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Crosscurrents in American Impressionism at the Turn of the Century [Hardcover]

William U. Eiland (Author, Editor), Donald D. Keyes (Editor), Janice Simon (Editor)

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Book Description

June 1996 0915977168 978-0915977161
This book was published in conjunction with a symposium that accompanied the exhibition American Impressionism in Georgia Collections. American Impressionism became a national style at the turn of the century, prior to World War I. The movement reflected the diversity in other arts at that time and represented the longing for stability in a country full of chaos. The book features five scholarly essays discussing the cultural and social context of the American Impressionist movement.

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Review

With few exceptions, Crosscurrents in American Impressionism should be applauded for the admirable scholarship of the essayists....In sum, [the book] offers a considerable contribution to the scholarship on American Impressionism, and the Georgia Museum of Art should be commended for such an effort. -- Print Quarterly, Vol. XV, no. 1, March 1998

About the Author

Janice Simon is a professor of art history in the Lamar Dodd School of Art at the University of Georgia. Charles Eldridge, former director of the National Museum of American Art, is the Hull Distinguished Professor of American Art at the University of Kansas.

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Inside This Book (learn more)
First Sentence:
The fog arose suddenly after a glorious morning of blue sky and sunlight. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, White City, Mary Cassatt, French Impressionism, World's Columbian Exposition, American Impressionism, New England, Museum of Art, United States, William Merritt Chase, American Impressionists, San Francisco, Armory Show, French Impressionists, Cecilia Beaux, Woman's Building, Smithsonian Institution, Theodore Robinson, Art Museum, Art Palace, Gibson Girl, John Singer Sargent, Louisine Havemeyer, Midway Plaisance, Pennsylvania Academy of the Fine Arts
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