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Cripple Crow

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Song Title Time Price
listen  1. Now That I Know 4:53$0.99  Buy MP3 
listen  2. Santa Maria De Feira 4:35$0.99  Buy MP3 
listen  3. Heard Somebody Say 3:20$0.99  Buy MP3 
listen  4. Long Haired Child 3:45$0.99  Buy MP3 
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listen  6. Quedate Luna 3:07$0.99  Buy MP3 
listen  7. Queen Bee 2:44$0.99  Buy MP3 
listen  8. I Feel Just Like A Child 4:46$0.99  Buy MP3 
listen  9. Some People Ride The Wave 2:27$0.99  Buy MP3 
listen10. The Beatles 1:44$0.99  Buy MP3 
listen11. Dragonflys0:59$0.99  Buy MP3 
listen12. Cripple Crow 5:58$0.99  Buy MP3 
listen13. Inaniel 3:43$0.99  Buy MP3 
listen14. Hey Mama Wolf 3:52$0.99  Buy MP3 
listen15. How's About Tellin A Story 1:21$0.99  Buy MP3 
listen16. Chinese Children 5:17$0.99  Buy MP3 
listen17. Sawkill River 1:52$0.99  Buy MP3 
listen18. I Love That Man 2:27$0.99  Buy MP3 
listen19. Luna De Margarita 2:07$0.99  Buy MP3 
listen20. Korean Dogwood 4:02$0.99  Buy MP3 
listen21. Little Boys 5:20$0.99  Buy MP3 
listen22. Canela 1:55$0.99  Buy MP3 

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For his Nonesuch debut, Devendra Banhart chose the title Mala, literally the Serbian word for “small,” but used colloquially in Eastern Europe as a term of endearment—“like sweetie pie,” Banhart explains. It was a placeholder during most of the recording, a working title offhandedly inspired by a ring his fiancée, the Serbian photographer and artist Ana ... Read more in Amazon's Devendra Banhart Store

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Product Details

  • Audio CD (September 13, 2005)
  • Original Release Date: 2005
  • Number of Discs: 1
  • Label: Xl Recordings
  • ASIN: B000A78Z82
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #141,071 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

This is his fourth studio album and first in the US through XL Recordings. Devendra exploded on the international music scene three years ago, quickly accumulating devoted fans as well as an unusually hefty amount of critical kudos with his debut and subsequent releases. "There's something about Banhart's muse that defies words and logic, something to these songs that hints at a deeper connection to the cosmos than most of us share. Jeff Buckley might have had that gift; John Lennon and Van Morrison certainly did. Add to that list Devendra Banhart, an astonishing talent whose future work promises to bring us to exciting new places" - Harp Magazine. "...it's Banhart's gift for melody that ultimately carries the day, littering the album with slyly entrancing tunes that recall the pleasure of old campfire songs. It's enough to cure even a hardened cynic" - Blender. 2005.


Devendra Banhart's fourth album is his most pretty and accessible. It's lush, warm, and inviting. It's likely to make the uber-talented singer-songwriter new fans; unfortunately, it's just as likely to cost him a few old ones. The man is clearly a complex individual capable of visionary music that causes the listener to question many things, including whether or not the artist is putting him or her "on." As the moment-defining, awesome, and potentially self-parodic cover image implies, Mr. Banhart went to great lengths to enshroud himself with some of his most talented friends: Adam Forkner of White Rainbow, Andy Cabic of Vetiver, the free-folk band Feathers, and producer Thom Monahan among them. But this is no freak-fest; the album is subdued, and very much on an early ‘70s tip. Recorded at Bearsville near Woodstock, NY, there are touches of Gilberto Gil,! George Harrison, Donovan, T. Rex, Randy Newman and Bobby Charles.

The only thing missing is Devendra himself, to be perfectly honest. The man's a fabulous mimic, as is amply demonstrated throughout this expensive retro exercise. But Devendra's trilled and affected vocal delivery, gorgeously minimalist accompaniment and eccentric recording methods have all been toned down, or jettisoned entirely. As anyone who's seen him live is full aware, the man's capable of much more than his albums reveal, including Afro-funk jams. The finest songs on the sprawling Cripple–which is a fine album, to be sure--are the most simple and direct; "Hey Mama Wolf," for instance, is gorgeous, as are all the songs sung in Spanish. More than one song here is explicitly anti-war, making more than musical connections to the Vietnam era, as well as the present, of course: "I heard somebody say that the war ended today/ It's simple, we don't want to kill."Amen to that. –- James Conde

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

30 of 33 people found the following review helpful By Juan Mobili on September 24, 2005
Format: Audio CD
There's plenty that has been said about Devendra's gifts -the praise being quite deserved- yet when it comes to Cripple Crow being some sort of step back in his musical development, I believe its critics are being a bit too harsh.

