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The Crooked Path Journal Issue 1
 
 

The Crooked Path Journal Issue 1 [Kindle Edition]

Radomir Ristic , R. J. Thompson , Ann Finnin , Peter Paddon
3.8 out of 5 stars  See all reviews (4 customer reviews)

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Editorial Reviews

Product Description

Issue 1 of The Crooked Path Journal contains the following articles: Inside the Wicker Man - Peter Paddon The Origin of the Word "Witch" - R.J. Thompson
Witch's Ritual For Getting Rid of Evil Magic - "Ku Potula" - Radomir Ristic
Tapping the Bone - Peter Paddon
Morning - Hedgewizard
Usage of Animals and Animal Body Parts in Traditional Witchcraft - Radomir Ristic
Candlemas and the Land Ceremonies Charm R.J. Thompson
Cosmic Soup and the Mighty Dead - Peter Paddon
The Rite of Candlemas and the Land Ceremonies Charm R.J. Thompson
Blacksmith as Magus - Radomir Ristic
Celtic Nine Poems - Peter Paddon
As I Do Will It - Ann Finnin
Walking the Crooked Path - Peter Paddon
Turning The Hand of Fate - Raven Womack
Making a Traditional Witches' Besom - Peter Paddon

The Crooked Path Journal is a quarterly magazine for Traditional Witches, Cunningfolk and other practitioners of the Nameless Art.

Product Details

  • Format: Kindle Edition
  • File Size: 1157 KB
  • Print Length: 51 pages
  • Page Numbers Source ISBN: 0979616883
  • Simultaneous Device Usage: Unlimited
  • Publisher: Pendraig Publishing (June 3, 2009)
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B002C4KJV2
  • Text-to-Speech: Enabled
  • Lending: Enabled
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #425,414 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

4 Reviews
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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9 of 10 people found the following review helpful:
3.0 out of 5 stars Interesting, but..., June 23, 2008
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I think that readers should be aware that this is a magazine style publication and not really a paperback book as advertised. I wasn't aware of that when I ordered this item, and was disappointed when I opened the package. I felt a bit deceived. Also the magazine is very slim, and because of this I feel it's quite over-priced.

But, all that aside, in fairness I must say that the material is very interesting and is a worthwhile read. The magazine contains a variety of articles claiming to reflect traditional witchcraft. It was refreshing not to see yet another rehash of the same old thing.

Some of the articles in this magazine do appear to reveal elements of traditional witchcraft. The use of the skull and the inclusion of ancestral spirits is one example. The only weakeness in the articles is when a contributing author offers his or her personal opinion (as opposed to simply presenting older teachings). I found this to be hit and miss, particularly when addressing family traditions. But other than a few debatable positions in this regard, the articles appear to be generally sound.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars promising start for a new Traditional Witchcraft periodical, May 3, 2008
There are many magazines, books, and websites that cover Wiccan varieties of witchcraft, but precious few for traditional or non-Wiccan witchcraft. "The Crooked Path: A Journal of the Nameless Art" has done a good job helping fix that problem with this promising first issue of their new periodical.

It's not a theoretical magazine, although there is theory presented in the pages, but clearly produced by practitioners for practitioners. And with authors like Ann Finnin, Peter Paddon, R. J. Thompson, Radomir Ristic, and Raven Womack readers are sure to find a wealth of valuable information to absorb.

I look forward to upcoming issues and highly recommend "The Crooked Path Journal" to everyone, traditional or not, who is interested in modern witchcraft.
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3 of 5 people found the following review helpful:
2.0 out of 5 stars Nice, lite, D&D fun, February 18, 2009
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A nice but slender volume that mainly hints around at what the authors say is `traditional witchcraft'. From my 20 odd years following and studying a pagan path as both solitary, BTW, covneleader and the like it appears to be nothing more then modern Wicca with allot of name changes. Most of the information is simply a rehash of light ideas that Mr. Paddon talks about on his podcast, so if you have heard that then there really is nothing new here for you. There are ideas but no real practical substance to what to actually DO. An article deliciously and pulpish-ly called "Tapping the Bone" tells you that his groups work with ancestors.....and that's about it. Don't look for any actual working info here, but there are some fun and nifty ideas to put to use at Halloween.

