Crime and Punishment [Hardcover]

Fyodor Dostoevsky (Author), Benjamin Kopman (Illustrator), Constance Garnett (Translator), CLIFTON FADIMAN (Introduction)

Book Description

Publication Date: 1956

Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

Product Details

• Hardcover
• Publisher: Random House; 1st RANDOM HOUSE. edition (1956)
• Language: English
• ASIN: B001P4ERTA
• Product Dimensions: 9.2 x 6 x 1.5 inches
• Shipping Weight: 2 pounds
• Average Customer Review: 4.4 out of 5 stars  See all reviews (646 customer reviews)
• Amazon Best Sellers Rank: #2,134,360 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

283 of 292 people found the following review helpful:

1.0 out of 5 stars Check the Publisher of this book before you buy, July 8, 2010

By 

Kiwi (Mississauga, Ontario Canada) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: Crime and Punishment (Paperback)

Crime and Punishment is one great novel. However, we have a bit of misleading marketing going on here. Make sure you're buying the version you think you're buying before you order. "Crime and Punishment" published by General Books LLC is a poor quality scanned in version. If you do the "Look Inside" thing on this book, you'll see the inside of another version of the book, NOT the one you will receive.

To give you a few quotes from the publishers website: "We created your book using OCR software ..... with up to 3,500 characters per page, even one percent can be an annoying number of typos.... After we re-typeset ... your book, the page numbers change so the old index and table of contents no longer work .... we usually remove them. .... Our OCR software can't distinguish between an illustration and a smudge or library stamp so it ignores everything except type. ..... We created your book using a robot who turned and photographed each page. Our robot is 99 percent accurate. But sometimes two pages stick together. And sometimes a page may even be missing from our copy of the book. .....". There's no manual editing whatsover.

You get the general idea. Unfortunately, books published by General Books LLC are named, seemingly intentionally, so that they have reviews associated with much better quality imprints. General Books LLC is an imprint of VDM Published (google them on Wikipedia), which is flooding Amazon with poor quality reprints and, unfortunately, many of them have the reviews associated with the original or with beter quality imprints associated with them.

Seems like it's Caveat Emptor on Amazon these days as Amazon certainly doesn't seem to be doing anything to protect it's customers from this Publisher.

256 of 274 people found the following review helpful:

5.0 out of 5 stars A Classic for a Reason, April 14, 2000

By 

Paul McGrath (Sacramento, CA) - See all my reviews
(REAL NAME)   

This review is from: Crime and Punishment (Bantam Classics) (Mass Market Paperback)

I initially approached this book with a great deal of trepidation. I had never read Dostoyevsky, and was concerned that I would get bogged down in some lengthy, mind-numbingly boring, nineteenth-century treatise on the bestial nature of man or something. I am happy to report this is not the case. Instead, and to my delight, it is a smoothly flowing and fascinating story of a young man who succumbs to the most base desire, and the impact this has both psychologically and otherwise on himself and those around him.

To be sure, the book seems wordy in places, but I suspect this has to do with the translation. And what translator in his right mind would be bold enough to edit the great Dostoyevsky? But this is a very minor problem.

What we get with Dostoyevsky is dramatic tension, detailed and believable human characters, and brilliant insight into human nature. Early in the novel our hero meets and has a lengthy conversation with Marmeladov, a drunkard. This conversation is never uninteresting and ultimately becomes pathetic and heartbreaking, but I kept wondering why so much time was spent on it. As I got deeper into the book, I understood why this conversation was so important, and realized that I was in the hands of a master storyteller. This is also indicative of the way in which the story reveals itself. Nothing is hurried. These people speak the way we actually speak to one another in real life, and more importantly, Dostoyevsky is able to flesh out his characters into whole, three-dimensional human beings.

And what a diverse group of characters! Each is fleshed out, each is marvelously complex. Razujmikhin, the talkative, gregarious, good-hearted, insecure and destitute student; Sonia, the tragic child-prostitute, with a sense of rightness in the world; Petrovich, the self-important, self-made man, completely out of touch with his own humanity; Dunia, the honorable, wronged sister: we feel like we know these people because we've met people like them. They fit within our understanding of the way human beings are.

Dostoyevsky also displays great insight into human nature. Svidrigailov, for example, talks of his wife as liking to be offended. "We all like to be offended," he says, "but she in particular loved to be offended." It suddenly struck me how true this is. It gives us a chance to act indignantly, to lash out at our enemies, to gain favor with our allies. I don't believe I've ever seen this thought expressed in literature before. In fact, it never occurred to me in real life! Petrovich, Dunia's suitor, not only expects to be loved, but because of his money, and her destitution, he expects to be adored! To be worshipped! He intentionally sought out a woman from whome he expected to get this, and is comletely flummoxed when she rejects him. His is an unusual character, but completely realized.

There is so much more to talk about: the character of Raskolnikov, which is meticulously and carefully revealed; the sense of isolation which descends on him after committing his crime; the cat and mouse game played on him by the police detective. I could go on and on. I haven't even mentioned the historical and social context in which this takes place. Suffice to say this is a very rich book.

Do not expect it to be a rip-roaring page turner. Sit down, relax, take your time, and savor it. It will be a very rewarding experience. And thank you SL, for recommending it.

82 of 85 people found the following review helpful:

5.0 out of 5 stars Wonderful new translation, April 24, 2001

By 

Amy L. (Chicago, Il.) - See all my reviews

This review is from: Crime and Punishment (Paperback)

Crime and Punishment centers upon the story of a young Russian student, Raskolnikov, who plots and carries out a brutal murder. However, this is less than a quarter of the story. The rest centers upon his attempts to come to terms with the philosophical and psycological consequences of his act. Aiding, or hindering, him in this endevor are a series of characters from the kind-hearted prostitute Sonia and her drunken father, the unrepentant scoundrel Svidrigailov, Raskolnikov's best friend Razumihin, and the police detective come amateur psychologist Porfiry Petrovich. Though the story develops slowly, with many detours, Raskolnikov's journey through crime and punishment remains gripping until the very last page.

I first encountered Crime and Punishment in the classic translation by Constance Garnett and loved it for Dostoyevsky's careful balance of character and philosophy. Dostoyevsky's genius lies in his ability to create simultaneously a psychological novel and a novel of ideas. Though each character represents a certain philosophy of life, they never become lifeless or stereotyped. Instead, each is a memorably developed and psychologically deep person, who could easily carry a story in their own right. Dostoyevsky's genius is in the perfect counterpoint between conflict of personality and conflict of philosophy between each of these fascinating people. Dostoyevsky also specializes in garnering the reader's interest and sympathy for the most unlikely characters. This is a novel, after all, with an ax murderer as the protagonist.

However, until I read this new translation of Dostoyevsky, I never realized that besides psychologist and philosopher, Dostoyevsky was also a masterful stylist. Pevear and Volokhonsky succeed in faithfully translating the literal meaning of the original Russian, while still capturing the vivid liveliness of Dostoyevsky's prose. The heat of a St. Petersburg summer night fairly radiates off the page in the first part, while his descriptions of Raskolnikov's cramped bedroom gave me claustrophobia.

Admittedly, this is no beach-read thriller. The Russian names can be confusing, and Dostoyevsky's manages to be both dense and long-winded. Nontheless, this is one of the greatest works of fiction ever written that should be read both as a "classic book" and as a gripping psychological exploration of crime.