Amazon.com: Critical Practice (New Accents) (9780416729504): Catherine Belsey: Books

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Critical Practice (New Accents)
 
 

Critical Practice (New Accents) [Paperback]

Catherine Belsey (Author)
3.8 out of 5 stars  See all reviews (4 customer reviews)


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Paperback, September 4, 1980 --  
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Book Description

September 4, 1980 0416729509 978-0416729504
What is poststructuralist theory, and what difference does it make to literary criticism? Where do we find the meaning of the text: in the author's head? in the reader's? Or do we, instead, make meaning in the practice of reading itself? If so, what part do our own values play in the process of interpretation? And what is the role of the text? Catherine Belsey considers these and other questions concerning the relations between human beings and language, readers and texts, writing and cultural politics. Assuming no prior knowledge of poststructuralism, Critical Practice guides the reader confidently through the maze of contemporary theory. It simply and lucidly explains the views of key figures such as Louis Althusser, Roland Barthes, Jacques Lacan and Jacques Derrida, and shows their theories at work in readings of familiar literary texts.
Critical Practice argues that theory matters, because it makes a difference to what we do when we read, opening up new possibilities for literary and cultural analysis. Poststructuralism, in conjunction with psychoanalysis and deconstruction, makes radical change to the way we read both a priority and a possibility.
With a new chapter, updated guidance on further reading and revisions throughout, this second edition of Critical Practice is the ideal guide to the present and future of literary studies.
--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

Review

`Catherine Belsey, in barely 150 pages of lucid text, blows forever (I hope) the myth of the impartiality of traditional 'lit crit' and puts to work the critical insights of the various disciples of Saussure - Barthes, Macheray, Lacan, Derrida- as well as --This text refers to the Kindle Edition edition.

About the Author

Catherine Belsey is Professor of English at Cardiff University, where she chairs the Centre for Critical and Cultural Theory. Her books include Desire: Love Stories in Western Culture and Shakespeare and the Loss of Eden. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 176 pages
  • Publisher: Methuen young books (September 4, 1980)
  • Language: English
  • ISBN-10: 0416729509
  • ISBN-13: 978-0416729504
  • Product Dimensions: 7.6 x 5 x 0.4 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #6,077,861 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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3 of 6 people found the following review helpful:
5.0 out of 5 stars Contradictory, but a highly valuable aid to literary criticism., April 16, 2009
I was advised this book during a conversation over a cup of coffee. In the conversation I was discussing how I had spent most of my life trying to become "free of society" by isolating myself from my familial, my cultural, my religious and even historical ties. The first thing my companion does is recommend two books: Critical Practice by Cathrine Belsey and Image-Music-Text. The reason, I think, was to make me aware of how completely immersed I am in culture, tradition, religion, etc, and how it predetermines the way I think or "criticize". These books made me extremely self-aware of that. The first book I read was Image-Music-Text, and I highly advise those who are looking to read Critical Practice read that book first. In Image-Music-Text I read this excerpt:

"All images are polysemous, they imply, underlying their signifiers, a 'floating chain' of signifieds, the reader able to choose some and ignore others. Polysemy poses a question of meaning and this question always come through as a dysfunction, even if this dysfunction is recuperated by society as a tragic or a poetic game; in cinema itself, traumatic images are bound up with an uncertainty concerning the meaning of objects or attitudes. Hence in every society various techniques are developed intended to fix the floating chain of signifieds in such a way as to counter the terror of uncertain signs." - Rhetoric of the Image, The Linguistic Message,Image-Music-Text - Roland Barthes

What I believe Critical Practice is trying to stop is "[the] various techniques developed [that are] intended to fix the floating chain of signifieds in such a way as to counter the terror of uncertain signs". The excerpt, in context, has very little to do with the methods suggested in Critical Practice. But it clearly specifies some of things the methods in Critical Practice are opposed to. Critical Practice asks that readers pull themselves outside of the cultural and historical context when they read and write, basically to find more authentic meaning and morality outside of the cultural and historical. The fear is, I suppose, that by not doing this a person's value system is predetermined by the system of semiotics in which he is immersed.

But, I must note the contradiction. The method suggested is also inside of it's own cultural, ideological, and historical context and suggests "a technique developed [that is] intended to fix the floating chain of signifieds." The difference is that it brings the reader face to face with a "terror of uncertain signs" and suggests that this is where meaning can be found and valued. I might be wrong, but this is the impression I got.

I highly recommend this book. I believe it makes one more self-aware of how influenced and (dare I say) predetermined his ideology is by his surrounding environment, culture, and history, but I do not recommend anyone take the technique too seriously. Men were made to place value in things, places, or ideas, and without these we have no value system period. The technique is one that is self-destructive if taken too seriously because it uproots our primary method of finding meaning. Consider the techniques and methods, but (I personally suggest) don't let them become overtly authoritative unless you desire to eradicate your value system (or your traditional morality).
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1 of 3 people found the following review helpful:
4.0 out of 5 stars A Book to Remember, February 22, 2009
Belsey gives a good introduction of what literary criticism should be. She blows out any other orthodox criticism and creates a new vision.
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0 of 2 people found the following review helpful:
5.0 out of 5 stars Great condition!, June 14, 2011
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The book came so quickly and besides a few words written in the pages, it's in great condition! Thank you!
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Inside This Book (learn more)
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First Sentence:
In David Lodge's novel, Changing Places, Philip Swallow finds, when he arrives as Visiting Professor of English at an American university, that he has been put down to teach a course on novel-writing. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
interrogative text, expressive realism, classic realism, new critical practice, existing social formation, classic realist text, expressive theory
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Critics, Sherlock Holmes, New Criticism, Paradise Lost, Bleak House, Northrop Frye, Roland Barthes, George Eliot, Jacques Lacan, Jane Eyre, Home Rule, Lady Eva, Sir Claude, Jules Verne, Saussure's Course, The Mill, The Winter's Tale, Wily Smith
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