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Critical Legal Studies (International Library of Essays in Law and Legal Theory) Hardcover – November 24, 1994


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Product Details

  • Series: International Library of Essays in Law and Legal Theory
  • Hardcover: 656 pages
  • Publisher: Dartmouth Publishing Co Ltd (November 24, 1994)
  • Language: English
  • ISBN-10: 1855212900
  • ISBN-13: 978-1855212909
  • Amazon Best Sellers Rank: #12,847,700 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain. Professor Boyle was one of the original Board Members of Creative Commons, which works to facilitate the free availability of art, scholarship, and cultural materials by developing innovative, machine-readable licenses that individuals and institutions can attach to their work. He served as a board member from 2002 until 2009, the last year as Chairman of the Board. He was also a co-founder of Science Commons, which aims to expand the Creative Commons mission into the realm of scientific and technical data, and ccLearn which worked to promote the development and use of open educational resources. He has served on the board of the Public Library of Science. In 2003 Professor Boyle won the World Technology Network Award for Law for his work on the public domain and the "second enclosure movement" that threatens it.  In 2010 he was awarded the Electronic Frontier Foundation's "Pioneer" Award and named as one of five expert advisors to the Hargreaves Review of Intellectual Property. He is the author of Shamans, Software and Spleens: Law and the Construction of the Information Society, and the editor of Critical Legal Studies, Collected Papers on the Public Domain and Cultural Environmentalism @ 10 (with Larry Lessig.) He has also written a distressing number of articles on intellectual property, internet regulation and legal theory both for scholarly journals and the popular press. His more recent books include Bound By Law, a co-authored "graphic novel" about the effects of intellectual property on documentary film, The Shakespeare Chronicles, a novel, and The Public Domain: Enclosing the Commons of the Mind. From 2005-2011 he wrote  an online column for the Financial Times. He is now working on a comic book called Theft!: A History of Music on musical borrowing and the forces that have tried to shape it. --This text refers to an out of print or unavailable edition of this title.

More About the Author

James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain. Professor Boyle was one of the original Board Members of Creative Commons, which works to facilitate the free availability of art, scholarship, and cultural materials by developing innovative, machine-readable licenses that individuals and institutions can attach to their work. He served as a board member from 2002 until 2009, the last year as Chairman of the Board. He was also a co-founder of Science Commons, which aims to expand the Creative Commons mission into the realm of scientific and technical data, and ccLearn which worked to promote the development and use of open educational resources. He has served on the board of the Public Library of Science. In 2003 Professor Boyle won the World Technology Network Award for Law for his work on the public domain and the "second enclosure movement" that threatens it. In 2010 he was awarded the Electronic Frontier Foundation's "Pioneer" Award and named as one of five expert advisors to the Hargreaves Review of Intellectual Property. He is the author of Shamans, Software and Spleens: Law and the Construction of the Information Society, and the editor of Critical Legal Studies, Collected Papers on the Public Domain and Cultural Environmentalism @ 10 (with Larry Lessig.) He has also written a distressing number of articles on intellectual property, internet regulation and legal theory both for scholarly journals and the popular press. His more recent books include Bound By Law, a co-authored "graphic novel" about the effects of intellectual property on documentary film, The Shakespeare Chronicles, a novel, and The Public Domain: Enclosing the Commons of the Mind. From 2005-2011 he wrote an online column for the Financial Times. He is now working on a comic book called Theft!: A History of Music on musical borrowing and the forces that have tried to shape it.

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