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August 7, 2007 | Format: MP3

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Product Details

  • Original Release Date: August 7, 2007
  • Release Date: August 7, 2007
  • Label: Ed Banger/Because Music/Vice
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 47:35
  • Genres:
  • ASIN: B00122Z7NK
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (94 customer reviews)
  • Amazon Best Sellers Rank: #13,338 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

25 of 29 people found the following review helpful By Steward Willons TOP 1000 REVIEWERVINE VOICE on April 2, 2008
Format: Audio CD
Every now and then somebody releases an album that isn't incredibly serious or groundbreaking, but is, above all, just plain fun. "Cross" definitely falls into that category. It's basically a party on a disc.

It's refreshingly light in approach. Justice obviously doesn't take themselves too seriously as one can tell by tracks like "D.A.N.C.E." - but that doesn't mean they lack substance. Although one can never be sure, it doesn't seem like the work of a one-hit wonder. For one thing, there are a number of strong tracks on the album and, most importantly, they have an original take on the electro-glam sound that is so popular these days.

A lot of reviews compare this to Daft Punk, but I think those comparisons have more to do with the fact that these groups are both French duos working in the same general BPM area. Maybe there are more similarities than that, but Justice isn't not nearly as repetitive as Daft Punk tends to be and their songs are more gritty and dirty. Above all, I have to resist this temptation to pre-judge them based on my feelings about Daft Punk. I hope listeners will hear them as their own group - not mere copycats. Actually, I think they're more like Basement Jaxx than anything else - but that's beside the point.

I've particularly enjoyed the way they can blend harsh noise and dissonance with such catchy melodies and pop hooks. "Let There Be Light" is brutal, but compelling. By all calculation, it should be grating on your ears, but instead you just want to dance. While the rhythm is tight, there's this wonderful feeling of looseness as if the instrumental parts weren't entirely quantized on a grid. The lack of rigidity seems to be one of the key factors in the very danceable nature of this disc.
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11 of 12 people found the following review helpful By James L. Gambrell on October 23, 2009
Format: Audio CD
All I can say about this album is WHOA

If you have a powerful stereo this album will rock the house like nothing I've ever heard. Its incredibly dynamic, almost tearing the air around you. Mix in a little alcohol and prepare to be transported to planet Justice!!

I wouldn't pick this up if you only have a boom box, there is a lot of transient sub-bass that needs real woofers (12"+) to do it justice.
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2 of 2 people found the following review helpful By rechungp on November 29, 2011
Format: MP3 Music
Cross is Justice's first album. They have since become very influential in the electronic music scene, taking influence from Daft Punk. Although Daft Punk may have influenced them, I personally feel that this album transcends the emotional impact that Daft Punk's albums have had on me. Justice takes gritty beats and makes them not only enjoyable to listen to but very fun to dance to. Many contemporary electronic artists have a specific type of listener they try and target (as their unique music requires a certain type of person to enjoy, such as Nintendocore). This is not the case with Justice. They are a band that takes musicality and rhythmic precision very seriously. Not only are the songs musically sound and very technical, but also almost all of them induce urges within me to get up and dance.

The first song on their album is called "Genesis". The song itself has a loud introduction, which sets the tone for the rest of the album, as most of the songs are very energetic and fast-paced. The timpani rolls provide a dark yet epic introduction, also foreshadowing the style of most songs on the album. After the introduction of the song, a sinister melody is played. Besides this melody, the faint sound of a girl saying "yeah" can be heard in the background. The subtleties in this song excited me as I started to appreciate the amount of work that must have gone into making details like that sound good while still fitting with the song. At this point, I started to have high hopes for the album and listened intently for more intricacies.

The second song on the album is titled "Let There be Light.
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13 of 18 people found the following review helpful By Cale E. Reneau on July 10, 2007
Format: Audio CD
If the opening seconds of Justice's debut album, " ," don't tell you a thing about what you're in store for, you aren't listening. The mudded brass come marching in like they are coming to destroy, and in a way they are. Justice is a dance/electronica group, to be sure, but to label them as such is travesty in and of itself. Like that imperial death march, Justice is here to destroy. In this case, they have come to demolish your preconceived notions about what dance music is and what it can be. Now, until recently I have avidly campaigned against the genre which I feel is cluttered with mundane "artists" who rely on bad samples and horrendous loops to captivate a somewhat dimwitted audience. My opinion is slowly starting to change as I am introduced to artists who are challenging this perception. Justice is one of them.

From the opening track to the very last second of "," I found myself, not only captivated, but amazed, entertained, and energized. Justice comes off as a bull charging towards its victim, with so much momentum and energy that attempting to slow it down would be a fruitless endeavor. Their songs are constantly changing, never relying on a single loop or phrase for too long. And these songs are not lite, easy-listening electronica songs either. They're harsh and brash, with the mids turned up too high for comfort. It's not your average dance album, it is a revelation!

"Let There Be Light" begins with a near-unlistenable melody, but adds in drums, a thumping bassline, and so many cuts and glitches that you'll be in love with it before you know it. It concludes with an absolutely awesome composition that harmonizes synths with synths in a way that sounds like it'd be better suited for the closing credits of a Super Mario Bros. game than a dance record. "D.A.N.C.E.
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