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Crime and Punishment (Oxford World's Classics) [Paperback]

Fyodor Dostoevsky , Richard Peace , Jessie Coulson
4.4 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

August 1, 2008 Oxford World's Classics
Crime and Punishment is one of the most important novels of the nineteenth century. It is the story of a murder committed on principle, of a killer who wishes to set himself outside and above society. The novel is marked by Dostoevsky's own harrowing experience in penal servitude, and yet contains moments of wild humor. This new edition of the authoritative and readable Coulson translation comes with a challenging new introduction and notes that elucidate many of the novel's most important--and difficult--aspects.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Editorial Reviews

About the Author


Richard Peace is Emeritus Professor of Russian at Bristol University. He is the author of Dostoevsky: An Examination of his Major Novels.

Product Details

  • Paperback: 576 pages
  • Publisher: Oxford University Press, USA; Reissue edition (August 1, 2008)
  • Language: English
  • ISBN-10: 0199536368
  • ISBN-13: 978-0199536368
  • Product Dimensions: 5 x 0.9 x 7.6 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #384,580 in Books (See Top 100 in Books)

Customer Reviews

4.4 out of 5 stars
(8)
4.4 out of 5 stars
Most Helpful Customer Reviews
29 of 32 people found the following review helpful
Format:Paperback
As a novel, I have no complaints about Dostoevsky's Crime and Punishment. Personally, while it is not my favorite novel by Dostoevsky, it is the novel of his that I would recommend reading first; that is, I recommend it to people who are new to Dostoevsky and want to introduce themselves to the work of the great Russian novelist. In this review, I will comment briefly about the novel itself, and I will also give my opinion about this particular edition (i.e. the Oxford World's Classics edition).

As a novel, Crime and Punishment has long been adored by literary critics and well as by the general reading public. It is usually recognized as the first great novel by Fyodor Dostoevsky. The book was a popular and critical success in 1866 when it was first published in Russian. Fast forward to present day America. Dostoevsky's psychological tale of a crime and the psychological and real-world consequences of that crime on its transgressor has now been translated numerous times into English and remains a novel that, even today, is widely-read, critically respected and generally well-enjoyed by its modern audience.

The novel consists of six parts. The first part chronicles Raskalnikov (the main character) as he prepares to commit a crime. At the end of part one he actually goes through with his plan and commits the crime. The rest of the novel follows Raskalnikov as he: (1)struggles on a psychological and physical level with his own self; (2)interacts with his impoverished family, friends, and several newly-acquired acquaintances, including a (potential) love-interest named Sonya and her family; (3)becomes involved in a cat-and-mouse game with prosecuting officials; and (4), engages in fascinating and occasionally profound conversations with the villainous and enigmatic Svidrigailov.

Crime and Punishment is a showcase for what I consider to be the three great strengths of the novelist Dostoevsky. First, great -- all-too-human -- characters. Second, the novel is thought provoking: it examines important philosophical, social and moral issues. Third, the novel is entertaining. It offers suspense and heartfelt human interactions.

Now, a brief word on this (the Oxford World's Classics) edition of Crime and Punishment. Let me say: there is nothing inherently wrong with the Oxford Classics edition, and in general I find that they are well-made books of the highest quality and are full of helpful supplemental material. That said, I do not recommend said edition for this particular novel--not when there are other superior editions available through Amazon. I will briefly explain why I do not recommend it, and will then suggest several editions that I recommend instead.

The Oxford edition uses the Coulson translation. I admit, I do not speak or read Russian. But I have read lots of Dostoevsky in English; also, I have read many articles and books written about his work. I have read a number of different translations of Dostoevsky's work, and while I have no particular criticisms to make about the Coulson translation, I can merely say that it is not my favorite.

From what I've read, I believe that the translation by Richard Pevear and his wife Linda Volokhonsky to be the very best available. I hold their translation in high regard simply because I believe it best conveys the complete meaning of each line, and likewise, it best illuminates the core ideas and themes in Dostoevsky's writing. Additionally, the P/V translation was done recently, resulting in a usage of English that can be properly "digested" by contemporary readers. Pevear is one of the few American-born translators of Dostoevsky. Personally, as an American myself, I find some satisfaction in the idea that Pevear's way of thinking and looking at the world is more on par with my own.

The Pevear/Volokhonsky translation is available in paperback ($11.53 new,Crime and Punishment) and hardcover ($15.64 new,Crime and Punishment (Everyman's Library)). In these editions you will find: endnote annotations; a comparative chronology of world history, world literature, and Dostoevsky's own life; a select bibliography; and an insightful introduction by Dostoevsky scholar W.J. Leatherbarrow.

