least half the space in this work, or so it seems, to deal with the Dylan Thomases and the Ernest Hemingways of the artistic world who subscribe to the myth that an artist can not be at their best unless they are completely engulfed in misery. Wakefield, who himself had to deal with this tragic myth, shows how it is a total fallacy by contrasting these artists with others who are fulfilled, widely-accepted and seemingly content.

But this is not a critical work by any means. There is a very practical side to it as well. Wakefield draws upon the experiences of these fulfilled artists to get at the heart - or rather the spirit, as the title imples - of creativity. And not only artists, but people from all walks of life including clergy, atheletes, business executives and secretaries, who believe their lives are creative. And to Wakefield's credit, he steps out of the way and lets each of these tell their own personal story in their own words and reveal methods they use to unleash that mysterious well of energy residing deep inside each of us - our creativity. No doubt anyone trying to get in touch with their creative faculties will find this section of the work interesting to say the least and can regard it from that standpoint as a valuable resource

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Two Sides of Creativity, December 31, 1999
By A Customer
If you are an artist who has turned to alcohol or drugs in your struggle with creativity, if you feel that being creativity requires you to be alienated and irresponsible, then this book is definitely for you. However, if you do not have any such problem, then half this book is for you. Wakefield has taken at least half the space in this work, or so it seems, to deal with the Dylan Thomases and the Ernest Hemingways of the artistic world who subscribe to the myth that an artist can not be at their best unless they are completely engulfed in misery. Wakefield, who himself had to deal with this tragic myth, shows how it is a total fallacy by contrasting these artists with others who are fulfilled, widely-accepted and seemingly content.

But this is not a critical work by any means. There is a very practical side to it as well. Wakefield draws upon the experiences of these fulfilled artists to get at the heart - or rather the spirit, as the title imples - of creativity. And not only artists, but people from all walks of life including clergy, atheletes, business executives and secretaries, who believe their lives are creative. And to Wakefield's credit, he steps out of the way and lets each of these tell their own personal story in their own words and reveal methods they use to unleash that mysterious well of energy residing deep inside each of us - our creativity. No doubt anyone trying to get in touch with their creative faculties will find this section of the work interesting to say the least and can regard it from that standpoint as a valuable resource

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