Review
Few people within the mainstream American culture even know the Assyrian people still exist. Fewer know anything about the Genocide perpetrated against them. Almost three million Assyrian, Armenian and Greek Christians were murdered by the Islamic Ottoman Turks during World War I because of their ethnicity and faith. The Crimson Field assigns faces and names to the victims of this dreadful chapter of history. It captures the plight of an Assyrian girl, helplessly caught up in the turmoil of her surroundings. Malek-Yonan's work shines a terrible light on an overlooked study of Islamic violence during the 20th Century. It is a must read for any person interested in learning about the personal cost of Islamic Jihad. --Lee Enokian,The Times (Northwest Indiana) and The Illinois Leader
Upon seizing Jerusalem in 1799, the future French Emperor Napoleon was said to have been struck by the sight of pious Jews shedding tears beside the Wailing Wall. Still further struck when informed that the Temple above the Wall had been ruined over 17 centuries before, he could not but exclaim in amazement: And they are still weeping! So are the Assyrians, who have a Wailing Wall of their own after being expelled from their historical motherland in 1918. This is Urmia, the focus of their 19th century efforts to revive the Assyrian culture and regain nationhood. Losing it caused a similar frustration to the loss of Nineveh 25 centuries earlier. A bleeding wound in the national psyche that ensued is best compared to a lesion in the heart from a severe life-threatening attack. It badly hurts and will continue so in many more generations of the Assyrian people. The dispersal of the Jews is part of common knowledge. The 20th century flight and subsequent dispersal of the Assyrians are largely to the Assyrians themselves. Being untold and unexplained, this tragedy is all the more hurtful, creating the feeling of desperation and no way forward for them. This tragic feeling pulsates in "The Crimson Field" by Ms. Rosie Malek-Yonan. A composer, a pianist, a film and stage actress, and a gifted writer, so talented a person is the best imaginable mouthpiece for this feeling. She expresses it so intelligently, caringly and tactfully, that an image arises of a suffering nation that gradually overcomes a tragedy in its recent past with wisdom and spiritual fortitude. The plot is centered on the family history of an Assyrian woman named Maghdleta. This history unfolds as part of the recent history of the entire Assyrian people. All major events with the Assyrians in the 20th century are reconstructed with scientific precision and in places they almost give the novel the feel of a documentary. Overarching everything are marvelous love stories of rare psychological elaboration and artistic quality. They are a golden find in the novel. Mastership of music enables the author to provide precise emotional and psychological guidance for the reader, setting fine tonal guidelines for each passage in her book. Characters from four generations of women are in the spotlight, Pari, Maghdleta, Maghdleta's daughters and Maghdleta's granddaughters. The main supporting characters (such as Soeur Marie, Zahra Khanoom, Shakar and Madam Gaudin), too, are all women. This feminine prevalence in the book creates overwhelming passion and emotion which keep the reader riveted. Emotional poignancy in the novel comes to its peak in a small girl named Fibronia. Her tragic story reasserts the old maxim that the treasures of the entire world cannot redeem a single tear of a weeping child. Last, but by no means least, the author treats her complicated and multifaceted subject in ways and terms that are easily comprehensible and quite simple. My everyday tongue is Russian, but, unexpectedly and I am never tired of thanking God for this I easily read "The Crimson Field" in its original language, English. Moreover, I read it on a single breath. Ms. Rosie Malek-Yonan succeeded in winning what writing is actually for, emotional and intellectual involvement by the reader. --Professor S.G. Osipov, MD, PhD, DSc, Moscow, Russia
I have completed reading your wonderful historical novel, The Crimson Field. It is, in my opinion, truly a fine piece of writing, and I congradulate you. You have done a great service to the Assyrian people and to humanity in general by recording the terrible tragedy that befell the Assyrian people in the early 20th century. --Prof. Dwight Simpson, Professor of International Relations, San Francisco State University, California
About the Author
Assyrian author Rosie Malek-Yonan is a classically trained composer, pianist, actor, director, writer, and documentary filmmaker. She has appeared in numerous notable television shows, films and stage plays appearing opposite many of Hollywood's leading actors. Most recently, she played the role of Nuru Il-Ebrahim, opposite Reese Whitherspoon in New Line Cinema's "Rendition" directed by Oscar winning director, Gavin Hood which will be released late 2007. She is an outspoken advocate of issues concerning Assyrians, in particular bringing attention to the Assyrian Genocide and the plight of today's Assyrians in Iraq since the U.S. lead invasion of Iraq in 2003. When "The Crimson Field" was brought to the attention of Washington insiders, on June 30, 2006, the author was invited to testify on Capitol Hill before a Congressional Committee of the 109th Congress on religious freedom regarding the genocide, massacres and persecution of Assyrian Christians in Iraq. She also serves on the Board of Advisors at Seyfo Center in Holland that deals exclusively with Assyrian Genocide matters.