This collection of over three dozen essays ponders the essence of creativity. Includes selections from Henry Miller, Federico Fellini, Rainer Maria Rilke, Isadora Duncan, Frank Zappa, and Mary Shelley. A New Consciousness Reader.
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In this collection of essays by the world's most renowned creative-types--Ingmar Bergman, Maurice Sendak, Frank Zappa, and Maya Angelou--we learn time and again that the act of creation is a willingness to encounter the unknown. If we never risk losing control and wallow in the murky depths of our beings, how will we ever meet our potential? Laurence Olivier talks about going naked. Federico Fellini romances the virtue of passion. Mary Shelley speaks frankly about the genesis of Frankenstein. This is chicken soup for the soul of any creator.
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An impressively diverse collection of writings by world-famous artists, musicians, writers, scientists, and filmmakers who have provided us with joy, illumination, and profundity through their craft. In this anthology we learn how they foster and harness the power behind their awesome gift, and we comprehend the responsibility that accompanies it.
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30 of 31 people found the following review helpful
Format:Paperback
This was by far one of the greatest books that I have ever read on psychology. It was funny, touching, sweet, but most of all thought provoking. As an aspiring artist, it helped me to comprehend myself a little better. The book is a compilation of essays, interviews, and writings by different creative individuals. From the flamboyant Maya Angenlou to the brilliant Federico Fellini. Probably the most moving and amusing segment of the book was the segment written by Frank Zappa, who explains creativity in a way that no other could. Sure genius.
5 of 5 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
This particular book is one of a series entitled The New Consciousness Reader edited/authored by reputable experts in the fields of healing, spiritual growth, personal development and psychology.
This particular book is an absolutely compelling compilation of both original and classic writings by an assemblage of Creators writing about Creating - Awakening and Cultivating the Imaginative Mind. Frank Barron is professor emeritus of psychology at the University of California, Santa Cruz and is known as a leading expert on the study of creativity. Dr. Montuori is associate professor at the California Institute of Integral Studies in San Francisco. Anthea Barron lives in Santa Cruz. Sections of this work include The Uncovered Heart, The Opened Mind, The Web of Imagination, The Creative Ecology, The Dedication to Mastery, and The Courage to Go Naked. Authors and authorized pieces include 39 individual readings from the likes of Laurence Olivier, Frank Zappa, Igor Stavinsky, da Vinci, Tony Kushner, Maurice Sendak, Michael Focault, Carl Jung, Rainer Maria Rilke, Henry Miller, Annie Dillard and William Butler Yeats --- to name only a few. Each section contains an important orienting introduction written by Dr. Alfonso.
I adored the splendid variety contained in this volume. Admittedly, some of the names of the authors whose pieces were shared here, I have never heard of them before. It is the diversity of the insights, stories and thoughts that truly made me come back for more each day, until I had devoured the entire volume. I grew by reading this book. I'm certain you will too.
In the introduction, Frank Barrone writes: "creativity is a quest for meaning. It is an attempt to penetrate the mystery of the self, and perhaps the even greater mystery of Being. The very origin of existence is open to creative exploration, and the science of this century has posed new questions, large and small - intriguing , challenging, important questions." (p.2). The manner in which we humans live out our creative potential is aptly portrayed in the content of this volume - necessarily inhabited by novelists, musicians, composers, poets, dancers, physicists, scientists, playwrights and the like.
Creativity is a gift to the human species that can be developed - even taught, as Barrone says: "Creativity is a specifically human resource. It is part of the general human potential, something we can cultivate in ourselves if we set out to. It is also something that can be nurtured in others who are close to us and perhaps in our care. Teachers can help foster creativity in students, parents in children, and children in parents! It can work both ways, and it can be an important part of the mutuality that helps make all of us stronger." (p.5).
Here are some other particularly poignant excerpts I truly appreciated:
"The power to create is potential in all of us, and that we should express it in small ways if great and grand ways are beyond our means." Frank Barrone - P. 12
"Without our creative dissidents, where would we be?" Frank Barrone - p. 13.
"The creator creates and is created by the creating." Pamela Travers - creator of Mary Poppins - p. 36.
"You're a craftsman - essentially your job is to be a vehicle for other people." Anna Halprin - dancer - p. 46
"When we think of the creative mind, we think of the generative mind, full of ideas and brilliant new insights. But the creative mind is both full and empty. It is able to create within itself a space for the new to arise. It is a mind that is constantly opening itself to the internal and external world." Alfonso Montuori P. 57
"The opened mind thrives on difference and remains open to the contradictory." Alfonso Montuori p. 57
"Moving between fields is the way to be creative. Keep your fingers in a lot of pies. I do because I'm curious. Kary Mullis - molecular biologist - p. 73.
"To settle upon what one knows and act upon it and stick to the decision that has been made - This sort of thing is very necessary for other purposes, but this is the very thing which must be thrown aside when one is trying to make a new creative step." J.G. Bennett - mystic and philosopher P. 77.
