Crises [Original recording reissued, Original recording remastered]

Mike Oldfield | Format: Audio CD

Product Details

• Audio CD (August 15, 2000)
• Original Release Date: 1983
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Blue Plate Caroline
• ASIN: B000000I0D
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (28 customer reviews)
• Amazon Best Sellers Rank: #106,564 in Music (See Top 100 in Music)

Track Listings

1. Crisis

2. Moonlight Shadow

3. In High Places

4. Foreign Affair

5. Taurus 3

6. Shadow on the Wall

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars Best work by Oldfield in the eighties, June 10, 2001

By 

John Peter O'connor - See all my reviews
(REAL NAME)   

This review is from: Crises (Audio CD)

Crises is my favourite of Mike Oldfield's eighties CDs. As with its direct predecessor, it contains one long piece which took up the whole of the first side of the original vinyl and a set of shorter tracks, five in this case, on the second side. The shorter songs on the earlier albums were often a lot weaker than the longer pieces. Partly that was because Oldfield's musical style was not transferring well to shorter pieces but also, the lyrics were often quite dire.

Experience clearly helped a lot but also collaboration with other musicians. On Crises, the most notable name is Jon Anderson of Yes who is creditied with lyrics and vocals on one song "In High Places" which really sounds as though it could have come from a contemporary Yes album.

The opening track, "Crises" is classic Oldfield music and in places harks back to his first album "Tubular Bells" so fans will reconise the motifs and see how he takes them forwards in a more rock based style.

Moonlight Shadow is Oldfield's finest short song. The great lyrics of this dark lament really give Maggie Reilly a proper showcase for her fine voice. Also, on this track we get to find out that Oldfield really can play a proper blues style guitar sole. It's one of those songs that everyone has heard which stays with you for a long time.

This is probably the best introduction to Oldfield's later output for anyone who knows him only as the "Tubular Bells" man.

7 of 8 people found the following review helpful:

3.0 out of 5 stars Rediscovering, April 18, 2003

By 

Mike Chadwick (Gdynia,Poland) - See all my reviews

This review is from: Crises (Audio CD)

About two weeks ago i listened once again to "Crises" and i found it not as bad as after buying...i have rediscovered it as a CD with some really great moments,the title track simply growes ojn you after many listenings...
ok, here are my impressions about all tracks...

1)"CRISES" - about 21 minutes long suite. Starts with a soft theme played by a synth and tubular bells.
after it we have a two small guitar based themes.the second one has even a loops of car engine sound and ambulance...
Later it grows in more and more energetic and full of agressive guitars title song (Mike sings as a main vocalist in this suite).
The title song is an angry anthem, where mike roars "Crises, crises!!! you can't get away...". it is a really great moment of this album.Guitar work is impressive...
Later on the atmosphere changes with "The watcher and the tower" song. It is a gentle and pathetic track with wonderfull vocals and beautifull guitar...the drums are rythmic and are a solid back-up for a melody...
"watcher and the tower" fades into a quiet variation of beginning theme...This is the most beautifull moment from here,and worth af buying whole album...Gentle synth and bass and a fantastic guitar solo...
Then the coda of "Crises" beggins...Coda is a synth variation of one of the themes from here...And this is where the suite gets boring.The loud and almost 8 minutes long ending is repetative and irritating...Even the "ommadawn" styled ending (tribal srums and female vocals) are not makling it better...
and so this suite should end after 12 minutes, not after 20...
3,5/4

2)"Moonlight shadow" - the most well-known and biggest hit ever of Mike Oldfield. I think that every person in the world heard it at least one time in lifetime...It's a nice acoutic guitar based track, with sweet vocals by Maggie reilly...sounds a bit like Fleetwod Mac songs.The guitar solo is the best one that Mike ever played.listen to this solo and you will know why he is such a genius.
5/5

3)"In high places" - A great colaboration with Jon Anderson (Yes singer). simple but very catchy song about flying.extremly cool melody. Synths and Vibraphone parts are remarkable.wonderfull.
5/5

4)"Forreign affair" - another hit single. monnotonic song based on one repetative chorus.Could be a Typical eighties pop but Mike made it kind of Mantra song...very hypnotising track...but although it is interesting it is a little bit boring.
4/5

5) "Taurus III" - third part of Taurus trilogy.A flamenco styled song but nothing special.Classical guitars are very irritating.it is a filler.just skip it
2/5

6."Shadow one the wall" - Energetic Rocker...memorable vocals by Roger Chapman...the most energetic song from here.i love almost everything about it.from the bass line to hidden banjo...
sadly the version that is here is the edit of original track that appears on "Elements" and "the complete" compilations...get the longer and original version!!!!!
3,75/5

In the end- this album is maybe not hte worster Mike 's album, but it is not his best either...there are brilliant moments on here and whole album is a classic but beside "Earth moving" it is the weakest eighties Cd of Oldfield...go and buy "QE2" of "five Miles out"!!! well, you can check "crises" too but do not expect his genius at full on here...

3 of 3 people found the following review helpful:

5.0 out of 5 stars One of the best Oldfield recordings ever!, September 16, 2002

By 

Clifford Bunten (Sydney, Australia) - See all my reviews

This review is from: Crises (Audio CD)

My first Oldfield album was a copy of Tubular Bells, given to me in 1981 as a leaving present from my classmates in North England as I left for a new life in Australia.
I was thirteen at the time and thought the best thing about the album was that one man had played every instrument on it.
There was something about the music, and perhaps something about the timing of it that made me feel like I had my own piece of England with me whenever I listened to it.
A few years later and I was buying my own albums and it was then I discovered Crises.
This was Mike Oldefield ten years after Tubular Bells and WOW! What a transformation. At that point I had not heard all of the albums in-between Tubular Bells and Crises, so for me it was almost hard to believe it was the same artist. Except of course for that distinctive Oldfield "slightly distorted guitar" sound.
I haven't yet heard all of Oldfield's work, but to date it is probably his darkest and most pure rock based release.

Listening to the title track with headphones is a musical must for any fan of great music, but especially fan's of synthesised new age rock.
Oldfield's ability to make sound dance through the stereo spectrum and provide the listener with tiny details of sound make this an almost hypnotic experience. The climax of this track is akin to the exquisite construction of a Beethoven symphony as he builds layer upon layer of sound all the while increasing the rumbling of the bass drums and acoustic guitars to an almost deafining roar. So if you do decide to go with the earphones - keep the volume control within reach!
The rest of the album includes a brilliant display of Oldfield's flamenco guitar skills with the track Taurus III, a song called "Moonlight Shadow" that made it to the charts in the UK and Australia which shows how Oldfield could have easily gone down the "pop song writer" track. This track is claimed on some web sites to be a tribute to the late John Lennon, but I've yet to see any official confirmation of that. The vocal talents of Maggie Riley are put to very good use on Moonlight Shadow and "Foreign Affair" and the final track "Shadow on the Wall" could have been a respectable addition to just about any UK rock bands repertoire.
If you're already an Oldfield fan and you don't have this - go and get it. If you're not yet familiar with his work, then listen to it, it won't be the last Oldfield CD you buy.
I've just replaced it after my Vinyl copy finally died. I hadn't listened to it in over ten years and now I'm driving my wife crazy with it all over again.