Cross

Justice | Format: Audio CD

Product Details

• Audio CD (July 10, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: Downtown/Ed Banger
• ASIN: B000QCUB8I
• Also Available in: Audio CD  |  Vinyl
• Average Customer Review: 4.3 out of 5 stars  See all reviews (47 customer reviews)
• Amazon Best Sellers Rank: #15,071 in Music (See Top 100 in Music)
  • #76 in Music > Dance & DJ > House

Track Listings

1. Genesis

2. Let There Be Light

3. D.A.N.C.E.

4. Newjack

5. Phantom

6. Phantom Pt II

7. Valentine

8. The Party

9. Dvno

10. Stress

11. Waters of Nazareth

12. One Minute to Midnight

Editorial Reviews

Amazon.com

Justice is the moniker of the Paris-based production duo Gaspard Augé and Xavier de Rosnay. Their approach to crazy-quilt dance-pop hybridism is infectious, if a tad off-putting here and there. The duo rose to fame due to an MP3 single and super smart video for the excellent, kiddy-chorused house-pop number "D.A.N.C.E." in 2007, and they soon thereafter signed to the suitably named label Banger. They manage to make really silly and fun music in a way that frequently comes off in a pretentious manner. It's ridiculous to name your album after a symbol, especially if it's †. This is not meant derogatorily. Really. Justice does appear to be that rare breed of dance artist equally capable of stimulating the body and the mind, though neither Richard James nor the Basement Jaxx need fear this act. After just one listen to "Waters of Nazareth," it's very difficult to avoid wondering "how the hell did they mix and match noise and pop so beautifully" while also dancing furiously. --Mike McGonigal

Product Description

Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2".

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

23 of 27 people found the following review helpful:

4.0 out of 5 stars It's all about fun, April 2, 2008

By 

Steward Willons (Illinois) - See all my reviews
(VINE VOICE)   

This review is from: Cross (Audio CD)

Every now and then somebody releases an album that isn't incredibly serious or groundbreaking, but is, above all, just plain fun. "Cross" definitely falls into that category. It's basically a party on a disc.

It's refreshingly light in approach. Justice obviously doesn't take themselves too seriously as one can tell by tracks like "D.A.N.C.E." - but that doesn't mean they lack substance. Although one can never be sure, it doesn't seem like the work of a one-hit wonder. For one thing, there are a number of strong tracks on the album and, most importantly, they have an original take on the electro-glam sound that is so popular these days.

A lot of reviews compare this to Daft Punk, but I think those comparisons have more to do with the fact that these groups are both French duos working in the same general BPM area. Maybe there are more similarities than that, but Justice isn't not nearly as repetitive as Daft Punk tends to be and their songs are more gritty and dirty. Above all, I have to resist this temptation to pre-judge them based on my feelings about Daft Punk. I hope listeners will hear them as their own group - not mere copycats. Actually, I think they're more like Basement Jaxx than anything else - but that's beside the point.

I've particularly enjoyed the way they can blend harsh noise and dissonance with such catchy melodies and pop hooks. "Let There Be Light" is brutal, but compelling. By all calculation, it should be grating on your ears, but instead you just want to dance. While the rhythm is tight, there's this wonderful feeling of looseness as if the instrumental parts weren't entirely quantized on a grid. The lack of rigidity seems to be one of the key factors in the very danceable nature of this disc.

As a side note, I couldn't finish this review without a nod to my favorite Italian prog rock band, Goblin whose soundtrack to Dario Argento's "Tenebre" makes an appearance on "Phantom." Well, more than an appearance - it's basically the whole song. I realize that Goblin isn't as popular as they once were, but I hope some Justice fans will check out their music because they were using synthesizers waaay back in the days of Kraftwerk.

Overall, this is an inspired debut from a promising new band. Although it may not entirely live up to some of the raves here, it's strong and good for repeat listenings. If you're a fan of electro or anything like Basement Jaxx, I would highly recommend this CD. It's fun and easily accessible right from the start, but it has enough depth to make you keep listening again and again.

7 of 7 people found the following review helpful:

5.0 out of 5 stars WOW, October 23, 2009

By 

James L. Gambrell (Morris, MN USA) - See all my reviews
(REAL NAME)   

This review is from: Cross (Audio CD)

All I can say about this album is WHOA

If you have a powerful stereo this album will rock the house like nothing I've ever heard. Its incredibly dynamic, almost tearing the air around you. Mix in a little alcohol and prepare to be transported to planet Justice!!

I wouldn't pick this up if you only have a boom box, there is a lot of transient sub-bass that needs real woofers (12"+) to do it justice.

2 of 2 people found the following review helpful:

5.0 out of 5 stars The new Daft Punk, December 5, 2007

By 

Yesplz "YesPlz" (nyc) - See all my reviews

Amazon Verified Purchase

This review is from: Cross (Audio CD)

Like many of you, I was extremely disapointed with Daft Punk's Human after all. I have been looking for a band that has their same flavor with something new mixed in.....This, ladies and gentelmen, is it.

Justice's Cross has mixed the best parts of the 70s (lovely orchestral strings) the 80s(think robots and synthisizers) and the beats of the early 90s with the bass of the late 90s and turned it into a materpeice. Now, i know the 70s and 80s don't sound like cool-times BUT somehow Justice has managed to clean it up. THe whole thing will leave you electronically satisfied, for sure.