Crisis On Infinite Earths [Paperback]

Marv Wolfman (Author), George Perez (Author)

Book Description

Series: Crisis on Infinite Earths | Publication Date: January 1, 2001

The 'event' storyline that started it all - collected for the first time! Back in 1985, when huge multi-part crossovers and 'event' storylines were unheard of, Crisis on Infinite Earths rocked comicdom with a literally Earth-shattering epic that impacted on every character in the DC Universe and beyond. Realities were turned inside and out and classic heroes met fearful deaths. It was the end and beginning of the DC Universe, and now at last it can be seen again, collected in all its glory for the first time. Superman, Batman, Wonder Woman, the Flash, Supergirl and a host of other heroes and villains must face a threat from an anti-matter universe, a foe intent on wiping out Earth again and again, in all its alternate froms. Battles and sagas come no bigger than this!

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

About the Author

Marv Wolfman is the former Editor-In-Chief of Marvel Comics. He is a longtime comic writer who had long runs on Tomb of Dracula for Marvel, which is where Blade the Vampire Hunter made his first appearance and New Teen Titans for DC Comics. Blade was later adapted to film form with Wesley Snipes in the starring role. Wrote the landmark DC Comic series Crisis on Infinite Earths. Created the character 'Bullseye' for Daredevil comics. Created the current iteration of Robin (Robin III/Tim Drake) for DC comics. The character has remained popular for nearly twenty years and has its own self-titled long-running series

Product Details

• Paperback: 368 pages
• Publisher: DC Comics; Reprint edition (January 1, 2001)
• Language: English
• ISBN-10: 1563897504
• ISBN-13: 978-1563897504
• Product Dimensions: 6.6 x 0.7 x 10.2 inches
• Shipping Weight: 1.9 pounds (View shipping rates and policies)
• Average Customer Review: 3.4 out of 5 stars  See all reviews (88 customer reviews)
• Amazon Best Sellers Rank: #16,673 in Books (See Top 100 in Books)
  • #25 in Books > Comics & Graphic Novels > Graphic Novels > Science Fiction
  • #63 in Books > Comics & Graphic Novels > Publishers > DC Comics
  • #83 in Books > Comics & Graphic Novels > Graphic Novels > Superheroes

Customer Reviews

Most Helpful Customer Reviews

81 of 88 people found the following review helpful:

5.0 out of 5 stars A VERY IMPORTANT WORK AND FUN TO READ TOO!!!, November 29, 2002

By 

TheIntruder - See all my reviews

This review is from: Crisis On Infinite Earths (Paperback)

You can't talk about the DC Universe with anyone without referring to post-Crisis and pre-Crisis events.For these reasons alone, any DC Comics fan has to read the brilliant Crisis on Infinite Earths by Marv Wolfan and George Perez. It is also unique in that it chronicles the deaths of several DC characters, most of whome have since remained dead. These include the deaths of Kara (the original Supergirl) and Barry Allen (the silver age Flash, who was the main Flash character for almost 30 years). These are some of the best deaths ever written in comics, especially the Flash's horific death against the story's antagonist the Anti-Monitor.
The Crisis is a massive, ambitious project which DC undertook in 1985 to simplify the DC Multiverse and turn it into a universe. The multiverse was too confusing with different versions of the same characters living in different parralel universes. The end result wasa single coherent universe in which different universes were merged into one. So it is obviously a very important story.
But that's not all because it also holds its own as a story. The Monitor is in a mission to save the positive universe from being devoured by the negative universe, ruled by the Anti-monitor. To do this, he gathers key heroes and villains from both the positive nad negative unverses to stop this.
The end result, as the advertisements of the time said, world lived, world died, but the unverse was never hte same again.
Like, say Lord of the Rings, Crisis has a main antagonist but does not seem to have a main character. In the beginning it seems that perhaps the Monitor and his helper the Harbinger are the main characters but at some points the focus shifts on other characters. There are literally hundreds of characters making appearances in this story and this is one of the things I like about it. In addition to the superheroes you would expect to see, characters like Swamp Thing, John Constantine, Jonah Hex, The Demon, Sgt Rock, Enemy Ace, Vandal Savage, Sam Simeon, Tomahawk, Johnny Double and others make appearances.
Although there are dozens of comics that crossover with the main Crisis story, its not necessary to read all of them to get the main storyline, which is good.
Unfortunately it seems that Crisi opened a Pandora's Box of crossover events, which now seem to be an almost annual occurance. Some have been good, such as Legends and Zero Hour, but others we could have done without (The Final Night for example).
A final note on the art. It is simply brilliant. Very few artists could have pulled this story off and I can't think ofanyone better than Perez. He is so good at drawing dozens of characters in single panels. He has an average about 10 or 11 panels on every page which makes for good storytelling, ideal for such a complex tale. In one page I counted 18 panels!!!
I bought the hardcover edition of this book... and I can tell you it was worth every cent. Its such a complex story that you can read it again every six months or a year and it still seems fresh because there is no way you can possibly remember all its intracacies. For me its best on the third reading.
There is also a brilliant cover by Alex Ross. Sometimes I like to just take out the book and pass time just by looking at the cover and trying to identify as many characters as I can.

