Designers who want to produce fresh work will find new inspiration within these 112 designs that break boundaries with fierce innovation, technical savvy and creative guts.
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Most Helpful Customer Reviews
9 of 12 people found the following review helpful:
2.0 out of 5 stars
ranks of mediocrity,
By A Customer
This review is from: Creative Edge Page Design (Paperback)
Sure, this book could inspire great designs, but so could a box of chocolates. It's more of the same. It simply doesn't rise above all the mediocre titles available on the market. Recommended if you're trying to build a sizable graphic design library, but if this is the only layout resource/inspiration book you might buy, think again.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Excellent layout ideas!,
By A Customer
This review is from: Creative Edge Page Design (Paperback)
I really like this book a lot. I am currently building my graphic design library and feel this is a great addition. The layouts are all very intersting and there are a lot of great ideas. When working on a new project I will flip through this book to help me spur new ideas and sketch them out. This book has been indispensable. I am giving it 4 stars (and not 5) because I wish it was longer!
2.0 out of 5 stars
Keep looking,
By A Customer
This review is from: Creative Edge Page Design (Paperback)
An interesting book at best. If you are looking for a book filled with page layouts and designs that market themselves only to the trade, then this one's for you. I agree with the review that suggests this book as a great addition to your library of graphic design books . . . however, I did not find it to be helpful in developing page layouts for real life clients. It IS a wonderful collection of cutting edge design but it misses the mark for designers needing inspiration for down-to-earth and corporate-type clients.
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Inside This Book
(learn more)
First Sentence:
Most designers would probably agree that all good design (and that would include all the pieces in this book) is concept driven. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Elliott Peter Earls, New York, Melinda Beck, Stan Stanski, Margo Chase, Paul Nicholson, Brian Kelly, Carlos Segura, Todd Houser, Franklin Gothic, Lori Siebert, Los Angeles, San Francisco, Siebert Design Associates, Bell Gothic, Heinz Wild, Matrix Script, Neal Ashby, Thomas Wolfe, Alias Records, Drum Club, Eric Wagner, Gill Sans, Greenberg Kingsley, Greg Lindy New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Most designers would probably agree that all good design (and that would include all the pieces in this book) is concept driven. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Elliott Peter Earls, New York, Melinda Beck, Stan Stanski, Margo Chase, Paul Nicholson, Brian Kelly, Carlos Segura, Todd Houser, Franklin Gothic, Lori Siebert, Los Angeles, San Francisco, Siebert Design Associates, Bell Gothic, Heinz Wild, Matrix Script, Neal Ashby, Thomas Wolfe, Alias Records, Drum Club, Eric Wagner, Gill Sans, Greenberg Kingsley, Greg Lindy New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 5
books:
- Photoshop for Windows (Classroom in a Book) by Adobe Systems on 13 pages
- Adobe Illustrator by Adobe Press on 5 pages
- Annual Report 2004 by Social Science Research Unit on 4 pages
- Adobe Photoshop by Adobe Press on 4 pages
- On Writing by Stephen King on page 57
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