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20 of 23 people found the following review helpful:
5.0 out of 5 stars
The great read for the season, January 8, 2001
Don't let the description of the basic plot of this novel make you think in any way that it is derivative or ho-hum...the basic "boy from the wrong side of town" plot. It may seem to start there, but it is so much more by even just the first 25 pages. This novel does what I look for in a book: tells a unique story, creating a time and place, with characters which live. To this extent The Albany Trilogy by Wm Kennedy comes closest to a reference on the literary map. The historical setting of the start of the second half of the 20th century, Cleveland (of all places, but it works!) gives a window to America, baseball, emerging women's and race issues, social classes, politics, life lived then in full color rather than black and white. The real and true strength of the book though is in the mastery of language, playful and otherwise, astonishing, the explicit presence and voice of an author that is not intrusive to the story, but woven into the telling. Just as Lethem and Auster have their own unique voices and styles, so too does Winegardner. There are other novel coming out right now. I personally am looking forward to new Delillo, and another from Norton titled Death of Vishnu, Peter Carey's newest. None of them can be stronger than this one though.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
a masterpiece, November 1, 2003
By A Customer
I have a friend who used to run a big independent bookstore here who says this novel is the worst-promoted great novel he's ever seen. Word of mouth on this book was good (my bookseller friend says a lot of independent stores really loved it), and I guess in the end it did do fairly well. But his publisher seemed to think that no one outside of Cleveland would want to read this, which is really weird, espcially when you see how fellow rustbelt books THE CORRECTIONS and MIDDLESEX did. I like both those novels a lot, but CROOKED RIVER BURNING lacks the sophomoric lapses those books fall into from time to time and has a much bigger scope than either one. I think that the best American novels published in this century are those three, Michael Chabon's THE AMAZING ADVENTURES OF KAVALIER AND CLAY and Jonathan Lethem's THE FORTRESS OF SOLITUDE. They're all great and they deserve to be mentioned in the same breath. (They're all by writers who are about my age, too, for what that's worth.) Anyway, when Winegardner's sequel to THE GODFATHER comes out, he'll probably finally get his due Somewhere in the hereafter, I bet Mario Puzo is thrilled such a talent agreed to take on the "family" business!
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Don't have to be from Cleveland to Appreciate it, August 28, 2003
Aside from an airport connection in Cincinnati, I have never set foot in Ohio so I can confidently state that one need not hail from Cleveland, or be a Drew Carey fan, to appreciate this ambitious novel. I couldn't wait to get back to it every night, and thought Winegardner's ambitious tale brought the city to life in my eyes. The novel tells the story of Anne O'Connor and David Zielinsky, a mismatched couple from divurgent backgrounds who drift in and out of each other's lives over a long span of years. She is wealthy, daughter of a high-ranking politian, and a polished debuttante bored with the snobby rich boys she is expected to date. David, on the other hand, is politically ambitious, awkward, and the son of a colorful hard-drinking union man whose mother took off years earlier to Hollywood where she went chasing a movie career. The scenes in which David and Anne meet and get together at a vacation island in the lake, where David is visiting with his Aunt and Uncle, are wonderful and memorable. The story of David and Anne is compelling, but not what I really remember and enjoyed most about this novel. Instead, I remember details of the Sam Shephard murder case (David's uncle is an investigator hired by the defense team, and David works on the case for awhile). I also remember lengthy cameos by Alan Freed and his first rock n roll shows; the effort by the Cleveland Indians to integrate baseball (their African American player, Larry Doby, entered the league just after Jackie Robinson, the Dodgers' celebrated player who broke the color barrier);cameos by newscaster Dorothy Fuldheim and black mayor Carl Stokes, etc. I loved the description of Art Modell buying the Cleveland Browns, pushing Paul Brown out to pasture, and essentially guaranteeing a title in a "win now or else" mode a la George Steinbrenner and the Yankees years later. David is a huge music and sports fan, gets his feet wet in politics, and since Anne becomes a newswoman all of these historical figures and events are woven effortlessly into the plot. The only thing I disliked about the book, and it DID get annoying, was the frequest bizarre second person asides which the author inserted. In a chapter about a newscaster, for example, Winegardner would add footnotes indicating what the future holds in store for the character, as if the novelist were reading to the real-life Fuldheim and telling her what awards she would win, and when she would retire. I don't remember ever seeing anything like it in any other novels. Otherwise, I thought there was little to quibble about, and a lot to enjoy, in this grand novel. Winegardner's generosity of spirit, his ability to manage a large canvas, and his sharp dialogue will serve him well as he writes a sequel to Mario Puzo's The Godfather.
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