There is an air of smugness to the work that can get a little irritating about several pieces. Mr. Paddon at one point in his broadcasts has spoken of the fact that Modern Wicca is just some guy's ideas dressed up in a cloak of fake history and that that modern wiccans should just say `Hey I got this idea while meditation let's see if it works' as opposed to saying that they got it from some ancient source, but he gets his tradition by meditating on his ancestors so that MUST be better. Soooo it's really a `hey I got this great idea while meditating lets see if it works' dressed up in a cloak of ancestor-hood on it and that makes it more valid then your path. It's like that older brother talking down at you saying "but if you still want to follow YOUR path that's fine but MINE came from my ancestors."

That's not to say that there is nothing of value here, but just take it as one would any modern author, with a pound of salt. If you like the ideas and more D&D gaming terminology then my all means use them, but don't think that you are reclaiming a lost tradition by doing it. It's simply modern wicca with different terms.
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More About the Author

Forty-some years ago, in 1964, I was born in Winchester, England, in the middle of a snowstorm - well, in a hospital in the middle of a snowstorm, actually. My parents were Dorothy, a Welsh lass from Plas Acton in Monmouthshire, and Victor, a former soldier of Norman ancestry by way of Scotland. Apparently my birth is still (anonymously) in some medical books, because my mother carried me for eleven months due to complications.

The family home at the time I was born was in a village called Bullford, and if it weren't for the copse of trees in the way, you could have seen Stonehenge from the house. When I was six months old, the family moved to the nearby village of Tidworth, about three miles away. I grew up very aware of Stonehenge; in those days it was not fenced in, and I remember maths lessons when I was seven or eight, measuring the stones that had fallen. I also remember sitting on the altar stone, daydreaming.

By the age of 12 (at which age we moved to the strange city of Milton Keynes), I was experimenting in the Occult myself. Having followed my father into the Mormon priesthood, I also discovered the books of Lobsang Rampa and Alice Bailey, and started to explore the world beyond the mundane. A year later, my sister introduced me to Dot Horspool, known as Madam Morgana, the White Witch of Buckinghamshire. For most of the year, I was away at boarding school, having won a very generous scholarship to the Duke of York's Royal Military School. This gave me the freedon to study Occult things without freaking my mother out. I stayed at the school until 1982.

Once out of school, I continued my search for esoteric wisdom, primarily exploring the Egyptian Mysteries. I looked long and hard for a group practising the Egyptian Mysteries, but never did find one. Instead, in 1983 I was introduced by a friend to Nigel Bourne and Seldiy Bates, who were HP and HPS of an Alexandrian coven, having trained alongside Janet and Stewart Farrar in the coven of Alex and Maxine Sanders. They accepted me as a student, and I began my first formal training in Alexandrian Wicca. When my friend left after a heated argument with Nigel and Seldiy, I followed out of misplaced loyalty - an act I will always regret.

In 1985, I married my first wife Jackie, and we began working with Madam Morgana, now married to Reg Griffith, who became Merlin, her HP. From them I received my second degree, and then in 1988 Jackie and I took our third degree, and started the coven Tuath Draco. It started with six members, but grew over the years, having at its peak over thirty members from all over the UK. Eight years later, Jackie and I ceased to be a couple, and the following year I moved to Los Angeles.

I met Linda, my present wife, while visiting friends in LA to escape the woes of my life in the UK, and when I finished my media degree, I returned to LA, and married Linda on October 4th, 1997. Linda was an initiate of the Roebuck, a 1734-derived coven/Tradition whose Magister and Mistress (Ann and Dave Finnin) had travelled to the UK on several occasions, and had received adoption into the Clan of Tubal Cain, the Tradition that had been headed by Robert Cochrane, who wrote the letters that form the basis of the 1734 Tradition in the US. They returned to Los Angeles as Magister and Mistress of the Clan in America. Linda was a member of the Clan of Tubal Cain, and in 1998, I was initiated into the Roebuck, though I never sought entrance to the Clan.

In 2000, during a Roebuck hiatus, Linda and I sought permission to work with another coven and tradition, which we were given. We trained and initiated in the tradition, finding ourselves very much at home with it, and eventually, after parting company with that original coven, we formed a group of our own, Briar Rose, which is not connected in any way with any of the traditions we have followed, though we still are immersed in the current we have been part of since 2000.

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