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Crime Wave: Reportage and Fiction from the Underside of L.A.
 
 
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Crime Wave: Reportage and Fiction from the Underside of L.A. [Paperback]

James Ellroy (Author)
3.7 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

January 26, 1999
Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."

From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

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Editorial Reviews

Amazon.com Review

You wouldn't expect slick GQ to perform the greatest magazine service to hard-boiled crime writing since the heyday of Black Mask, but the evidence is before your eyes: Crime Wave, James Ellroy's collected GQ works circa 1993-99.

Though Crime Wave contains two stories in the exhilaratingly sleazy voice of the fictitious scandal rag Hush-Hush, and the novella-length "Hollywood Shakedown," a tale of sex, drugs, and murder starring '50s crooner-accordionist Dick Contino, the book is predominantly nonfiction. There's one flavorful piece, "Bad Boys in Tinseltown," about the day in 1967 when Ellroy--then a speed freak who broke into fancy houses to steal stuff and sniff women's underwear--read an article by Curtis Hanson raving about Bonnie and Clyde and was inspired. Then Ellroy flashes forward to 1996, when he visits Hanson as he directs the triumphant film version of L.A. Confidential.

GQ talked Ellroy into writing about the event that made him a maniac, and then an obsessive writer: his dissolute mother's unsolved murder in 1958, when he was 10. His investigation of her death began with the chilling GQ article "My Mother's Killer," which grew into the book My Dark Places. (If you haven't heard Ellroy read it on audiotape, you haven't shivered.) His investigation of another woman's murder, "Body Dumps," is in some ways better, because there's a suspect to eviscerate in prose. "Sex, Glitz, and Greed," written about O.J. during the trial, is an odd fit in this collection, but when Ellroy is on his own turf--L.A.'s seamy, undead past--nobody can touch him. --Tim Appelo

From Publishers Weekly

Ellroy's obsessionsATinseltown tabloid sleaze and his mother's murderAhave fueled his writing and provided readers with countless indelible images, reams of trademark stuttergun prose and at least two killer books, L.A. Confidential and My Dark Places. This collection of 11 pieces of fiction and reportage, all previously published in GQ magazine, isn't essential Ellroy, but newcomers contemplating a tentative first dip might find it a fine place to start. The powerfully frank "My Mother's Killer" evolved into My Dark Places, and "Body Dumps" and "Glamour Jungle" both explore LAPD investigations into crimes similar to the death of Ellroy's mother in 1958, when he was 10. Two tales feature the investigative reporting of Hush-Hush magazine, always dedicated to digging the dirt and awesomely addicted to alliteration. Real-life accordionist Dick Contino has several capers of his own and gets to ingest illegal drugs, whack a few lowlifes and hang with Sammy Davis Jr. Ellroy also tackles O.J. Simpson's case, his own high school reunion and the making of the film L.A. Confidential. For some reason, his editor at GQ balked at letting the "Demon Dog of American Literature" loose on Bill and Monica. We surely missed out on a whole sackful of sleazy stuff there. Author tour.
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Paperback: 304 pages
  • Publisher: Vintage; 1st Vintage Crime/Black Lizard original ed edition (January 26, 1999)
  • Language: English
  • ISBN-10: 037570471X
  • ISBN-13: 978-0375704710
  • Product Dimensions: 5.2 x 0.7 x 8 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #1,163,655 in Books (See Top 100 in Books)

More About the Author

James Ellroy was born in Los Angeles in 1948. He is the author of the acclaimed L.A. Qurtet - The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz, as well as the Underworld USA trilogy: American Tabloid, The Cold Six Thousand and Blood's a Rover. He is the author of one work of non-fiction, The Hilliker Curse: My Pursuit of Women. Ellroy lives in Los Angeles.