"for something to enter, a place must be made for it." J.G. Bennett - mystic and philosopher P. 79.
"Words are powerful beyond our knowledge, certainly. And they are beautiful. Words are intrinsically powerful. And there is magic in that. Words come from nothing into being. They are created in the imagination and given life on the human voice. We do not know what we can do with words. But as long as there are those among us who try to find out, literature will be secure; literature will remain a thing worthy of our highest level of human being." - N. Scott Momaday - novelist and poet - pp. 160-161.
"What I want to see is the demise of fundamentalism in favour of pragmatism. By fundamentalism I mean any philosophy that thinks it has the final and unique answer, that believes there is one essential plan underlying the workings of the universe, and seeks to make sure everyone else gets persuaded to get in line with it. By pragmatism, I mean improvisation: the belief that there are many approaches, that whatever works in the light of our present knowledge is a good course of action, and that what is the best course of action for us, here and now, might not be for someone else, there or then." Brian Eno - music producer - in Why World Music? P. 167
"The creative process involves a tension between opposites, and nowhere is that tension more apparent than in the need to balance freedom and exploration with the disciplined fine-tuning of our craft. Creativity is a gift, some say, but not a gift that survives without practice." Alfonso Montuori - author - p. 171.
"This guest (`inspiration') does not always respond to the first invitation." Peter Ilich Tchaikovsky - composer - p. 181.
"Thus, what concerns us here is not imagination in itself, but rather creative imagination: the faculty that helps us to pass from the level of the of conception to the level of realization." Igor Stravinsky - composer - P. 191
"Whatever field of endeavour has fallen to our lot, we are called upon not to cogitate, but to perform." Igor Stravinsky - composer - P. 190.
"Creativity involves a degree of risk taking, if only because we have invested so much in our product that we do not want to see it flop. We have pinned our hopes on our creative ideas, and we want some degree of recognition and reward, whether social or financial. The moral is, get out there and do it! Take it off! In the realization of the dream is self-realization, in its impact is its proof, in our creations we complete ourselves." Alfonso Montuori - Author - p. 205 - Introduction to the section entitled "The Courage to Go Naked."
I truly adored all the diverse, nutritious insights in this book, only a small handful of which I have shared above. I recommend it.
This particular book is an absolutely compelling compilation of both original and classic writings by an assemblage of Creators writing about Creating - Awakening and Cultivating the Imaginative Mind. Frank Barron is professor emeritus of psychology at the University of California, Santa Cruz and is known as a leading expert on the study of creativity. Dr. Montuori is associate professor at the California Institute of Integral Studies in San Francisco. Anthea Barron lives in Santa Cruz. Sections of this work include The Uncovered Heart, The Opened Mind, The Web of Imagination, The Creative Ecology, The Dedication to Mastery, and The Courage to Go Naked. Authors and authorized pieces include 39 individual readings from the likes of Laurence Olivier, Frank Zappa, Igor Stavinsky, da Vinci, Tony Kushner, Maurice Sendak, Michael Focault, Carl Jung, Rainer Maria Rilke, Henry Miller, Annie Dillard and William Butler Yeats --- to name only a few. Each section contains an important orienting introduction written by Dr. Alfonso.
I adored the splendid variety contained in this volume. Admittedly, some of the names of the authors whose pieces were shared here, I have never heard of them before. It is the diversity of the insights, stories and thoughts that truly made me come back for more each day, until I had devoured the entire volume. I grew by reading this book. I'm certain you will too.
In the introduction, Frank Barrone writes: "creativity is a quest for meaning. It is an attempt to penetrate the mystery of the self, and perhaps the even greater mystery of Being. The very origin of existence is open to creative exploration, and the science of this century has posed new questions, large and small - intriguing , challenging, important questions." (p.2). The manner in which we humans live out our creative potential is aptly portrayed in the content of this volume - necessarily inhabited by novelists, musicians, composers, poets, dancers, physicists, scientists, playwrights and the like.
Creativity is a gift to the human species that can be developed - even taught, as Barrone says: "Creativity is a specifically human resource. It is part of the general human potential, something we can cultivate in ourselves if we set out to. It is also something that can be nurtured in others who are close to us and perhaps in our care. Teachers can help foster creativity in students, parents in children, and children in parents! It can work both ways, and it can be an important part of the mutuality that helps make all of us stronger." (p.5).
Here are some other particularly poignant excerpts I truly appreciated:
"The power to create is potential in all of us, and that we should express it in small ways if great and grand ways are beyond our means." Frank Barrone - P. 12
"Without our creative dissidents, where would we be?" Frank Barrone - p. 13.
"The creator creates and is created by the creating." Pamela Travers - creator of Mary Poppins - p. 36.