The other criticism I have of the Oxford World's Classics edition of C&P, is that it is not even the best available edition of Coulson translation. If you are deadset on reading the Coulson translation, then I strongly recommend Crime and Punishment (Norton Critical Editions) ($12.35 new). The Norton Critical Edition offers over 200 pages of supplemental material, including content from Dostoevsky's own notebooks, letters, early drafts of the novel; and around thirty critical essays by generations of renowned Dostoevsky scholars and contemporaries of the author.
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2 of 2 people found the following review helpful
5.0 out of 5 stars An excellent translation August 11, 2012
Format:Paperback|Amazon Verified Purchase
I am obsessive about finding the best translation of foreign novels, and this is the best of the many translations of Crime and Punishment, of which there are several clunky English versions. It is smooth and literate. And what a pleasure it is to reread this great classic!
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2 of 2 people found the following review helpful
5.0 out of 5 stars Perfect mix of Dickens and Austen March 1, 2011
By Seamus
Format:Paperback
Wow!

Upon picking up Crime and Punishment I am not exactly sure what I expected. I had listened to half of Anna Karenina on Audiobook a few years prior and I remember enjoying the way in which Tolstoy created vivid scenes through a brilliant combination of dialogue and narrative. I figured that since Dostoevsky and Tolstoy were both contemporaries in Russia, in the mid-1800s, they probably wrote in the same manner (Yes, I know this is ridiculous logic...yet, it seems to have worked in this case; so, to all those people who do not enjoy stereotypes and mass generalization, I say, "Ehh???").

I had also come across a handful of references to Crime and Punishment in multiple philosophical essays. Most of the time, these essays criticized Dostoevsky's viewpoint, expressed through C&P, that the ends justifies the means. Of course, seeing myself as one who would ideally like to see Kantian morality embraced throughout the entire world, I was also hoping to identify this and take issue with it.

Having just finished C&P, I can state that from a literary and artistic viewpoint I was blown away. I would describe Dostoevsky as the perfect mix of Dickens and Austen. He narrates as good or better than Dickens and his dialogue is even better than the dialogue of Pride and Prejudice. Reading C&P is a complete sensory experience, that keeps one entertained, intrigued, and thinking throughout the whole of the story.

Ostensibly, the story is about a man named Rodion Romanych, who goes by the name Raskolnikov, who kills an old lady and her sister in order to steal a few thousand roubles. However, as much as one always feels this storyline and Raskolnikov's guilt haunting every page, the story is much more: almost a compendium of stories describing what it was like to live in Russia in the 1800s. Everyone's story is told, whether that person is a merchant, a prostitute, an official, a student, an old widow, etc. etc. Through these stories, the philosophy of Raskolnikov is also put on display.

I say the philosophy of Raskolnikov, as opposed to the philosophy of Dostoevsky, because even though Raskolnikov is the protagonist; even though the reader finds themselves sympathizing and suffering with Raskolnikov; even though the reader finds themselves despising those persons whom Raskolnikov despises, Raskolnikov is not a good person. He is never set up by Dostoevsky to be a good person; he kills an old lady in cold blood, with the blunt end of an axe at the beginning of the story, then splits her sister's head open with the working side of the axe blade. Raskolnikov is not the vehicle one would use to express their own moral philosophy; yet, he might be the vehicle one would use to simply expose a popular moral philosophy of the time.

Other philosophers are right to identify that philosophy as an "ends justifies the means" take on morality; yet, this is not difficult because Dostoevsky does nothing to obscure Raskolnikov's ideology. Instead, he very clearly states it multiple times, as such in this paragraph:

"I merely suggested that an 'extraordinary' man has the right...that is, not an official right, but his own right, to allow his conscience to...step over certain obstacles, and then only in the event that the fulfillment of his idea--sometimes perhaps salutary for the whole of mankind calls for it...In my opinion, if, as the result of certain combinations, Kepler's or Newton's discoveries could become known to people in no other way than by sacrificing the lives of one, or ten, or a hundred or more people who were hindering the discovery, or standing as an obstacle in its path, then Newton would have the right, and it would be his duty...to remove those ten or a hundred people, in order to make his discoveries known to all mankind."

I do not want to spoil this story in any manner, as I believe that anyone who has yet to read C&P, should immediately take up the task and treat themselves to some of the finest literature they will ever read.

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