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Most Helpful Customer Reviews
20 of 21 people found the following review helpful:
1.0 out of 5 stars
rubbish!,
By A Customer
This review is from: The Crimes of Charlotte Bronte: The Secrets of a Mysterious Family : A Novel (Hardcover)
I could somehow manage to read this book! I laughed at the too-much simple characterization of Bronte sisters: Charlotte the Evil, Emily the Good and Anne the Obscure. First of all, I was confused with the contradictory characters. Emily, who "loved all living creatures", could pass Nicholls' murder of her brother in silence. Nicholls was so ambitious that he would not marry a daughter of a mere country rector, but at last he was much satisfied to be a farmer in Ireland. This is a part of the contradictions. There are much more contradictions in this novel I do not wish to pass. This writer says that all Bronte works largely depend on Nicholls (who wrote only blunt letters in his life). What an absurd idea! I desperately wish this story could have a little more attractive ,either good or bad, characters and a little bit thrilling plot, not quite boring one! This novel taught me that one cannot make a pulling story, only with the name of famous people.
17 of 18 people found the following review helpful:
1.0 out of 5 stars
Bad evidence, bad writing,
By Minsma (Los Angeles, CA United States) - See all my reviews
This review is from: The Crimes of Charlotte Bronte (Paperback)
James Tully dedicates his book, "Para mi querida J...--who I met when she was but seventeen and have loved deeply for some fifty years." Despite the sentimentality of this dedication, the book itself is deeply misogynistic. All the women are silly, devious, or both; gossipy, snoopy, ridiculously docile, and melting in the snares of a handsome man to commit atrocities--or else shrewish enough to drive him to murder. And worse--they are plagiarists! Tully would have us believe the Bronte sisters stole the work of poor, doomed, haunted brother Branwell, passed it off as their own, and then blackened Branwell's sainted name. Tully's evidence for this? The testimony of a couple of Branwell's pub cronies many years after the fact and when all the Brontes were safely dead. It is typical of the kind of "evidence" Tully provides to support his wild conjectures throughout the book. Smarmy remarks like, "Now, I am a mere male, but..." also do not help Tully make his case. All this would probably be acceptable--controversy is the meat of literature, after all--if the "novel" was at least well written. It is, in fact, woefully bad--the narrative is flat, repetitive, indirect, while the characterizations are paper thin or stereotyped. Worst of all, each chapter consists of a supposed deposition from Bronte maid Martha Brown followed by commentary from a present-day investigator. This structure seriously bogs down the flow of the story and repeats the material just reviewed by Martha to tedious effect. I suspect the information provided by the present-day investigator, an ill-defined solicitor character, is simply a dumping ground for the nonfiction book Tully wanted to write (by his own admission) and couldn't sell because the case he presented for the Bronte "crimes" was so meager, thereby making his wild conclusions laughable. Unfortunately, there is nothing laughable about this novel--it is so bad it doesn't even inspire true irony.
21 of 24 people found the following review helpful:
1.0 out of 5 stars
1 star is too many for this book,
This review is from: The Crimes of Charlotte Bronte: The Secrets of a Mysterious Family : A Novel (Hardcover)
This "novel" (warning: about to give the "plot" away) purports to be based on a diary of the Bronte family's servant, Martha Brown and is supposed to be the true account of how the Bronte sisters "mysteriously" died; supposedly, Arthur Bell Nichols (Mr. Bronte's curate, who after a long courtship married Charlotte) and Charlotte colluded in poisoning Emily and Anne, and then Nichols finished off Charlotte in a like manner. The "diary" portions of the story are interspersed with commentary and/or narrative by an attorney, Charles Coutts, who is supposed to have found the diary sometime after WWII. As a novel, it is pretty pale. The author does not even attempt to give Martha Brown an authentic-sounding voice, and the attorney's role is to reinterpret the standard Bronte biography in terms of the new "facts" Martha Brown reveals - for example, that Nichols got Emily pregnant and that was why he had to do her in. As a re-interpretation of the Bronte sisters' well-known biography, this book is irresponsible, unconvincing, and disgusting. Most people who have written about the Brontes have revealed that these lives were marked by staggering loneliness, depression, illness, and bereavement - along with remarkable creativity, piety, devotion to family, and sense of duty. The author of this book (deservedly obscure) apparently has no respect either for suffering, or the ability to transcend suffering.
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