"You're a craftsman - essentially your job is to be a vehicle for other people." Anna Halprin - dancer - p. 46
"When we think of the creative mind, we think of the generative mind, full of ideas and brilliant new insights. But the creative mind is both full and empty. It is able to create within itself a space for the new to arise. It is a mind that is constantly opening itself to the internal and external world." Alfonso Montuori P. 57
"The opened mind thrives on difference and remains open to the contradictory." Alfonso Montuori p. 57
"Moving between fields is the way to be creative. Keep your fingers in a lot of pies. I do because I'm curious. Kary Mullis - molecular biologist - p. 73.
"To settle upon what one knows and act upon it and stick to the decision that has been made - This sort of thing is very necessary for other purposes, but this is the very thing which must be thrown aside when one is trying to make a new creative step." J.G. Bennett - mystic and philosopher P. 77.
"for something to enter, a place must be made for it." J.G. Bennett - mystic and philosopher P. 79.
"Words are powerful beyond our knowledge, certainly. And they are beautiful. Words are intrinsically powerful. And there is magic in that. Words come from nothing into being. They are created in the imagination and given life on the human voice. We do not know what we can do with words. But as long as there are those among us who try to find out, literature will be secure; literature will remain a thing worthy of our highest level of human being." - N. Scott Momaday - novelist and poet - pp. 160-161.
"What I want to see is the demise of fundamentalism in favour of pragmatism. By fundamentalism I mean any philosophy that thinks it has the final and unique answer, that believes there is one essential plan underlying the workings of the universe, and seeks to make sure everyone else gets persuaded to get in line with it. By pragmatism, I mean improvisation: the belief that there are many approaches, that whatever works in the light of our present knowledge is a good course of action, and that what is the best course of action for us, here and now, might not be for someone else, there or then." Brian Eno - music producer - in Why World Music? P. 167
"The creative process involves a tension between opposites, and nowhere is that tension more apparent than in the need to balance freedom and exploration with the disciplined fine-tuning of our craft. Creativity is a gift, some say, but not a gift that survives without practice." Alfonso Montuori - author - p. 171.
"This guest (`inspiration') does not always respond to the first invitation." Peter Ilich Tchaikovsky - composer - p. 181.
"Thus, what concerns us here is not imagination in itself, but rather creative imagination: the faculty that helps us to pass from the level of the of conception to the level of realization." Igor Stravinsky - composer - P. 191
"Whatever field of endeavour has fallen to our lot, we are called upon not to cogitate, but to perform." Igor Stravinsky - composer - P. 190.
"Creativity involves a degree of risk taking, if only because we have invested so much in our product that we do not want to see it flop. We have pinned our hopes on our creative ideas, and we want some degree of recognition and reward, whether social or financial. The moral is, get out there and do it! Take it off! In the realization of the dream is self-realization, in its impact is its proof, in our creations we complete ourselves." Alfonso Montuori - Author - p. 205 - Introduction to the section entitled "The Courage to Go Naked."
I truly adored all the diverse, nutritious insights in this book, only a small handful of which I have shared above. I recommend it.
15 of 19 people found the following review helpful
Format:Paperback
I picked up this book idly and became interested in it. The selections are good. The creative mind is both full and empty. Serendipity means coming on an unexpected treasure. Cathy Johnson explains that her father had an unshakable need to wander.
Richard Feynman reports that teaching is an interruption, but that the questions of the students are often a source of new research. When Feynman felt burnt out at Cornell someone threw a plate in the cafeteria. He saw it wobble so he started to figure out the motion of a rotating plate. It was effortless. It was easy. It was like uncorking a bottle. His mind started to flow.
Kary Mullis, molecular biologist, notes that important inventions almost always cross disciplines. Mullis discovered the PCR, Polymerase chain reaction. It is widely used by molecular biologists. What is necessary for creative activity may be quite destructive of other kinds of activity. Yeats thought that rhythm prolongs contemplation. Annie Dillard sees herself as an explorer and also a stalker.
Italo Calvino relates that in devising a story the first thing that comes to mind is an image. In the acutal writing of the story, the words, the verbal aspect start to become more important. Imagination is a repertory of what is potential. The imagination is a kind of electronic machine. Michel Foucault suggests that utopias afford consolation although they have no real locality. Those who have creative power find the strength of mind to reject what is not true.
Mabel Dodge Luhan describes an experience with peyote where she had a momentary glimpse of life given by an expansion of consciousness. Creativity lives and dies within an ecology. Maya Angelou believes that black American art is rooted in music. N. Scott Momaday feels that southwestern landscape, turning up frequently in his writing, is more spiritual. He does not see any validity in separating man from the landscape. The oral tradition of the American Indian is intrinsically poetic. The Indian has the advantage of a very rich spiritual experience.
The creative process involves a tension between opposites. All the factors of creativity can be increased through training. The discipline and routine of creativity do not have to be boring. Stravinsky writes that all creation presupposes a sort of appetite. He believed that we have a duty towards music, namely to invent it. The faculty of creating is never given to us by itself.
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