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Creating Textures in Watercolor: A Guide to Painting 83 Textures from Grass to Glass to Tree Bark to Fur
 
 
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Creating Textures in Watercolor: A Guide to Painting 83 Textures from Grass to Glass to Tree Bark to Fur [Hardcover]

Cathy Johnson (Author)
4.2 out of 5 stars  See all reviews (30 customer reviews)


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Book Description

January 1, 1999
A step-by-step guide to painting 83 textures from grass to glass to tree bark to fur. Includes detailed demonstrations.


Editorial Reviews

From School Library Journal

YA-- While excellent steps give a structured itinerary of watercolor painting for novice watercolorists, the tremendous variety of colorful objects and textures provide a reference for more advanced artists as well. However, although all of the parts for producing a good watercolor are here, there is little discussion about catching the spirit or feeling in a completed work. For this reason, this book could best be used as a resource for learning technique and not as a single source on the medium of watercolor.

Copyright 1992 Cahners Business Information, Inc.

About the Author

Cathy Johnson is an artist/writer/naturalist. She is also the author of North Light's Watercolor Pencil Magic. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 144 pages
  • Publisher: North Light Books (January 1, 1999)
  • Language: English
  • ISBN-10: 0891344179
  • ISBN-13: 978-0891344179
  • Product Dimensions: 11.3 x 8.6 x 1.1 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Best Sellers Rank: #510,370 in Books (See Top 100 in Books)

More About the Author

Cathy Johnson, sometimes known as Kate, has worked as a naturalist, writer, and freelance artist for the past 30 years, and was staff naturalist and contributing editor for Country Living magazine for 11 years. She is a contributing editor to the Artist's Magazine and Watercolor Magic and has had a regular column in Personal Journaling magazine, where she wrote on a subject she feels passionately about -- realizing the importance of creativity in our lives. She has written and illustrated -- her own work and that of others -- for a number of national magazines, including Science Digest, Harrowsmith Country Life, Sports Afield, Country Journal, Muzzlelader, Women's History, Early American Life, Sketchbook, Woodworker, Woman's Day, Threads, Mother Earth News, National Wildlife Magazine, Sierra and others. Her writing and artwork have been included in a number of nature anthologies and art books.



She has written and illustrated 29 books, and contributed to a number of others, working with a variety of national publishing houses. Those include North Light/F&W, Time/Life, Sierra Club, Random House, Scholastic, Globe Pequot Press, Gibbs-Smith Publisher, Tehabi, Van Nostrand Reinhold, Walker Publications, Prentice-Hall Press, Penguin, Stackpole and others.



Many of these books have been published in editions overseas, as well, in Russia, Japan, Holland, France and England.



In 1993, she founded her own small publishing company, Graphics/Fine Arts Press, which primarily offers books of interest to the reenacting community or others interested in history and material culture.



Her paintings are included in a number of private and corporate collections in this country and abroad, including Hallmark Cards, Inc., Kansas City, MO; F&W Publications/North Light Books, Cincinnati, OH; Early American Life Magazine, Harrisburg, PA; The Kansas City Life Insurance Co., Kansas City, MO; and Newcomers Funeral Home, Kansas City, MO.



Her original jewelry has also found its way overseas, to Scotland and Great Britain, and is included in the Images of the Archetype Collection in Glasgow, Scotland..



Her green man and fantasy paintings and sculptures are currently in a one-woman show online at http://www.greenmanreview.com/gallery-kate/index.html.



She is a longtime member of the Author's Guild and the Costume Society of America. She was chosen Conservation Communicator of the Year by the Burroughs Audubon Society in l987, and won the Thorpe Menn Award for Creative Writing (AAUW) for The Naturalist's Cabin; Constructing the Dream (Viking Penguin) in 1992.



Her website is http://cathyjohnson.info

 

Customer Reviews

30 Reviews
5 star:
 (19)
4 star:
 (7)
3 star:    (0)
2 star:    (0)
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 (4)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (30 customer reviews)
 
 
 
 
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46 of 46 people found the following review helpful:
5.0 out of 5 stars Simply Wonderful, February 20, 2000
This review is from: Creating Textures in Watercolor: A Guide to Painting 83 Textures from Grass to Glass to Tree Bark to Fur (Hardcover)
This is a great book for those starting out with watercolors. The format makes everything very simple and gives illustrated step-by-step directions that are simple to follow and easy to elaborate on using your own creativity! I love this book because the author doesn't talk down to the reader, but explains everything in a matter-of-fact way that's easy for beginners and refreshing for the more advanced. Sparse on words and full of pictures/illustrations, I'd highly recommend this book for anyone looking to improve their grasp of watercolor painting.
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28 of 28 people found the following review helpful:
4.0 out of 5 stars Good tips for textures, April 11, 2003
By 
J Johnson (Murfreesboro, TN United States) - See all my reviews
This book will not go into detail of what materials you need to paint in watercolor, nor will it teach you how to compose a picture or prepare you for creating masterpieces.

This book will teach you simple tips and tricks to creating different textures such as a rock surface or the bark of a tree. If one is not interested in painting mother nature, the book also demonstrates ways to create brick walls, animal fur, and even human skin.

The book depends on pictures to demonstrate its lessons but also provides some text to explain the lesson to the reader. All the images are in color and most lessons are in step-by-step format. I gave this book four stars instead of five because I feel it could have provided a bit more information of other textures. However, I did learn a great deal from its lessons and therefore cannot complain.

All in all, this book is a great asset to anyone who is attempting to learn how to paint textures in watercolor. The lessons it provides are most useful to amateurs but may prove useful to intermediate artists as well.

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18 of 18 people found the following review helpful:
4.0 out of 5 stars Helpful problem-solver, September 20, 2006
This review is from: Creating Textures in Watercolor: A Guide to Painting 83 Textures from Grass to Glass to Tree Bark to Fur (Hardcover)
This book is not so much a "how-to" or beginner's guide as it is a useful problem-solver for various texture challenges a watercolor artist may face. From painting fruit to fur, metal to dirt, fields of grass to whitewater rapids, the author presents many full-color, illustrated examples and notes on how to proceed. After a few pages of basic paper and application notes, the book goes right into texturing, sometimes with step-by-step illustrations, other times with notes provided on a finished painting.

What I found most useful out of all of these pages was the idea of how to suggest texture without overdoing detail, a common problem in all painting mediums but particularly deadly in watercolor where a certain degree of spontaniety should be embraced. Planning and layering of colors is illustrated as well as how to use splatter, wash, and other unpredicable techniques effectively.

This book will not lead you step-by-step to complete paintings, but can be of tremendous help when dealing with complicated objects and images and trying to find simple ways to approach them. I would definitely consider it an invaluable reference book for most watercolor artists, as you will surely find something in these pages you can apply to your own work and style.
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Inside This Book (learn more)
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Everything has texturesurface characteristics you can feel or that affect the way a thing looks when the light hits it. Read the first page
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