 

Customer Reviews

22 Reviews
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 (5)
4 star:
 (10)
3 star:
 (4)
2 star:
 (1)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (22 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
4.0 out of 5 stars Some great, some ok, but all pure Ellroy..., April 25, 2004
By 
Robert Wellen (CHICAGO, IL USA) - See all my reviews
(REAL NAME)   
This review is from: Crime Wave: Reportage and Fiction from the Underside of L.A. (Paperback)
James Ellroy, after only 3 books, has taken his place among my most favorite writers. Ellroy's collection of fiction and non-ficiton is a mixed bag, but mostly excellent. The best essay is "Let's Twist Again," a return to his junior high days. I expected something more elegiac and less upbeat, but the change of tone suits the peace. In fact, it is one of the best pieces I have ever read about those forgotten Jr. High years. Frankly, the weakest piece is the Sinatra crime story--TiJuana, Mon Amour. There was nothing much new it in it and the other long short stories, esp. the Dick Contino piece were better. Danny Getchell as a narrator is better in short bursts. There are more mediations on his mother's murder, but even if you have read "My Dark Places" they add a bit of perspective. I loved his piece on the LA Confidential movie/Curtis Hanson, the piece of the Sheriff's Homicide Department, and the OJ Simpson story. As an avowed OJ junkie, I love to read anything new on it. Perhaps not his strongest work, but certainly worth a read if you enjoy his work. Sadly, the introduction is written by the late Art Cooper of GQ, who many of us still miss.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Too personal an L.A. for it even to be confidential, January 14, 2006
This review is from: Crime Wave: Reportage and Fiction from the Underside of L.A. (Paperback)
The strangest crime-novel ever written. It is in fact an autobiographical attempt that tries to connect the past and the future. The past of the time when the author's mother was murered in L.A. and the police did not find any solution to the case, with the present of when he gets back into her file and finds nothing, and the present of another mother who got murdered and whose murderer will never be caught. And the future of tomorrow 2034 and what the author will be as a senile senior citizen, and what the kids of today will be then. The whole journey and perspective is set on a background of dark - very dark - vision : L.A. as a place of permanent crime, of eternal murders that will never be solved, of perpetual war among all the polices of the region, of neverending psychotic schizophrenia for actors, would-be actors, might-be actors, might-ever-be-would-be actors, etc. The author sounds psychotic about it and at the same time his sanity seems to be dependent on that constant unbalanced and unsolved psychotic crisis that he has been carrying since the age of seven, when his parents split. Too personal to be a real crime novel, and yet too imaginative to be a real autobiography. It stands up like a book that is difficult to follow at times. The chapters, sections and parts are ordered in succession but they do not build a line, a road, a way, a vista. They are imploded one into the other and we get exploded out into some fantasy or boredom.

Dr Jacques COULARDEAU, Université Paris Dauphine, Université Paris I Panthéon Sorbonne
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Not his best work, October 9, 2003
By 
"bunyan1993" (Garden City S., N.Y. United States) - See all my reviews
This review is from: Crime Wave: Reportage and Fiction from the Underside of L.A. (Paperback)
As with another reviewer I am a huge Ellroy fan. I have read everything he has written. To be completely honest I did not like many of the sections in this book. The two stories dealing with the Hush Hush editor were forced and too filled with aliteration. While it was obviously Ellroy's intent to write the stories as Gretchell would have done in his magazine, the style crippled Ellroy's talent. In short by tyring to write like an annoying parasite, Ellroy created two annoying stories.
That being said, if you are an Ellroy fan buy it, Ellroy writting is like a certain sex act, even when it's bad it's still very good. If you have not read Ellroy before, pass this one by and start the L.A. saga books and by purchasing "The Black Dhalia"
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Inside This Book (learn more)
First Sentence:
The victim was a 24-year-old white female. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
youth accosts, payola probe, body dump, polygraph test
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Inmate Polete, Dick Contino, Linda Lansing, Sheriff's Homicide, Andy Prine, Los Angeles, Bad Bob, Bill Scales, Bill Stoner, Baldwin Park, Beverly Hills, Swarthy Man, Durfee Drugs, Jack Webb, Ben Luboff, Don Jordan, Pedro Pimentel, Flash Flood, Harvey Glatman, Joi Lansing, Bud Bedford, Danny Getchell, Desert Inn, Ida Lupino, Johnny Stompanato
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