As far as I'm concerned, all comparisons aside, the material here belongs with and should meet the expectations of those who have been deeply impressed by his prior output. Banhart's mature musical vision is, specially considering how young he is and how adventurous he remains when it comes to writing new songs, nothing less than remarkable.

Before I ever heard this album, some people whom I know and respect warned me that I may find it boring or disappointing. Well, that has not been the case for me, you may find Cripple Crow less obscure, more accessible than prior albums but this is not to say that this guy has even come close to "selling out" or "losing his touch."
The fact that these songs may hit you immediately or have you under their spell at first listening, should not be a reason to criticize them. After all, "accessible" should not be an indictment on Banhart, and songs like "Now That I Know," "I Feel Just Like A Child," or "Hey Mama Wolf" definitely belong to the same imagination and mischief present in prior albums.

If you are looking for proof of breadth -something this album's critics said it lacked- just gather "Luna De Margarita," "Chinese Children," "Korean Dogwood" and "Little Boys," and you may recognize the kind of adventurous musical range that alternative Folk has not seen since the Incredible String Band.

In addition to those, I'd like to mention the few he sings in Spanish.
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19 of 20 people found the following review helpful By Nicholas Soucy on December 30, 2005
Format: Audio CD
Some of you might already know this, but I didn't read any mention of it in the other reviews. There is a separate or "hidden" track that is about 8 minutes long called "White Reggae Troll/Africa". So, actually, this album has 23 tracks. I think this track's title further identifies the subtle Reggae influences, infused with folk, rock, alternative, bluegrass and other genres that amalgamate into the entirety of Cripple Crow.

Banhart is an excellent neo-folk talent whom I first heard on Antony and the Johnson's "I Am a Bird Now" album. The tracks are musically and lyrically diverse, performed in both Spanish and English, united by a calm, earthy undertone that is pleasant like Iron and Wine (though comfortably distinct). Though these tracks are largely mellow, it grooves with enough soul to keep the listener from falling asleep.

The music has an indigenous quality to it; I'm using that term a little loosely. It just makes me think of the music that the aboriginal musicians would be making today if most of them hadn't been killed off.

Cripple Crow will make a superb addition to your collection. The album offers a nice balance of longer songs interspersed with shorter ones, which comprise about 80 minutes worth of fun, contemplative and poetic tunes to keep your heart at peace.

I rate this album at 4.2 stars. It improves after several listens, like Nick Drake albums did for me.
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9 of 9 people found the following review helpful By B. A Riesgraf on January 6, 2007
Format: Audio CD
Devendra Banhart is among the artists who were tagged as being part of the neo-folk revival that was all over the independent music press a few years ago. Thankfully, "freak folk" is much less of a buzz word right now, so anyone finding this music for the first time is most likely curious because they have a genuine interest, rather than because of some external pressure.

That having been said, Cripple Crow is a great album by a great artist and I would strongly recommend it to anyone new to Devendra Banhart. There's more emphasis on fun, catchy tunes and an easy-going hippie aesthetic here than on some of his earlier albums (tropicalia is a big influence) - more variety, too. In some ways, that detracts from the music's ability to draw the listener in, but it also makes Cripple Crow a joy to hear over and over again. In fact, I've enjoyed this album more and more on successive listens, a phenomenon that I don't often experience.

And the songs are really wonderful - I tend to listen to Cripple Crow for individual songs rather than as a cohesive whole. "Now that I Know", "Santa Maria de la Feira", "Heard Somebody Say", "Quedate Luna", "I Feel Just like A Child", "Dragonflies", "Cripple Crow", "Hey Mama Wolf", "Little Boys", and "Anchor" are all highlights. Buy it, try it, give it a chance.
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11 of 14 people found the following review helpful By F. Beal on October 1, 2005
Format: Audio CD
I recently bought a slew of new albums, this being one of about five. And among that rainfall of music, this one stands out as the clear winner. Devendra first piqued my curiosity with Nino Rojo-and while I love that record, it was definitely a mood piece-something to put on in the middle of a very quiet night alone. I didn't want anyone else to hear it. Cripple Crow is like the lovely Sunday morning after that long dark winter night. The first comparison that comes up is something along the lines of George Harrison's great sprawling post-Beatles work. But I never felt like I could claim that music as my own in the way I can with Devendra.

Now lest you think I'm some hirsute hippy making daisy chains and soaking in patchouli, I am a huge Melvins fan and vehement post-hippy (I can't really call myself anti- as I went to school in Santa Cruz and I have some hippies in my family). Devendra goes above and beyond any labels as quaint as "freak folk" or "hippy". He's just making great music.

The sound of Cripple Crow is open and warm. It's like being invited to a big late summer feast at Devendra's house. It goes well with wine. It sounds like September. It needs to be played over and over again (I'm trying not to wear it out). And his Spanish-sung tunes are just fantastic: a little bit of Caetano, a little Gilberto Gil, with that same childlike warbly Devendra voice.

Buy it now!!!
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