41 of 43 people found the following review helpful:

5.0 out of 5 stars part of comics history, but not for the casual reader, September 18, 2004

By 

Ted Blanton (Baltimore, MD) - See all my reviews

This review is from: Crisis On Infinite Earths (Paperback)

How is it possible to review this graphic novel objectively? People seem to either love it or hate it. And both with good reason. It was a story 50 years in the making that still has major ramifications, both positive and negative, for comics today.

Longtime comicbook readers feel that they need "continuity" in the stories they read. Continuity is the idea that a fictional universe, such as the one in which DC's superhero comics take place, operates with a certain logic and is internally consistent. By 1961, however, DC was having trouble with continuity. How could they explain that, twenty years ago, Batman and Robin were fighting Nazis and hanging out with FDR, while in the present they were fighting Commies and hanging out with JFK ... but Robin was still only a teenager???

Since DC's WW2 stories were too fondly remembered to just be ignored, the editors decided that they all took place in an alternate universe, dubbed Earth-2. The present-day DC heroes lived on Earth-1 and were a good deal younger than their Earth-2 counterparts, not having debuted until after WW2. Every year Earth-1's Justice League teamed up with Earth-2's Justice Society, whose Robin was an adult, whose Superman had grey hair, etc., etc.

By the early 1980s, DC decided that the multiplicity of Earths-- of Supermen, Batmen, and Wonder Women--was hurting the company's ability to attract new readers. The DC universes needed to be simplified into a single universe and duplicate characters eliminated. This move has remained controversial ever since, but I maintain that it was the right thing to do, because I only became a DC reader in the aftermath of CRISIS.

When I was growing up, my first knowledge of superheroes came through Saturday morning cartoons, namely Superfriends and Spider-Man. The first comic book I ever bought was a pre-Crisis JLA/JSA teamup. It was confusing as hell because it didn't fit into the template I had picked up from Superfriends: Who was this grown-up Robin? Why did Superman have grey hair? And just what was going on in the WW2 flashbacks? Then I realized that, over at Marvel Comics, Spider-Man was the same guy I saw on TV. I realized that if I bought a Marvel comic, Spider-Man would always be Peter Parker from the cartoons and not some geezer from "Earth-P." Marvel was still a young company, without all of DC's editorial baggage. And so I said, "Make Mine Marvel!"

CRISIS came and went without much notice from my pre-adolescent eyes. So what if they killed Supergirl? Her movie sucked. Adult Robin died? Hey, he was never on "Challenge of the Superfriends," so how important could he be? The good thing about CRISIS was that it swept DC's creative playing field clean. If John Byrne had never written Superman, Frank Miller never revised Batman, and George Perez never graced Wonder Woman, the Marvel zombies of the world would still dismiss these characters as naive throwbacks. It was these titles that made me sit up and notice DC. I became a fan of DC's iconic characters. I dug up that JLA/JSA crossover, reread it, enjoyed it, and even bought more back issues of the '70s Earth-1/Earth-2 teamups.

So in that sense, CRISIS was a success. DC's late '80s relaunches brought new readers to the company and redefined their characters for a new generation. But the editorial staff never really made explicit what had and hadn't changed in the new post-Crisis universe, so contradictions started creeping in. Some writers decided to ignore the Crisis altogether. And now, 20 years later, the DC universe looks more convoluted than it did back in 1961. That means that CRISIS failed in its goal of revising continuity. Rather, it wrecked continuity so badly that DC's creators threw out the concept altogether.

So people who hate CRISIS can blame people like me--Generation X babies brainwashed by too many TV channels--for why DC thought the Crisis was necessary. But now I look through my back issue collection and see stories like "The Freedom Fighters of Earth-X! The Crime Syndicate of Earth-3! The Marvel Family of Earth-S!" and can understand the excitement that those tales must have caused when they first appeared. CRISIS is the last, greatest, and by far the saddest of those classic stories.

If DC's heroes have any resonance in your memory, whether pre- or post-Crisis, buy this book, read it, love it or hate it, and then put it on your shelf knowing that it's a piece of pop culture history.

21 of 21 people found the following review helpful:

5.0 out of 5 stars Important for DC history, but not a casual read, November 1, 2005

By 

Carl R. Knecht "Rialtus" (Upland, CA USA) - See all my reviews
(REAL NAME)   

This review is from: Crisis On Infinite Earths (Paperback)

There was a bit of chaos caused by Flash #123, way back in 1961. The events in that book -- with Jay Garrick and Barry Allen meeting each other for the first time -- spawned what would become known as the DC Multiverse. Some 24 years later, the multiverse and collected histories of the characters within the multiverse got very muddled and confusing. Which Superman was that? And does he know about the events happening on Earth-2?

From the business side of the comics industry, people were having a hard time joining in on comics, because of this confusion, along with almost 50 years of history that may be needed to understand some of the storylines. Because of all this, DC decided to do something. And with the 50 year anniversary looming in 1985, they decided to do something BIG.

This is the series that changed everything, and continues to impact the DC Universe twenty years later with Infinite Crisis. For that reason alone, don't expect to just casually pick this up and enjoy it like "Formerly Known as the Justice League". This is a book that is very involving, encompasing and changing some 50 years of history, and requires the reader's attention to be adequately enjoyed. But for those that want to see how a massive fictional history can be effectively rebooted, this is required reading. After all, characters have been referred to as pre-Crisis and post-Crisis for a reason.